All posts by G Dan Mitchell

G Dan Mitchell, photographer and visual opportunist focusing on the Pacific coast, the Sierra Nevada, redwood forests, California oak/grasslands, California deserts, urban landscapes, night photography and more. Posting daily photographs since 2005, along with articles, reviews, news, and ideas.
Photographs: New York City, Photographs: Urban/Street

11th Avenue

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11th Avenue
Looking down 11th Avenue from the High Line Park

11th Avenue. New York City. December 28, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Looking down 11th Avenue from the High Line Park

Expect a wide-ranging mix of photographic subjects over the next few weeks. There will certainly be more from the San Joaquin Valley, both landscapes and wildlife. I still have some older photographs from the Sierra and other locations in the queue. This photograph is part of an inevitable series of “urban landscapes” and urban/street photography from our recent visit to New York City. The latter is a favorite subject of mine. As a west-coaster, I only get to photographer there perhaps once per year, but when I do I like to take full advantage of the opportunity.

This photograph feels like an urban landscape to me. On the final day of our trip we found time to revisit the High Line Park, a place that has a different feeling at each time of year. The park, for those who may not already know, runs along the path of an old elevated railroad bed on the west side of Manhattan. It has become an incredibly popular place, but with good reason, as it winds through all sorts of interesting urban terrain a few stories above street level. A new section has opened since our last visit, and it extends the path northward to and past the Hudson Yards area. This photograph was made along the new section where it crosses 11th Avenue, and where I saw the same beautiful light that might stop me in my tracks anywhere.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Central California, Photographs: Nature

Marsh, Fog, Evening Light

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Marsh, Fog, Evening Light
Evening light on San Joaquin Valley marshland

Marsh, Fog, Evening Light. San Joaquin Valley, California. December 17, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Evening light on San Joaquin Valley marshland

This photograph represents the flip side of an observation I made in a separate post regarding another photograph that I made on this mid-December evening. The comment had to do with the contrast at the end of the day between events here that happen suddenly and those that unfold more slowly — a simulations slowing down and speeding up of events at the end of the day. The speeding up events include sudden departures and arrivals of large groups of birds. The slowing down part is exemplified by this photograph. (For the EXIF file data aficionados among you, the EXIF data shows an incorrect time of day for this photograph. Ah, well…)

As I photographed other subjects I had slow moments to look around and take in static elements of the scene. Late in the evening, as the light color warmed, I saw the effect this had on the brown reeds and the trees, many of which still had a few fall leaves left. While the near trees are quite clear, being lit by this beautiful side-light, the details of the further trees are muted just a bit by haze, and the more distant sky’s color is muted by this incipient fog. A few remaining geese along with some ducks sit almost completely still in the shallow water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Night, Photographs: Urban/Street

Man in White, Mosco Street

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Man in White, Mosco Street
“Man in White, Mosco Street” — A man dressed in white takes a break outside of a Mosco Street kitchen, New York

Christmas Eve in New York City.Earlier in the day we had wandered around in midtown, making photographs in cloudy and occasionally drizzly conditions. Eventually we made it up to near Central Park to join our younger son and his future wife at a place where he proposed to her earlier this year. Then we wandered down along the park and across to join the mob scene on Fifth Avenue until the crowds become overwhelming.

Time for dinner, so we head to Chinatown, where there is a restaurant at which we’ve eaten with our sons on a few previous Christmas visits. It is supposed to be — and it was — a place that is good but not necessarily widely known. We arrive and find that the wait is “at least an hour and a half.” As someone later said, “The cat is out of the bag.” We quickly figure out that most of the other nearby restaurants are nearly as crowded, so we decide to walk a few blocks to a Vietnamese place. As we walk down Mosco Street a cook takes a break on the sidewalk, lit by the light spilling out of the door to the kitchen.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Cranes, Dusk Sky

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Cranes, Dusk Sky
Sandhill cranes return in dusk light above the San Joaquin Valley

Cranes, Dusk Sky. San Joaquin Valley, California. December 17, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Sandhill cranes return in dusk light above the San Joaquin Valley

It sometimes seems odd to me that as the day comes to an end out here where I photograph birds, things seem to both slow down and speed up. The slowing down is the natural consequence of the daylight coming to an end, with my own awareness that a long day of photography that began well before dawn is soon to conclude, and the quieting of some of the natural occupants of this environment. The speeding up comes from certain events that take place suddenly and evolve quickly, along with the potential for several of them to occur simultaneously.

Very late in the afternoon I made a quick circuit of the area where I was photographing, trying to make a few final full daylight photographs and identifying locations where certain dusk events might be more likely — a landing by cranes, a sudden departure of geese. I identified a spot out along the levee loop where a decent sized flock of snow geese (and perhaps some Ross’s geese?) had settled in close to the perimeter road, and less than a half hour before actual sunset I was back there and ready to photograph. For some time things were very quite nearby. The geese mostly sat still in the shallow water near reeds, and I had time to compose photographs that were essentially landscapes with birds. As I was working on one of these I saw, far off in the distance beyond a roadway, that a huge flock of geese had lifted off and was wheeling in circles. Ah, well, I wasn’t going to get to photograph that flock close-up on this evening! Before long I sensed a restlessness in the smaller flock near me and, sure enough, groups soon began to lift off suddenly and head south and west — first smaller groups, and soon almost the entire remaining flock. When this happens I transition immediately from the slow and leisurely “landscape with birds” photography to working quickly and making instant decisions about what to photograph and how to photograph it. As I tracked these birds into the distance I began to notice lines of cranes heading back to one of their favorite spots perhaps a quarter-mile away. Using a long lens I tracked them as they crossed the cloud-textured sunset sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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