Tag Archives: winding

Canyon Narrows

Canyon Narrows
A desert mountain wash winds through narrows between tall cliffs, Death Valley National Park.

Canyon Narrows. © Copyright 2023 G Dan Mitchell.

A desert mountain canyon winds through narrows between tall cliffs, Death Valley National Park.

Believe it or not, this is Titus Canyon, through which a remarkable road passes. The road runs almost thirty miles from near the Nevada border, over mountains, past old mines, and eventually emerging into Death Valley. Or at least it used to. We hiked into the canyon from the west end in late March — when it was closed to vehicles due to damage in a big storm last year. The road is essentially obliterated, and the canyon is as it was in pre-road days.

This photograph is an example of a principle that occurred to me many years ago when photographing redwoods and considering how to portray their extreme height. The counter-intuitive principle sometimes turns out to be, “go wide, not tall.” I feel that a wide landscape format creates a subjective sense of “it is so tall that it won’t fit in the frame.” In this case, I think it also emphasizes the twisting, meandering path that the canyon takes through the narrows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Winding Canyon #2

Winding Canyon #2
Morning light in a winding desert canyon, Death Valley National Park.

Winding Canyon #2. © Copyright 2022 G Dan Mitchell.

Morning light in a winding desert canyon, Death Valley National Park.

We arrived at this spot in a badlands canyon after the morning golden hour but a bit earlier than I usually get there. The route to this view passes by so much interesting stuff that I inevitably get sidetracked, and I tend to reach this spot after the best light. But on this morning, having photographed here not too long ago, I resisted some of those early temptations. The light was still appealing and the desert haze added a nice quality to the atmosphere.

A few weeks ago I shared another photograph of this scene — that one was presented in horizontal landscape orientation. Why share another when that is the biggest difference? Lots of reasons! Sometimes one or the other format is obviously more successful, but in this case they are different but equally valid ways of seeing this landscape. I don’t subscribe to the idea that there is one “right” way to see a landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Canyon and Strata

Canyon and Strata
A desert wash in a winding badlands canyon leads toward contrasting strata, Death Valley National Park.

Canyon and Strata. © Copyright 2022 G Dan Mitchell.

A desert wash in a winding badlands canyon leads toward contrasting strata, Death Valley National Park.

This juxtaposition of very dark and very light layers in this badlands terrain has long fascinated me. Often the contrasts among the various layers are relatively subtle, even where obvious colors are involved — but here we see nearly the darkest forms right next to some of the lightest. The material in the foreground is perhaps closer to the typical coloration.

There is a lot to look at in terrain like this, especially when viewed from a slight elevation. In some ways the largest forms mimic and expand on the smallest. Tiny irregularities combine to produce larger versions of themselves, and then these combine to produce larger gullies, which themselves collect together to form that great washes that drain the landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Winding Canyon, Morning Haze

Winding Canyon, Morning Haze
Morning haze mutes the features of a distant mountains beyond a winding desert canyon.

Winding Canyon, Morning Haze. © Copyright 2022 G Dan Mitchell.

Morning haze mutes the features of a distant mountains beyond a winding desert canyon.

I am not sure how many times I have photographed in this location over the past fifteen years or so, but it may have been dozens. There are striking features here, and I’m sure that they are what attracted me at first. I recall many years ago setting up on a high spot before sunrise and photographing for the next hour or two from within perhaps a 25-foot radius. Since then I’ve gone back on every visit, which at this point is perhaps twenty or more times. The fascinating variety of the spot attracts me, but part of the story is that it is relatively easy to get to, even when I only have a few hours on a morning when I’m about to start the long drive home.

Due to the nature of access to the area, I start at the same end every time I photograph there. At some point the early morning light comes over mountains from the east and lights up the formations, and I typically stop and intensively photograph wherever I am at that point. As a result, I always seem to arrive at the end of this little loop too late for the best light. I’ve often looked up this canyon and others like it, hoping to photograph their winding paths with the mountains in the background… and too often realized that the light was gone. But this time I arrived at a lovely high spot in good light and photographed into the morning haze that muted the details of the mountains beyond the twisting canyon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.