Category Archives: Photographs: Belgium

Brussels Wall Detail

Brussels Wall Detail
“Brussels Wall Detail” — Wall with tags, graffiti, and poster remnants, Brussels.

This is a small section of a wall in Brussels, Belgium. We passed it while out on a very long (almost all day) walk through the city. I’m fascinated by walls like this one, where layers of personal messages and markings have built up over time, juxtaposed in sometimes-surprising ways to produce a kind of found art.

These things often consist of some combination of actual “art” (often small, personal drawings), bits of text including tags and quotes, random smears of paint, remnants of paper fliers in the process of weathering and falling off. They become short-term time capsules as layers build up, with the newest material on top and the oldest visible through the newer materials in places.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Couple On The Bank of the Leie River, Ghent

Couple On The Bank of the Leie River, Ghent
“Couple On The Bank of the Leie River, Ghent” — A couple on the walkway along the Leie River, Ghent, Belgium.

This seemed to me like a particularly picturesque curve in the Leie River though the old section of Ghent, Belgium. Although the sky suggests partly sunny light, it remained a bit overcast where we were, thus the very soft light in this photograph. This is a busy place, and there were not a lot of opportunities to photograph just one or two people in this scene.

We were only in Ghent briefly — we took a train there from Brussels for the day. We spent the day walking around the center of the city, where there are many old buildings and perhaps one of the greatest concentrations of church spires I have seen. I made the photograph as we walked a bridge connecting the two sides of the river.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Stained Glass Light

Stained Glass Light
“Stained Glass Light” — Beams of colorful light from stained glass windows on the stone floor of the Eglise de Notre-Dame Des Victoire, Brussels.

First impressions on entering old European churches like the Eglise de Notre-Dame Des Victoire in Belgium focus on the architecture, the scale, and the quietness of these places. If you have some time to wander — and you should take that time if you visit them — smaller details start to emerge. Stained glass windows originally provoked me to look up at them, but later I learned to look down at the light they cast.

The first time I understood the projected light was during a late-afternoon visit to the Sagrada Familia in Barcelona. The low angle of early evening light sent colorful beams of light everywhere. The effect at this smaller Brussels church was not quite as broadly spectacula, but its beauty still caught my attention.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Graffiti and Barred Window

Graffiti and Barred Window
“Graffiti and Barred Window” — Colorful wall, window, and metal grate in Ghent’s “graffiti alley.”

An alley in Ghent, Belgium is called the “graffiti street” or the “graffiti alley.” (The latter is more apt, since it is a very narrow walkway.) The walls (and sometimes the pavement) are covered with a wild mix of tags, graffiti, and street art. New imagery is continuously added on top of the old, and the intersections of these old and new images can be fascinating.

I have mixed feelings about photographing graffiti and street art, at least when it isn’t just an unavoidable element of the scene or an embellishment on other subjects. But here, the individual work is subsumed by the sum of it all, and in ways that hardly could have been anticipated by those who produced the deeper layers.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.