All posts by G Dan Mitchell

G Dan Mitchell, photographer and visual opportunist focusing on the Pacific coast, the Sierra Nevada, redwood forests, California oak/grasslands, California deserts, urban landscapes, night photography and more. Posting daily photographs since 2005, along with articles, reviews, news, and ideas.

Evening, Wildfire Smoke, Tomales Bay

Evening, Wildfire Smoke, Tomales Bay
Wildfire smoke from northern California wildfires colors the evening sky at upper Tomales Bay

Evening, Wildfire Smoke, Tomales Bay. Near Point Reyes National Seashore, California. October 15, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Wildfire smoke from northern California wildfires colors the evening sky at upper Tomales Bay

In what is perhaps an example of astonishingly bad timing, we were in the region just north of San Francisco for the past few days — near the areas afflicted by the terrible wildfires that have taken lives, destroyed property, and burned over huge swathes of wild land and agricultural areas. The scope of the damage is virtually unprecedented in California, and the events are not yet over as I write this. We were in Petaluma on Friday and most of Saturday, where Patty was to participate in a long-planned wedding of one of her former oboe students. The fires were close enough to Petaluma that breathing masks were provided to those attending the wedding, and at times ash fell from the sky like very light snow flurries.

On Saturday we moved closer to Point Reyes National Seashore. Our original plan had been to spend a couple of days photographing there, but the conditions were not conducive to photography for the most part. We visited the Seashore on Sunday, but the smoke and the naturally brown October conditions, combined with a complete lack of moody for or other clouds left us a bit uninspired. We found a few things to photograph, but we finally decided to just drive north up that coast a ways. We got just past Jenner, where the smoke become even thicker — and we turned around. The smoke was not the only evidence of the fires. Signs were up everywhere — restaurants and similar places — with announcements of fund-raisers, requests for donation, notes from people looking for a place to stay. It was also clear the folks from inland had headed out toward the ocean to try to escape the fires. We left Jenner and headed back toward our lodgings in the Point Reyes area, and just at sunset we arrived at upper Tomales Bay. It was quiet and still as we stopped at a high point from which we could look out over the bay and north toward its mouth. It was still smokey, but here the smoke merely softened the features of the landscape and added color to the sky and the reflecting water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Aspen Grove in Shade

Aspen Grove in Shade
A hillside grove of autumn aspens in early morning shadows

Aspen Grove in Shade. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A hillside grove of autumn aspens in early morning shadows

I think there may be at least a couple of things worth discussing about this photograph — both from a slightly technical point of view and from an “opportunity” perspective, as in what photographic opportunities might be available in this part of the Sierra when focusing on the subject of autumn aspen trees. The technical issue (though it really turns out to be an aesthetic issue in the end) is one that I’ve discussed before, namely the kinds of light in which one can photograph aspen and other fall color. This photograph was made in fairly deep shade, and the trees stand on a slope of a tall mountain that blocks the morning sun until several hours after sunrise. I went here largely because of that — and the beautiful trees! — because I wanted to photograph in this soft light. Photographing these trees in shade reduces the huge contrast in light levels between highlights and shadows that we must deal with when the trees are lit directly by the sun. The intensity of the colors can increase and the light fills in the shadows, revealing details that disappear in harsh midday light. (One challenge is handling the blue quality of light that comes from the open sky, but that is perhaps a topic for another post.)

The second observation has to do with the types of aspen trees found in the Sierra. People who have seen the huge groves to straight and tall aspens in places like Colorado and Utah often remark on the many small and twisted aspens in the eastern Sierra. They are right to do so — many of “our” aspens are shorter, the groves frequently (though not always) are limited in their extent, and the tall and straight trees are less common. However, that is part of what I like about the Sierra aspens — the variety of “aspen personalities” is remarkable, ranging from brilliantly colorful but very small scrub aspens to some examples of tall and straight trees with thick trunks. This photograph combines the two. The presence of the smaller foreground trees provides color in front of the revealed trunks of this grove of tall and straight trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Peak Aspen Color

Peak Aspen Color
An eastern Sierra Nevada aspen grove at the peak of fall color

Peak Aspen Color. Eastern Sierra Nevada, California. October 9, 2017© Copyright 2017 G Dan Mitchell – all rights reserved.

An eastern Sierra Nevada aspen grove at the peak of fall color

I regard fall aspen photography as, to a great extent, an exercise in timing. One element of this is, of course, to simply be in the right place at times of peak color. Aspen color is rarely static, and from day to day it changes. Just a few days earlier I had been in this same spot and most of the trees were still green. (I made a mental note on that earlier visit to come back in a few days when I suspected that the colors might be more developed.) The time of day is also critical since light variations play a huge role in the ways the colors appear. Early and late in the day, when the trees are still in shadow but perhaps lit by open sky and reflections from surrounding mountains, the soft light can produce rather saturated colors and fill the shadows with light. When backlit, the same groves might be so bright that it is sometimes difficult to figure out the idea exposure. And when the groves are front lit the colors can be greatly diminished.

Before we came to this spot we had started our day by photographing in a rather different area a few miles away. We worked those subjects for perhaps an hour and a half, and at that point I remembered my idea of visiting this other location, the one where I made this photograph, before the direct sunlight arrived. So off we went, down one canyon and then up another, to arrive at this spot where I knew colorful aspen trees would spread up the hillside in the shade. The colors were quite incredible. Most of the hillside was in full color — a lot of golden/yellow, but also shades of orange and red. Here and there a few trees where still green, and for this composition I decided to place one of those clusters of green trees in almost the center of a frame otherwise filled with wild colors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Autumn Haze

Autumn Haze
Autumn haze obscures distant ridges and peaks above an eastern Sierra Nevada valley full of fall color

Autumn Haze. Eastern Sierra Nevada, California. October 10, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Autumn haze obscures distant ridges and peaks above an eastern Sierra Nevada valley full of fall color

On the final day of this brief visit to the eastern Sierra in search of aspen color and other fall subjects, we had only a few opportunities for photography. Other responsibilities required us to get back to the San Francisco Bay Area by mid-afternoon, so we were up very early and on the road out of Bishop before 7:00 AM. We passed through Round Valley before sunrise, and I wished I could have delayed for perhaps another half hour. We continued north, and I thought about each of the places that I passed that we didn’t have time to visit — various canyons along the west side of highway and some areas to the east in the high desert terrain. As we approached Lee Vining we decided that we would head further north and cross the crest at Sonora Pass.

As we continued, we realized that we might have enough time to make a brief stop or two… but that we had to limit this. So we passed a few other areas where we might otherwise have stopped. We passed through Bridgeport and on to the turnoff toward Sonora Pass. Part way up the pass we made our first real photographic stop of the day. (It turned out to be our one real stop for this purpose.) Looking back down from partway up the steep ascent from the valley, we could look over the tops of close aspens, across the meadow beyond, and finally to tall peaks obscured by a combination of typical autumn haze mixed in with a bit of the wildfire smoke the was afflicting much of California.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.