Tag Archives: white

White Drin Waterfall

White Drin Waterfall, Kosovo
“White Drin Waterfall” — The White Drin Waterfall , near Peja, Kosovo.

For this American, used to spending time in our national parks and in our wilderness areas, my visit to this place was a bit of a culture shock. This waterfall and a nearby cave complex are part of a “natural monument” in Kosovo, at the village of Radac a few miles west of Peja, Kosovo. Much to my surprise, the crowds here were absolutely huge. The first challenge was finding a place to park, and it turned out to be almost impossible. It seemed like everyone in Kosovo was walking this trail — families, foreign visitors, you name it. Booths along the trail sold food, drink, and trinkets.

On one hand, this was not exactly a wilderness experience. On the other hand… people clearly love this place. And it is quite beautiful. The river flowing below this waterfall is full of picturesque boulders, and lush trees overhang the water. My understanding is that this waterfall is regarded to be the source of the White Drin River, which flows from here into Albania.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Imaginary Floral Landscape

Imaginary Floral Landscape
“Imaginary Floral Landscape” — An imaginary floral lenscape of receeding spring petals.

This feels like a floral version of my “imaginary landscape” photographs, in which I push the interpretation of the image significantly, to the point that I feel it is best to acknowledge what is going on. (To many photographers and flower-lovers it is obvious that this is not a “what I saw” photograph, but more a “what I imagined” photo.) The starting point was a photograph I made using a macro lens and shooting across the top of a group of flowers.

The boundary between real and imaginary in photographs is much less obvious that some observers may realize. If you know what you are looking at, it is not a secret that photographs are usually the photographers interpretation of the subject, not a simple reproduction. To be honest, this is more or less a feature of photographs — they cannot really be full, objective records of things, and some element of interpretation figures in virtually all photographs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Tall Autumn Aspens

Tall Autumn Aspens
“Tall Autumn Aspens” — A tall grove of aspens with bright autumn colors, Eastern Sierra Nevada.

This grove showed an interesting pattern — most of the color in the frame comes from short trees along the edge of a clearing, while the white trunks of older and taller trees extend on up toward the top of the frame. Straight trees like these are the exception in much of the Sierra, and we often see shorter aspen trees that are twisted and bent. I suspect that the extra light from the nearby clearing is one reason that these trees grew taller.

Once again, this is a photograph made in the soft light. I came into this canyon late in the afternoon, and soon the shadows from very tall ridges in the west moved across the landscape. The soft light allows the details in darker areas to emerge a bit, and that nearby clearing diffused a bit more reflected light into the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Aspen Thicket

Autumn Aspen Thicket
“Autumn Aspen Thicket” — A thicket of dense aspen trees with autumn leaves, Eastern Sierra Nevada.

This photograph comes from near the end of the autumn aspen color transition. Although one can stretch the season out to about one month, eventually the leaves all fall and we’re left with bare trunks. Generally speaking, the leaves fall first at higher elevations, and that’s where I found this grove. While the fully colorful trees are exciting, I also like this stage when the white trunks start to become the stars of the show.

There are many ways to photograph aspen trees, but I’m particularly fond of softer light. I find this when there is some thin overcast, or very early or late in the day, or even in light rain to snowfall. In this case I photographed at a time when nearby tall ridges blocked the direct sunlight, and the soft light filled the shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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