Category Archives: Photographs: Fall Color

Yellow Leaves, White Trunks

Yellow Leaves, White Trunks
A few yellow leaves remain in a grove of small, tightly packed Eastern Sierra aspens

Yellow Leaves, White Trunks. Eastern Sierra Nevada, California. October 4, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A few yellow leaves remain in a grove of small, tightly packed Eastern Sierra aspens

With this year’s unusual Eastern Sierra fall color transition, I had plenty of opportunities to photograph aspen groves with few or no leaves. Most likely as a result of the four-year California drought, some aspen trees seemed to be under a lot of stress. Some of these trees were bare very early in the season, others changed colors a week or more early, and other simply lost their leaves without a real color transition. (Fortunately, some trees were not as stressed, and these prolonged the color season to and beyond the usual time in mid to late October.)

I enjoy photographing dense groves of small trees, with their complex and packed patterns of trunks and leaves. I spotted this grove a day earlier while in the area, so late in the day when the light started to fade and I found myself nearby, I headed back this way to photograph the grove in fading light. I like photographing aspens in this light, as it fills in the shadows, avoids the stark shadows of midday light, and tends to saturate the colors naturally. I searched this grove for the right spot and finally found it here — a place with almost uniformly dense small trees and a band of strongly colored leaves running horizontally.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Leafless Aspen Grove

Leafless Aspen Grove
Sierra Nevada aspen grove with bare trunks

Leafless Aspen Grove. Sierra Nevada, California. October 4, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Sierra Nevada aspen grove with bare trunks

I’ve written before that this has been a very strange fall color season in the Eastern Sierra, and this photograph might be an example. Although the photograph was made very near the beginning of October, typically the time that the peak colors are arriving, this grove was one of many that were already completely devoid of autumn leaves. After spending some time in a very colorful area much further south along the eastern slopes of the Sierra, I decided to head back to the San Francisco Bay Area over a couple of passes that cross the range much further north. Near the top of one of these passes there is a vast open area that holds many large aspen groves, and I had hopes of photographing some color here late in the day.

I arrived to find a beautiful scene — high, open sagebrush country with clouds moving quickly across the landscape and creating changeable light. But the aspens were pretty much spent. I pulled off the main road at a place I know well, and took a short detour down a little gravel road toward the edge of groves where there are some very large trees. Here I found the trees, alright, but the leaves were gone. Fortunately, I like aspen groves in almost any condition — with bare branches, with new spring growth, with colorful autumn leaves, in snow — so I went to work photographing the dense patterns of closely spaced aspen trunks in the soft late-day light, muted even further by clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Aspen Trees, Near-Peak Color

Aspen Trees, Near-Peak Color
A small group of aspens against a rocky slope are in full autumn color

Aspen Trees, Near-Peak Color. Eastern Sierra Nevada, California. October 4, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A small group of aspens against a rocky slope are in full autumn color

Having visited this area a week earlier I was expecting a certain level of fall color in specific places along the shoreline of this eastern Sierra Nevada lake when I arrived here again early on October. I was also expecting to see quite a few other photographers, given that this is an accessible and well-known location. I was not disappointed on either count. As I arrived I found brilliant colors along the small dirt roadway, and I also found photographers everywhere — in the parking lots, along the shoreline of the lake, stopped in the middle of the road, wandering in grassy areas. There were even a few workshop groups collected together in promising spots.

I kept going, passing through the area of the most intense color. My idea was to find a location from which I could get a line back across the valley towards the trees, placing them against a backdrop of the gray texture of granite hillsides and cliffs, and contrasting that with the brilliant color of the leaves, made even more saturated by the cloudy, wet conditions. I found my spot, wandered up onto a slight rise with a clear view of the trees, and used a long lens to isolate them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Home Away From Home

Home Away From Home
My camp for a week in the Yosemite backcountry, September 2015

Home Away From Home. Yosemite National Park, California. September 11, 2015 © Copyright 2015 G Dan Mitchell – all rights reserved.

My camp for a week in the Yosemite backcountry, September 2015


For the past few years I have escaped to the mountains (or desert, in one case) each fall or late summer for uninterrupted photography. Perhaps a half-dozen years ago I was fortunate enough to be able to join up with the five photographers whose work appears in the book “First Light: Five Photographers Explore Yosemite’s Wilderness.” The first year I more or less ran into the group (Charles Cramer, Scot Miller, Mike Osborne, Keith Walklet, Karl Kroeber) — they were on a pack-train supported weeklong-plus trip, and had backpacked in to the same area where I ran into them briefly. The next year I “crashed” their lengthy back-country trip for a few days; the following year I was still a backpacker (they used pack animals) but I joined them for the better part of a week. Since that time I’ve joined all or part of the group for a week or more each fall. (I’m grateful to all of them for welcoming me to join them.)

This year a smaller group of us spent a bit more than a week camped at a single Yosemite backcountry location. For someone with years of backpacking experience, typically moving from place to place each day, staying in one spot for so long has been a revelation. At first I wondered how in the world there will be enough to keep me busy for a week or more. Then half way through the trip I typically realize that I have just enough time to photograph the things I decide are important to work on, only to discover on the final day or two that I could probably actually use another half week or more! The photograph shows my backcountry home for a week this past September, at the end of a granite slab that extended almost all the way to the lake that was our home base.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.