Category Archives: Photographs: Central California

Winter Trees, Dusk

Winter Trees, Dusk
“Winter Trees, Dusk” — A row of bare winter trees silhouetted against the a colorful dusk sky.

This photograph lets me recall how we greeted the New Year. It was the same way we’ve done it for the past decade or so — joining a group of photographer friends to photograph migratory birds in the winter landscape. A few of us arrived the day before, but everyone showed up before dawn on New Year’s Day to greet the first sunrise of the new year together.

This photograph comes from New Year’s Eve. We arrived in the middle of the afternoon, in time for the late-day light. It was a quiet evening, with a few clouds forming when I made this photograph of a row of winter-dormant trees in the post-sunset dusk light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Snow Geese in Formation

Snow Geese in Formation
“Snow Geese in Formation” — A group of snow geese in flight and lined up vertically.

Most of these migratory birds will likely have departed from their winter homes in Central California by the time you see this photograph. They arrive in the fall, overwinter, and then depart some time in early March. Back in the pandemic year of 2020 I visited one of the places where I photograph them about one week into March, and they were still there. I went back one week later, and they had all departed. The place seemed awfully lonely!

This group was part of a much larger flock that was in motion above wetland ponds — thousands of birds swirling around as they contemplated where they might land. The light was just right for this group — it came from the side and from down low, illuminating the birds’ undersides. (Often photos of birds overhead end up too dark against the bright sky.) I also like the fact that the five of them together demonstrate every phase of their wing flapping.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Fly-In

The Fly-In — geese arrive over a wetlands pond at sunset.
“The Fly-In” — Thousands of migratory geese arrive in the wetlands at sunset.

A day spent photographing migratory geese and other birds often includes a lot of “slow time” when little is happening. This isn’t necessarily a bad thing — sometimes the quiet and stillness is enough by itself. But around sunrise and sunset there is often a of activity as large flocks of birds take to the air and head to nighttime locations. If you are where they arrive, it is the “fly-in.” When they depart, we refer to the “fly-out.”

This huge flock of geese (almost certainly snow geese for the most part) arrived just after I went to this spot to photograph a colorful winter sunset and its reflection in the waters of a wetland pond. The flock arrived, circled, and eventually settled down on the water… and quiet returned.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Marsh and Fog, Sunrise

Marsh and Fog, Sunrise, Central Valley, California
“Marsh and Fog, Sunrise” — Fog envelopes a wetlands marsh at sunrise.

This was a morning of utmost stillness and quiet. We worked our way around the perimeter of a wetlands landscape filled with ponds. Geese and sandhill cranes were beginning to stir in the first light. There was thick tule fog before dawn, and it started to thin as the sky began to lighten as the sun rose.

These wetlands marshes can be a welcome antidote to the stresses of our current world. (No, I don’t believe in ignoring the causes of that stress, just in trying to find balance.) Here things move so slowly that sometimes they barely appear to change at all. In this scene a few ducks paddled by slowly, and tiny ripples appeared in the water, while fog moved almost imperceptibly.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.