Category Archives: Photographs: Desert

Brown-eyed Evening Primrose

Brown-eyed Evening Primrose
Brown-eyed Evening Primrose

Brown-eyed Evening Primrose. Death Valley National Park, California. March 27, 2010. © Copyright 2012 G Dan Mitchell – all rights reserved.

Brown-eyed Evening Primrose flowers and buds, Death Valley National Park

Going through some older Death Valley photographs near the end of 2012, I came across a few photographs of small desert flowers including this one of (what I’m pretty certain is) Brown-eyed Evening Primrose. (I’m certain it is a primrose, and it seems to fit the description of the specific form.) I’m not sure why this and a few related photographs had sort of disappeared into the raw file collection, though every time I go back through the old original files I find something interesting that I missed the first time around.

Even though it has now been several years, I recall quite specifically making this and the other similar photographs. I had driven to a well-known Death Valley location – one of the “icons” – quite early in the morning, and as I looked around near that subject, I saw some color on a small, rocky hill just off the highway. I decided to investigate, so I walked over there with my gear and wandered up onto the small hill. (I suspect that anyone who had seem me poking around over there might have wanted to yell, “Hey, you, the photograph is over this way!”) It had rained recently and what I found was a fairly astonishing number of new wildflowers that were just beginning to come to life in this seemingly barren and rocky area. I ended up photographing a number of different types of flowers and even surprises such as a big green caterpillar!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Desert Automobile Graveyard

Desert Automobile Graveyard
Desert Automobile Graveyard

Desert Automobile Graveyard. Death Valley National Park, California. March 4, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A group of old automobiles abandoned and left to decay in a gully at an old desert mining site

I have passed this old mining site quite a few times, looked up at it, and kept going. On this morning I had a bit of extra time so I decided to pause and poke around a bit. Certain obvious signs of the presence of an old mine are clear from nearby, but a bit more exploration revealed a more extensive than expected site – as is often the case. Although an old gravel road headed into the area, I decided to first walk up the road, partly to avoid nasty surprises while driving and partly so that I would see a bit more – which is typically what happens when I’m on foot rather than inside my vehicle.

The gravel road twisted up a small gully and soon reached an area that revealed views of quite a bit more mining evidence than I had suspected. I’m certain that if I had continued to explore that I would have found even more, but I’ll save that for another visit. I often have this feeling that these sites should be much older than they really are, and I’m still somewhat surprised to find that some of them were electrified. The surprise at this location was the number of not-really-that-old vehicles that had been abandoned. They are decades old, but I’m guessing that they might date to roughly the WWII era or even a bit later which, in the grand historic scheme, isn’t all that long ago. Several of these vehicles had been abandoned, somewhat oddly, in the bottom of a wash that must flood at least occasionally, considering the amount of gravel that swamped their undersides. The back of this one was open, so I positioned my tripod just outside the car and shot through it toward the other abandoned vehicles. (If you find and explore such places, please be extremely careful to leave things as they are. The effects of our individual disruptions are cumulative and accelerate the destruction and eventual disappearance of these sites.)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Abandoned Buildings, Leadfield

Abandoned Buildings, Leadfield
Abandoned Buildings, Leadfield

Abandoned Buildings, Leadfield. Death Valley National Park, California. April 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Abandoned buildings at the site of the Leadfield mines, Death Valley National Park

In a way there is really nothing that special about Leadfield. It is one of many, many abandoned outposts and mining sites found all over California and, for that matter, all over the West. These sites remain, though precariously in some cases, as a reminder of a number of things: history that is not all that distant, the people who must have been willing to come to such places and attempt to scratch out a living by mining, the human capacities for misleading others and for falling victim to those who would mislead, and the temporal nature of things that might seem permanent at the time.

I’m no historian, but I can share a few facts about this particular spot. In the 1920s the town – with some semi-permanent buildings and reportedly many tents – came into existence and died again in the span of less than a single year. Although the reports of ore in the area and situation that might allow it to be successfully mined were wild exaggerations or downright lies, a road was built into this rugged area, work was started on a mill, and today there is still plenty of evidence of mines all around the area. I made this photograph from the tailings pile at the entrance to what I think may be the main mine shaft, looking out over the site in what I imagine might be the direction that a person working that mine might have looked. I wonder it these people took as much notice as I did of the tiny and inconsequential appearance of the human landscape against the vast and rugged natural landscape beyond?

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cottonwood, Fallen Monolith, and Cliff

Cottonwood, Fallen Monolith, and Cliff - Sunlight reflected from nearby canyon walls illuminates an autumn cottonwood tree in front of a fallen sandstone monolith and vertical cliff face.
Cottonwood, Fallen Monolith, and Cliff – Sunlight reflected from nearby canyon walls illuminates an autumn cottonwood tree in front of a fallen sandstone monolith and vertical cliff face.

Cottonwood, Fallen Monolith, and Cliff. Grand Staircase-Escalante National Monument, Utah. October 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sunlight reflected from nearby canyon walls illuminates an autumn cottonwood tree in front of a fallen sandstone monolith and vertical cliff face.

I may be repeating a story I’ve previously told, but here goes. Earlier during my late-October visit to Utah we had wandered into this area, only to be largely stymied by clouds, cold, absurdly strong winds, and even a bit of rain. It was a bit disappointing, in that we had really looked forward to visiting this portion of the Escalante River, and when we started out in the early morning and saw a lot of beautiful fall color we thought we were in for a good day of shooting. Although that day was not a complete loss, it wasn’t what we hoped for – and by the end of the day we were struggling against very strong winds and cold.

Fortunately, nearly a week later we found ourselves back in roughly the same area of Utah, and as we considered the next day’s possible shooting locations the idea of giving this spot a second try came up. After considering that alternatives of trying a new location or going back, we decided to go back. It was a good decision! Where the first visit had been cold, cloudy, windy and even a bit damp, the second visit brought warmer conditions, almost completely clear skies… and most important, nearly windless conditions. (At one point we were cautiously admitting to one another that we had made exposures of foliage that lasted as long as a couple of seconds!) Near one large bend in the canyon there was a spectacular abundance of “targets” – brilliant cottonwood and box elder trees, beautiful canyon walls of various colors, fallen leaves, and more. On the previous visit we had all looked at this little scene of a large fallen section of the canyon wall with golden cottonwoods growing all around, and then pretty much continued on since the trees where being whipped around by the wind. But on this second visit the wind was calm, and light was reflected into the scene from sunlit sandstone walls to our left.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.