Category Archives: Photographs: Central California

Landing

Landing
Landing

Landing. San Joaquin Valley, California. February 14 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A goose approaches a landing in a San Joaquin Valley wetlands pond at dusk

A goose (either Ross’s or snow goose) prepares to land in a San Joaquin Valley wetlands pond at dusk last winter. We frequently photograph winter migratory birds in California’s Central Valley, and we were at a location in the San Joaquin for the full day back in mid-February. It was an almost ideal day for winter photography in the Valley, with highlights including lots of birds (of course!), morning fog that cleared after the sun rose, a colorful sunset, and the dusk arrival of many thousands of birds.

I have worked with motion-blurred photographs of birds for some time now. While I also like to create sharply delineated photographs that show the details of these animals, I also like the more expressive quality of the blurred images, which also may evoke the motion of the birds in a different and effective way. As the light becomes very dim at and after dusk, rather than ending my shooting I got with the slower shutter speeds and start to play with motion. Here I tracked this goose as in came in for a landing, allowing it to blur a bit but not as much as the background water and birds that had already landed.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Wetlands Pond, Reflected Winter Sky

Wetlands Pond, Reflected Winter Sky
Wetlands Pond, Reflected Winter Sky

Wetlands Pond, Reflected Winter Sky. San Joaquin Valley, California. February 14, 4014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A seasonal wetlands pond reflects a foggy winter sky

This is the third in this series of photographs from a beautifully atmospheric winter day in California’s San Joaquin Valley last winter. Although I shot the three scenes nearly a half year ago, it took me that long to return to the original files and understand what I wanted to do with them. All three depict a type of atmosphere than has long intrigued me — fog and mist-filled atmosphere, illuminated by sun, and so bright as to be almost difficult to look at directly.

These are minimal landscapes — there is little in them that is concrete and fixed stuff. Here the only “solid” elements are a few distant birds scattered on the surface of the water, a small island, and a faint line of the horizon further off. The rest of the scene is almost entirely ephemeral, consisting of the fog-obscured sky with its high winter clouds, and the reflection of these elements in the surface of the wetlands pond below. There isn’t a lot in this image when you come right down to it, but for me it evokes a quiet sense of great distances and space.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Pond, Trees, Reflected Winter Sky

Pond, Trees, Reflected Winter Sky
Pond, Trees, Reflected Winter Sky

Pond, Trees, Reflected Winter Sky. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A seasonal wetlands pond reflects a tree and foggy winter sky

This is the second in this sequence of three photographs that I’m sharing this week. All three were made nearly a half year ago on a foggy winter day in California’s San Joaquin Valley, where I had gone primarily to photograph migratory birds — geese, cranes, herons, egrets, and more. Although I knew what attracted me making photographs of these three scenes, as I wrote in the commentary on the first of them, I couldn’t quite figure out how to “see” them as final photographs back then, and they sat in my raw file archive until I recently reviewed this older images and saw how I could work with them.

There is a thread (among many) in my photographs of shooting very brightly lit fog, clouds, mist, and haze. I love the way that these atmospheric conditions can seem to glow from within when the conditions are right, and I’m especially attracted to such light when it is both slightly transparent and so brightly lit that it is almost hard to look directly into it. In these three minimalist landscape photographs I have pushed things back toward that very bright end of the luminosity scale. There are some black tones in this image, but they are very small, and almost everything else is much brighter.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Brown Pelicans, Fog, Water

Brown Pelicans, Fog, Water
Brown Pelicans, Fog, Water

Brown Pelicans, Fog, Water. Pacific Coast Highway, California. July 4, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A large flock of brown pelicans flies above the Pacific Ocean on a foggy summer morning

I have a thing about pelicans. They seem to me to stand apart from other birds along the California coast, most often coasting sedately on the wind, either high above as they pass along and above coastal cliffs or else down so close to the water that it seems like they will touch it. I have learned to watch for them, and I know of some places where it is likely that I’ll be able to see them close up, often by going to places high along cliff-top bluffs along which they frequently fly.

This large group completely surprised me — they came out of the blue, and I had not even been thinking about pelicans as I finished photographing a landscape scene from the tripod. I was just about as unprepared as possible for photographing birds in flight. Everything on the camera was set to manual — focus, shutter speed, aperture — and the camera had been in live view mode and on a low ISO. I was at the back of my car removing the camera from the tripod to put it away and probably was in the middle of collapsing the tripod legs when I looked up and saw a huge flock of pelicans just above the roadway to my south. I knew I had just seconds to reconfigure the camera before they arrived at my position — at least I had a long lens attached already! — so I did what I often do in these cases. I ignored the birds as I instinctively went through a bird photography set-up routine as quickly as I could: auto-focus on, stabilization on, camera in aperture priority mode (that’s a long story), ISO jacked up to 800. The only thing I forgot was shifting into burst mode, but that isn’t totally necessary. Finishing this quick sequence, I looked up to find the birds just about at my position, raised the camera, quickly tried to frame the birds against the background of the foggy Pacific, and made a few quick exposures before they moved out of range and faded into the fog.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.