Tag Archives: white

Bar Tabacchi, Citta’ di Fiesole

Bar Tabacchi, Citta' di Fiesole
“Bar Tabacchi, Citta’ di Fiesole” — A the entrance to a small business at a bend in the road in Feisole, Italy.

Fiesole is a small town in the hills above Florence. It is apparently known for its elevated views of Florence and for its Etruscan and Roman amphitheater — which we did not visit. (From all appearances, it is a place for contemporary concerts and festivals.) We went because friends had suggested it, because of the prospects of the view, and because we like to occasionally get out of major cities, especially when we are there for a longer period of time, as was the case in Florence.

So we hopped on a bus near the Florence train station and were soon traveling through parts of Florence that do not look at all like the historic and popular center of the city. Before long the route ascended into the hills, becoming steep in places as we approached Fiesole. We spent a few hours wandering this quiet place and admiring the town and its broad vista over Florence.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Rock Abstraction

Rock Abstraction
“Rock Abstraction” — An imaginary landscape of rock, Point Lobos coastline.

I feel that there is always a tension in landscape photography between showing things as they literally are, showing them as we might wish they were, and using them as departure points for more imaginative explorations of what they suggest to us. This photograph falls squarely into the latter category. As I looked at the remarkable patterns in these shoreline rocks, I thought about how I have seen similar patterns in paintings. So I decided to push reality a bit and head in the direction that those works suggested.

Once again, this photograph illustrates how I/we can find new things in old places. I made the photograph at a coastal spot that I have photographed since I was a young kid with a cheap black and white camera, imagining himself following in the footsteps of Adams and Weston — who also photographed exactly here. Decades later I still return and ind new things and new ways to see them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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The White Stone

The White Stone
“The White Stone” — A white stone rests among many-colored pebbles, Point Lobos.

I had a free morning in mid-April, so I headed over to Point Lobos, barely more than an hour’s drive from here. I might have gone on down the Big Sur coast, but road washouts have closed that route for now. So Point Lobos it was! I arrived to gray weather — high fog and not much in the way of interesting, directional light. But eventually the clouds began to pull back toward the coast and soft, directional light appeared.

Point Lobos always rewards a slower pace. There’s a lot to see here, and even more to see if you linger and start to notice things that you might miss by passing through quickly. The edges of this cove are lined with rocky strata that gradually dip into the water. Winter surf pushes all sorts of interesting stuff up onto the shoreline, and I enjoy walking slowly here and seeing what I can find. The small colorful pebbles are everywhere, but the larger white rock was the special find.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Meandering Channels

Meandering Channels
“Meandering Channels” — Water flows across the salt playa through meandering channels in Death Valley.

Viewed up close from the valley floor, Death Valley is a mostly flat place blanked by tall mountains. But the details of its huge playa are largely invisible unless you travel off the paved roads and out into it. But even there, the flat terrain makes it difficult to fully understand the landforms. To do that you are better off heading to some place high above the valley and looking down into it from above.

I went one such place very early in the morning, and from there I watched the first rays of sunrise light strike the peaks of mountains across the valley, then work their way down to the valley itself. Eventually the shadows contracted and the full valley was in sun, revealing remarkable patterns of land, salt deposits, and meandering seasonal streams.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.