Category Archives: Photographs: Desert

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Winter Dawn, Panamint Mountains

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Winter Dawn, Panamint Mountains
In dawn light, the Panamint Mountains rise from Death Valley to snow-covered Telescope Piak.

Winter Dawn, Panamint Mountains. © Copyright 2023 G Dan Mitchell.

In dawn light, the Panamint Mountains rise from Death Valley to snow-covered Telescope Piak.

At the current time many road (and the locations they access) in Death Valley National Park are closed as a result of earlier flooding and washouts. Before I went there this past week I was aware of some closures, but when I arrived I discovered that some of my planned destinations were unavailable. I changed plans, improvised, and still found plenty to see and do in the park, and my list of planned locations remains for my next visit.

If plans had not changed, I would not likely have come back with this photograph. I often make relatively last-minute decisions about where to photograph based on light and sky conditions, and when I noticed that the air was clearer than usual — important given the vast distances in this park — I headed to a location with a view of the first morning light on the Panamint Mountains and their snow-capped summit of Telescope Peak. To give some idea of the distances, the highest peak is perhaps roughly twenty-five miles from my camera position.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Holly in the Sun

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Holly in the Sun
A desert holly plant in sunlight, growing in a Death Valley National Park canyon.

Holly in the Sun. © Copyright 2023 G Dan Mitchell.

A desert holly plant in sunlight, growing in a Death Valley National Park canyon.

Last week I made my first visit of the year to Death Valley National Park. I like to photograph there during the winter and again at the very beginning of spring. Despite the reputation of the place, it can be quite cold there in January, and I experienced a few windy and chilly moments. I made this photograph near the furthest point in a pleasant wander up a lovely wash that I happened into more or less by accident. I was near a ridge and the slanting afternoon light was still just catching the branches of this desert holly plant.

The circumstances of this afternoon’s walk were a reminder about one of the best ways to encounter the wild. I had gone out to scout a location for the next day’s dawn photography, and from my selected location I saw a small canyon dropping away. I almost didn’t enter it, but finally decide to walk “just a few feet” in to investigate. I did, and soon came to a junction with a much larger wash, and I couldn’t resist exploring. I started up, eventually going 15 minutes past my turn-around time, and finally ending up in a narrow, constricted, dark… and altogether fascinating little stretch of canyon that I need to explore again.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Ridges and Shadows

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Ridges and Shadows
Morning light creates stark contrasts between ridges and shadows on Death Valley badlands landscape.

Ridges and Shadows. © Copyright 2022 G Dan Mitchell.

Morning light creates stark contrasts between ridges and shadows on Death Valley badlands landscape.

Believe it or not, I’m still not quite done with this year’s Death Valley photographs. I’ve been sitting on this one for a week or two, pondering several things about it, but now I think I’m done with it. It may be the final one from this year’s very productive visits to the park. We’ll see! (Looking ahead, there’s a good chance that a year from now I’ll review the files and find at least one more.)

This is perhaps the place to again mention the typical cycle I go through when I return with photographs from a location. I open up the collection, and a few typically jump out at me immediately. These will not necessarily be “the best” of the group, but they are photographs that are fairly straightforward to process and work more or less as I expected when I exposed them. Then I go back through the files and begin to work on likely prospects that will require more thought. (Often the best work comes from this pass.) But this isn’t the end of it, and next I look again, this time trying to see the work with a different perspective. Here I often “discover” how to “see” photographs that did not initially seem like they would work. Finally (or maybe not?) I make one more serious traverse of the work to see what I might have missed. And with that — at least until I come back to the files in a year or so — it is on to new projects!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Sand Patterns

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Sand Patterns
Varied sand patteres on a fold in dunes at Death Valley National Park.

Sand Patterns. © Copyright 2022 G Dan Mitchell.

Varied sand patterns on a fold in dunes at Death Valley National Park.

One of the myths about sand dunes is that their features are in motion, being blown across the landscape by winds. The fact that so many features — ripples, waves — remind us of water reinforces the illusion. But here the fluidity is of a largely static sort, and these features tend to remain in much the same place over long periods of time.

The reasons that dunes come into existence begin to be obvious when ou get to know them. They tend to be in windy places where natural features obstruct, divert, and slow the winds, causing them to drop their load of airborne dust and sand. While these broad features are easy to understand, I remain mystified by the smaller scale features like those seen in this “intimate landscape” photograph — the waves, ridges, valleys, drop-offs that also tend to remain fixed.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.