Tag Archives: white

Forest Colors, Autumn

Forest Colors, Autumn
“Forest Colors, Autumn” — Wildly colorful autumn trees in New England.

As a long time California fall color photographer — hey, I wrote a book on that! — I noticed a few significant differences when we photographed New England fall color. For one thing, wildly varied colors often appear in close proximity, as in this photograph. Another big difference is that the colors seem to go on forever, draped across entire mountain ranges almost without break. (In California they tend to be more localized and uniform.) Another difference? There are far more people there to see the colors! I thought that it got crowded at popular California spots on fall weekends, but it is nothing like what we saw in New England!

This photograph comes from one of those popular areas, the Kancamagus Parkway. This two-lane road crosses one of the more spectacular fall color areas, and people flock to it in huge numbers. But there is so much color everywhere that you can stop at almost any point and find something to photograph, especially if you like making compositions out of complex forest scenes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Clearing Storm, Lake, and Fog

Clearing Storm, Lake, and Fog
“Clearing Storm, Lake, and Fog” — Evening fog drifts over moutains around a Sierra Nevada mountain lake as storm clouds clear.

I made this photograph on a rather remarkable Sierra evening. Late the previous day it had started to rain. Contrary to my expectations and experience, this turned out to not be just another afternoon shower — it absolutely poured, confining us to tents for hours and restricting our photography well into the next day. Finally the rain began to let up and we got out, though everything remained gray and wet. It wasn’t until the second evening, right around sunset, that the clouds finally broke enough to let in some light. But what light it was — perhaps a reward for our forbearance during the storm!

This photograph has been sitting in the archives for quite some time. I have looked at it in periodically and puzzled over how to handle it. The challenge was that the sky color was bright and extremely intense, so my exposure had to leave the foreground in deep shadow. This week I came back to the photo and figured out how to process it. Part of the challenge was technical, but it was also aesthetic — a question of how bright to make things and still retain the sense of oncoming twilight.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Dense Autumn Foliage

Dense Autumn Foliage
“Dense Autumn Foliage” — Intensely colorful New England autumn foliage., New Hampshire.

My favorite season is just days away, with the autumnal equinox arriving this weekend. Although I have yet to see much of it myself, I know that the first fall foliage is starting to show up here in California — and I hope to be in the field photographing it again soon! Meanwhile I’ll start the ball rolling with some photographs from the East Coast. I’ve had these in my archive for some time and only got around to working them up this week. This one comes from New Hampshire.

Two years ago we (finally!) made it to New England for its famous fall color display. For years, almost every time I shared Sierra Nevada fall color photographs someone would say, “But you should see New England!” I love the Sierra version of autumn, which just as beautiful, if less flamboyant — but I have to admit that the amazing oceans of color on the East Coast are spectacular, too.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Winter Cloudscape

Winter Cloudscape
“Winter Cloudscape” — Clouds and their reflections produce a minimalist landscape on a foggy winter morning in Central California.

Recently I went back and reviewed photographs from the winter migratory bird season, a time when I head to California’s Central Valley as frequently as possible. The birds are the trigger for this annual focus, but my interests go well beyond the wildlife. I’m fascinated by the flat, wide-open landscape, the immense sky, the long views, and the fantastic tule fogs. “Normal” people steer clear on foggy days out there, but that’s my cue to head to the Valley!

This morning began with fairly thick fog. But as is common, it began to clear shortly after sunrise. This is a slow process. The fog may thin in one area but remain impenetrable nearby, or after clearing it may drift back again. Because tule fog isn’t very deep, the sky above is often visible before the surrounding land. That’s the case here, as the soft overhead winter clouds are visible against a blue sky, even as the horizon is obscured by fog. One thing that seems magical about these scenes is that almost nothing is solid and tangible — it is a vague landscape of mist, clouds, and reflections.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.