Tag Archives: wooden

Photographs: Structures and Objects, Photographs: Urban/Street

Suburban Fence

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Suburban Fence
A weathered fence along an urban trail, San Jose, CA.

Suburban Fence. © Copyright 2021 G Dan Mitchell – all rights reserved.

A weathered fence along an urban trail, San Jose, CA.

This is another in the occasional series of photographs from the neighborhood, make while on one of my (almost) daily walks. The walks are not primarily about photography, though I always have a camera with me. They are mostly about “stretching my legs” (for perhaps three to eight or more miles) and clearing my mind. Few things allow the mind to wander productively more than walking.

Years ago I discovered that having a camera in hand can alter the way we (or at least I!) see the world around me. Often when I walk I don’t regard the urban landscape with any great focus, but as soon as I think of myself as a photographer and visual opportunist I start to see things that I had not noticed. I distinctly recall a winter walk years ago when I first realized this. I headed out through the same areas that I see every day… and suddenly I saw all kinds of things that I simply had not paid attention to before: the second story of downtown buildings, shadows on walls, old tiles, patterns in the sidewalk, and more. This more recent photograph features a section of fence that I probably pass once or more per week.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Pandemia, Photographs: Structures and Objects, Photographs: Urban/Street

Fence and Gate

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Fence and Gate
A gate in a fence along a trail, photographed on a neighborhood walk.

Fence and Gate. © Copyright 2020 G Dan Mitchell – all rights reserved.

A gate in a fence along a trail, photographed on a neighborhood walk.

As I have shared in the past, during the pandemic I have cut way back on longer photographic outings, which sadly means less time in places like the Sierra Nevada and similar. (I still go to those places — carefully! — but much less frequently.) On the other hand, initially to compensate but now because it has become habitual, I’m doing a lot of walking in a radius of a few miles around our home. Walks are very close to daily events, and they vary between a couple of miles and up to occasionally as much as eight miles. Among other benefits, these walks open my eyes to local features that I would otherwise overlook. (I have informally referred to the resulting photographs as “postcards from Pandemia.”)

This photo comes from one such recent walk. The subject is simply a gate in a fence along a trail that I probably walk two or three times each week. After months of walking past this, for some reason the gate caught my attention this time. I’ve gone with a black and white rendition here — I’m leaning towards focusing on monochrome for this series now — and a very dark interpretation of the subject. For a long time all of my photographs have tended to try to put more light into the scene. Don’t expect that to stop, however I’m also starting to consider how I can explore images that lean toward darker tones.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Architecture, Photographs: Northern California

Blue Building, Evening

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Blue Building, Evening
Blue building and unusual plants in evening light, Mendocino, California

Blue Building, Evening. © Copyright 2012 G Dan Mitchell – all rights reserved.

Blue building and unusual plants in evening light, Mendocino, California

This very blue building stands along a narrow road near the edge of a small Northern California coastal town that we visit from time to time. Late in the afternoon, as evening approached, I was out walking when I saw the building with very low angle, early evening light on these striking plants.

I look forward to the time when we can again travel to such places and spend days walking around slowly, not worrying about distance and masks and whether it is safe to stay nearby or eat at the restaurants. The fact that those things are inaccessible right now makes me hope that we appreciate them more once they come back into our lives.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Ghost Towns, Photographs: Structures and Objects

Abandoned Mill

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Abandoned Mill
The ruins of an abandoned mill in the desert backcountry

Abandoned Mill. Desert Mountains, California. April 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The ruins of an abandoned mill in the California desert backcountry

During the nearly twenty years since I first “discovered” California deserts, my experience with them has changed. To be honest, as a person largely focused on the coast and the Sierra, when I was younger I didn’t really know much about these wild places, and I wasn’t really attracted to them. It wasn’t until the late 1990s that I actually made a serious visit and began to “get it” about the things that make these areas so marvelous. At first, like almost anyone else, I focused on some of the most obvious and iconic places. But eventually as I returned to these places, especially to Death Valley National Park, I began to push out my boundaries bit by bit. As I did so I discovered many more interesting things about these places, both the natural wilderness and the human history. One of the first experiences that connected me to the human history was an accident. One evening I wandered away from a camp and just sat down on a boulder in an elevated location on an alluvial fan. I happened to look down to see an unusual rock. I picked it up and quickly realized that it was a cutting implement left their by the earliest people to make their lives here — and my notions of the depth and variety of human experience in the desert was profoundly altered.

That human influence has many facets. Certainly the experience of the people we now refer to as “native Americans” is central. (I like Canada’s term: “first people.”) Later settlers showed up for a range of reasons — pioneers passing through, prospectors chasing the dream of the big strike, folks looking for a job, people not well suited to living in the civilized world, and other. They all left traces. The prospectors and miners left lots of them all over the desert landscape, and you can’t travel around these places without running into it. The photograph is a detail from one amazing structure high on a desert ridge, abandoned only recently in the context of the larger scale of history, but still putting us in touch with an era that is mostly gone now from these places.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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