A momentary beam of sunlight illuminates a granite outcropping and trees against a backdrop of clouds surrounding the upper cliffs of Yosemite Valley
We had one day in the Valley and despite challenging weather conditions were determined to make photographs. I knew that it was likely to be cloudy, but there was also light rain (and snow at slightly higher elevations), making it a rather gray day. However, in some ways these can be among my favorite conditions to photograph here. When it is cloudy or stormy in the Valley, clouds can drift among the feature high up on the surrounding cliffs and peaks, and sometimes there can be fog and other kinds of interesting atmosphere right down in the Valley – and I feel that these conditions are both more interesting and more challenging that a classic “beautiful day” in the Valley. (Not that I won’t take one of those, too, if it turns out to be available.)
Looking for interesting subjects we headed west on Northside Drive and found clouds obscuring the face of El Capitan, blowing enough that they would momentarily reveal sections of the giant granite face. We stopped at one of the locations from which hordes of photographers would attempt to photograph Horsetail Fall later that evening and I made a few photographs of this foggy sight, but then I turned a long lens towards other sections of the steep terrain above the Valley, looking for sections where interesting things might happen as the clouds drifted around and occasional sun broke through. As I lined up a composition that included various diagonals from rocky prominences and cliffs rising above, the sun began to shine weakly through the clouds and light up the closest rock while those beyond remained mostly gray.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A single tree grows against the face of a granite wall, Yosemite National Park, California
I’m well acquainted with this tree, though there is always more to learn about such things. It is next to a Yosemite road that I drive regularly, and near a location that I frequently stop to photograph in all seasons. Most often I’m not photographing this tree, but some other nearby subjects – but I always end up looking at the tree and considering its situation.
The tree grows very close to an impressively steep cascade of water, but it is not quite within the watercourse itself. Off to one side, it grows almost perfectly straight against the face of a very large chunk of granite that must have long ago fallen from the steep terrain above. While its trunk and branches, like those of many similar Sierra trees, can almost seem closer to rock than to a living thing, the green at the end of the thinner, darkened branches softens its appearance. And there is a bit more to the rock behind the tree if you look closely. There is a complex and varied pattern of lichen across its surface and in places it is broken up by cracks, such as the curving one at upper right whose curve seems to be faintly completed just to the right of the tree trunk.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Morning mist swirls around Glacier Point beyond the silhouetted branches of winter oak trees, Yosemite Valley.
This morning proved – yet again – that there is “always something to see” if I’m just out there looking. We had stayed overnight in The Valley the night before, following the opening reception for Yosemite Renaissance 28, the annual juried exhibit of work created by artists inspired by and working in and around Yosemite National Park. (It is a wonderful show and you should stop by the Museum Gallery in the Valley if you are in the Valley during the next few months.) After heading out for a late dinner with a group of other participants after the reception, we got to bed quite late and the idea of waking up well before dawn to photograph was not sounding as appealing as it sometimes can. It didn’t help that the weather forecast was for clouds and a chance of rain or snow.
I woke up at 5:30 and reset my alarm for the relatively late hour of 6:30, thinking that whatever photography there might be would be almost outside my door and realizing that sunrise would not be until after 7:00 a.m. I got up, quickly dressed and grabbed camera gear, headed out the door and started walking. In the pre-dawn light I could see that the clear areas of the sky were quickly diminishing and that clouds were ringing the Valley. I ended up in nearly deserted Cooks Meadow, where I made a few photographs of trees and cliffs and so forth. Then it started to rain lightly. I kept shooting a bit longer, but soon realized that I couldn’t really stay out there since I had not thought to bring anything waterproof for me or my gear. I retreated to a nearby shuttle bus stop and found shelter under its roof. Now of all the places to look for aesthetic inspiration in the Sierra, a Yosemite Valley shuttle stop might be very close to the least likely. However, finding myself in one and with nothing else to do, I began to look around to see what I could see from this small sheltered area. First I noticed a large granite face to my east that was becoming reflective in the light rain, and I shot a few photographs in that direction. Then I looked up through the branches of dormant oak trees toward Glacier Point and saw clouds swirling about it and nearby pinnacles and trees, occasionally broken enough to allow some of the sunrise light to create a glow behind the mist. And there you have it – the first photograph I have made from under the roof of a shuttle stop… ;-)
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
UPDATE: As of 2020 I am no longer posting annual updates concerning this subject — and I am editing older posts on the subject in light of the need to be more responsible about not encouraging the onslaught. I also no longer recommend going to the Valley to see it. Unfortunately, too much exposure (yes, I played a part in it, unfortunately) has led to absurd crowds, traffic jams, littering, destruction of areas in the Valley where too many people go to see it… and the park has increasingly — and appropriately — cracked down. Parking options have been eliminated, at least one viewing location has been closed. Good news! The rest of Yosemite Valley is still there and often exceptionally beautiful at this time of year.
