Tag Archives: windows

Photographs: San Francisco, Photographs: Urban/Street

Digital Printing

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Digital Printing
Wall and sidewalk of a building advertising “digital printing.”

Digital Printing. © Copyright 2019 G Dan Mitchell – all rights reserved.

Wall and sidewalk of a building advertising “digital printing.”

Sometimes I wonder what people must think if they happen to notice me making street photographs. Take this image for example. I was walking with some sense of purpose back towards the 4th and Townsend Caltrain station, where I would pick up a train heading back down the peninsula following a morning of photography in San Francisco. In a location where most people are similarly focused on getting from point A to point B, usually with heads down, I suddenly stopped, stepped off the sidewalk… and photographed the wall of a nondescript building.

This photograph may be the urban equivalent of the “intimate landscape” image — I certainly think of photographs like this as being landscapes, and this one zeroes in on a very small area of a subject that folks overlook. Being a photographer who prints digitally, the “digital printing” sign had caught my eye when I passed by here a few hours earlier. Now I saw the soft light on the scene, the weathered quality of the wall, the geometry of the subject, and the relationship between the blue bar at the top and the blue quality of the light on the sidewalk.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Night, Photographs: Structures and Objects

Two Buildings, Night

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Two Buildings, Night
Night photograph of two buildings in the historic core of Mare Island Naval Ship Yard

Two Buildings, Night. © Copyright 2018 G Dan Mitchell – all rights reserved.

One of the attractions of photographing at night is the way that everything changes and familiar and even mundane subjects can be transformed. Night almost automatically adds an element of mystery to subjects, even when the literal subjects might arguably be mundane. This is partly the natural associations we make with the night, but it is also the objective nature of the light — rather than working under the sun or other forms of light from the sky, we rely almost always on multiple point sources of artificial illuminations. (And exception would be working under full moon light, but that has its own implications.)

I made this photograph in the “historic core” area of the Mare Island Naval Ship Yard in Vallejo, California. For the most part many of the original structures still stand in this area. (Much more extensive redevelopment has occurred elsewhere on the island, some of which has removed the old facilities.) Here some of the buildings have been updated and put to use for more modern purposes, but the general feeling of the place remains. I have photographed in this little alley-way for about fifteen years now. Somethings stay the same and other change, and on this visit I found that I was able to use the new corner windows on the foreground building as a point of focus.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Structures and Objects

Celebrate 75 Years

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Celebrate 75 Years
Empty chairs, windows, and a small sign

Celebrate 75 Years. © Copyright 2018 G Dan Mitchell – all rights reserved.

Empty chairs, windows, and a small sign

This photograph could be seen as a lesson and as an example regarding practice… and in a few other ways, as well. I don’t know if much needs to be said about it, but I’ll offer a few thoughts anyway. I made it while I was busy doing what might seem more like “work” photography — documenting the opening reception of an exhibit by my friend Oliver Klink, whose beautiful “Cultures in Transition” exhibit had recently been installed at PhotoCentral in Hayward, California. Mostly I was running around making photographs of various people attending the event and photographs of the gallery space. But every so often I spot something that seems like a photograph in its own right, and I disconnect from the work momentarily to capture that “something.”

This is, admittedly, a somewhat minimal and perhaps even somewhat enigmatic photograph — and it also doesn’t likely seem all that connected to the landscape photography of mine that may be more familiar. There are several ways one could “read” this image, but rather than being didactic about it, I’ll leave the reading to the viewer. What do you see?

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Architecture, Photographs: Night

Roll-Up Door, Night

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Roll-Up Door, Night
A metal roll-up door, old windows, and buildings in multi-colored night light

Roll-Up Door, Night. © Copyright 2018 G Dan Mitchell – all rights reserved.photo description

A metal roll-up door, old windows, and buildings in multi-colored night light

This is another photograph from my recent “alumni night” with The Nocturnes at the historic Mare Island Naval Ship Yard in Vallejo, California — a location where I did my first night photography about fifteen years ago, and to which I return at least a couple of times every year. The places is a sort of Mecca for Bay Area night photographers, almost all of whom have made the place a subject at some point. It holds very old historic ship yard buildings and structures, some areas that are essentially abandoned, a few areas undergoing redevelopment, and the effects of the ever-present San Francisco Bay that surrounds it.

Some things remain the same and others change. This photograph holds a bit of both extremes. The buildings in the scene have been there a long time and I have photographed them in the past. However, the lighting has changed significantly. This used to be an area of extremely dim light, but now there is a new facility just to the left of the area in the frame, and when anyone approaches security lights are activated and they cast a glow across the faintly green building. Its color controls with that of the more distant concrete building illuminated by an entirely different type of light.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.