“Organic Landscape” — Erosion patterns in a desert landscape, Death Valley.
Believe it or not, I am getting to the end of the photographs I made on this year’s winter visit to Death Valley National Park. I go every year during the cool months, sometimes more than once. When I returned at the end ofFebruary I wasn’t sure if I had gotten many keepers, but since then I have managed to find more than a few. This is a typical situation — I often don’t immediately see the potential in image files, and it takes a while to get to know them.
This photograph includes a small section with details of a portion of Death Valley “badlands” terrain. I photographed it in the early morning, before the direct sunlight arrived. The soft light and the curving shapes remind me of forms we see in living things, hence the “organic” title.
“Ride the Tiger” — A woman taking a ride on a Paris carousel at night.
Last December we were out for a cold afternoon and evening walk in Paris, and on our way back towards our hotel we passed a carousel set up in a square near shops and other upscale amenities, apparently as part of holiday season events. I could not resist making a few photographs of the merry-go-round and its patrons.
Most of my night photographs are as sharply focused as the images I create in the daytime. But sometimes I like to take advantage of the low light levels and play with longer handheld exposures that incorporate motion blur. In cases like this one the blur better suggests the motion in the scene.
“Woman and Cathedral Columns” — A woman walks past immense columns at the St. Pierre Cathedral, Montpellier.
Montpellier’s huge St. Pierre Cathedral (Cathédrale Saint-Pierre de Montpellier) is a historic Catholic Church in gothic style that was established almost 750 years ago. The south facade features a high exterior arch supported by these two gigantic round columns and topped with very pointed roof caps.
Such churches often seem to be found in the centers of historic districts cities like this, but in Montpellier it is a bit off to the side. When we visited there few people were walking near the cathedral, aside from a few passers-by and a couple of people entering the church. (We did not go inside since it wasn’t open for visits.) I photographed this woman walking past the base of one of the columns.
This is riveting, Dan. The difference in magnitude between the solitary figure against the column, the muted tones that still deliver depth, and the graduated vertical play of light combine to create an engaging and beautiful image.
“Woman in Red Coat” — A woman in a red coat sits on steps outside a Paris building.
This is another of the “grab shots” that I often come away with when I’m doing street photography. Here things appear and disappear quickly, and it is often more a matter of grab-that-shot than careful and slow consideration of the subject. Here I simply spotted this women on the steps and wearing the striking red coat as we walked past.
It can sometimes be hard to articulate precisely what I see in a photograph that I make. Here, I think that the color of the woman’s red coat is pretty important, as it stands out against the cooler colors in the rest of the scene, especially the color blue. I also was attracted to the somewhat melancholy feeling of the woman sitting alone on the steps in front of the badly weathered doorway. Form is also important, and here the mirrored shapes of the planter boxes create a kind of background rhythm.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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