The silver strand of Horsetail Fall and water reflecting on surrounding cliffs in late afternoon light, Yosemite Valley, California.
Although it seems like it would be extremely difficult to make a truly original photograph of Horsetail Fall at this point, I won’t completely rule out the possibility, and recently I have seen a few interesting and imaginative photographs of the phenomenon.
The necessary conditions are fairly specific, and even when the basics are in place there is no guarantee that the show will occur on a given evening. To be honest, the odds are distinctly against you, and you are more likely to see something that doesn’t match your expectations.
There must be flowing water in the creek near the east end of the face of El Capitan that feeds the fall. This is not a sure thing in mid-winter. There must be sufficient snow above El Capitan and the temperatures must be warm enough to melt it, or there must have been a recent warm storm that brought some rain to higher elevations.
The setting sun must align just right with a gap in the mountains to the west of El Capitan so that the setting sun (miraculously) casts its last beams right on the face of El Capitan where the fall is located. Roughly speaking this occurs during the second half of February, right around February 20 or so.
You must be in a position such that the fall is back-lit by the sunset light beam. In addition, your position must provide a clear view of the fall – not necessarily a simple thing given the forest cover in the Valley. These areas are now subject to terrible crowding that has damaged areas of the park, and the park service is wisely reducing or eliminating access.
Although photographs make it seem like a huge, overpowering spectacle, it is actually very small. It takes place high on a distant cliff face, and to photograph it you’ll need a very long lens.
Finally, the skies to the west of Yosemite must be clear so that the golden hour sunset light is not blocked. Many tell stories of clouds that made it obvious that the show would not happen or, even more frustrating, developing light that was killed at the last minute when the sun dropped behind clouds to the west, which are quite common.
Any post about the February Horsetail Fall occurrence must include a few other important points:
The event has become so popular in recent years that the experience has been significantly compromised. You will not have an experience of relative solitude such as Galen Rowell likely had when he made the iconic photograph of the subject decades ago. Instead you will likely find yourself among hundreds or thousands (you read that right) of other photographers lined up with lenses pointed the same direction.
This, of course, implies that parking and finding “your spot” may both be challenges. As a result of traffic jams, illegal parking, overwhelming crowds, gross littering, and damage to meadow, forest, and river… the park service is wisely putting several access limits in place, even closing one of the favorite areas as of 2020.
If Horsetail isn’t an option, you are are still in one of the most beautiful and compelling places on the face of the planet for making photographs! Speaking of which, while the crowds are focused on Horsetail, you might consider photographing other things away from the crowds…
The annual Yosemite Renaissance art show typically opens at about this time each February and features the work of photographers and other artists working in Yosemite. The show is in the Yosemite Museum Gallery and the 2013 edition runs from February 22 through May 5, with the opening reception at 5:30-7:30 on February 22. (You can view my work in the show this year.) In addition, there is always something interesting to see at the nearby Ansel Adams Gallery – this year an exhibit of Michael Frye’s photographs opens on February 16.
NOTE: The 2017 edition of the exhibit, Yosemite Renaissance 32, opens with a free public reception at 5:30 PM on Friday, February 24. One of my photographs is in the exhibit again this year. See you there!
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.