Category Archives: Photographs: Central California

Monterey Cypress, Fog

Monterey Cypress, Fog
“Monterey Cypress, Fog” — Summer fog drifts across monterey cypress trees at Point Lobos State Reserve.

This was a wonderful morning at Point Lobos in more than one way. It was my escape from the oppressive inland heat — here is was 58 degrees with thick fog rolling across the landscape. It was not at all crowded, at least not at first, since I managed to arrive when the reserve opened. I spent the morning ambling slowly along trails near bluffs along the north shore, where Monterey cypress trees cling to the edges of the cliffs above the ocean.

This photograph was more of a challenge than it might appear. The textures and colors of the trees were quite attractive, but the gently glowing fog was quite a lot brighter. This is one of those photographs that I expose for what I intend to do in post, and not to try to “capture” the literal scene in the camera. I was faced with the (common) challenge of an extremely wide dynamic range, so I exposed for the bright fog and planned to bring back the details in the shadows among the trees in post.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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The Old Cypress

The Old Cypress
“The Old Cypress” — An old, gnarled monterey cypress grows along the cliffs of Point Lobos State Reserve.

Recently California and the West have been suffering through long periods of extreme heat. Fortunately, I live close enough to the coast that I can get over there on the worst days. I knew it was going to be hot so I got up early and drove to Point Lobos just south of Carmel, where I found thick fog and temperatures in the upper 50s. The fog typically pulls back from the coast fairly quickly on hot days, but this time it stuck around in o the afternoon. I spent the morning hours photographing here before heading back home where it ended up about 40 degrees warmer.

This is a fascinating specimen of Monterey cypress, a tree that is native here and only a couple of other locations. At Point Lobos many of them grow along the edges of steep cliffs, especially along the north shore, and this old tree is hanging onto its perch seeming by a thread.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Wetlands, Winter Clouds and Fog

Wetlands, Winter Clouds and Fog
“Wetlands, Winter Clouds and Fog” — Winter clouds and fog mute the colors and details of a wetland landscape.

Who can resist the symmetry of clouds and their reflections in still water? I know I cannot. I have photographed such things many times, but more typically the photographs feature some kind of overpowering sky — thunderstorms or a brilliantly colorful sunrise or sunset. (In fact, I’ve made a few of the latter at this very location.) But here I wanted to focus on something different, a subject that suggests the quiet and stillness of this wetlands landscape.

It was a foggy winter morning. As the fog began to thin the high clouds and their reflections became visible, although the horizon just beyond the rushes was still obscured by tule fog. Aside from the sounds of birds, it was quiet. The air was nearly still, and the scene was almost static — though to be accurate, it was simply changing very slowly.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Winter Cloudscape

Winter Cloudscape
“Winter Cloudscape” — Clouds and their reflections produce a minimalist landscape on a foggy winter morning in Central California.

Recently I went back and reviewed photographs from the winter migratory bird season, a time when I head to California’s Central Valley as frequently as possible. The birds are the trigger for this annual focus, but my interests go well beyond the wildlife. I’m fascinated by the flat, wide-open landscape, the immense sky, the long views, and the fantastic tule fogs. “Normal” people steer clear on foggy days out there, but that’s my cue to head to the Valley!

This morning began with fairly thick fog. But as is common, it began to clear shortly after sunrise. This is a slow process. The fog may thin in one area but remain impenetrable nearby, or after clearing it may drift back again. Because tule fog isn’t very deep, the sky above is often visible before the surrounding land. That’s the case here, as the soft overhead winter clouds are visible against a blue sky, even as the horizon is obscured by fog. One thing that seems magical about these scenes is that almost nothing is solid and tangible — it is a vague landscape of mist, clouds, and reflections.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.