Category Archives: Photographs: Flight

Great Egret, Airborne

Great Egret, Airborne
A great egret flies past, skimming above wetland plants

Great Egret, Airborne. Central Valley, California. January 16, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A great egret flies past, skimming above wetland plants

In some ways these magnificent birds are very accessible, but in other they can be hard to photograph in interesting ways. They are common at the locations where I frequently photograph birds, and when I have decent cover (shooting from a vehicle or similar) I can frequently get relatively close to them without scaring them into flight. The key is a very slow and cautious approach and sensitivity to the body language of the bird — there are often hints when egrets think that I am getting too close. From just outside that boundary the egrets are large enough to fill the frame in good conditions, and I have lots of photographs of them on the ground feeding. Perhaps too many!

That’s the problem. An egret on the ground is interesting, but not often quite as interesting as an egret in the air. (Grounded egrets can be beautiful in the right light and with the right background and so forth.) In flight they are beautiful birds, typically using slow wing motion and often gliding, and they assume impressive poses when taking off and when landing. However, the lift off is sudden and the flight path typically takes the bird away from me. But sometimes I get lucky, as I did with this specimen. I was actually unaware of its presence and, in fact, it may have been unaware of mine. I had stopped to photograph something else when the bird suddenly flew into range from my left and passed in front of me as it made a gentle turn around my position. I’ve learned to react fairly quickly and to get the camera up and tracking, but in the best of circumstances it is still a challenge. The first couple of frames are almost humorously off-target, but then I found my subject and centered it in the frame as it passed by very closely.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Two Sandhill Cranes in Dawn Flight

Two Sandhill Cranes in Dawn Flight
A pair of lesser sandhill cranes flies toward the rising sun

Two Sandhill Cranes in Dawn Flight. California Central Valley. December 26, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A pair of lesser sandhill cranes flies toward the rising sun

The first birds that attracted my attention when I began to seriously photograph them in California’s Central Valley were not sandhill cranes, but rather geese. A series of coincidences led me to (finally!) “discover” the great winter bird migration, something I should have known about much earlier, having lived in this state for nearly my entire life. I recall one winter drive up the Valley perhaps 15 years ago when I first saw and was amazed by flocks of geese in dusk light above the Sacramento Valley.

Once I started photographing these birds I soon discovered that there’s a lot more going on than those astonishing huge flocks of geese — many other birds, all of them with different behavior patterns and attractions. It did not take long to discover sandhill cranes, birds that I had read about but not understood all the way back in college. While they can be ungainly on the ground, their pattern of flight is often magnificent and their cries now characterize the audio winter landscape of the Valley for me. This pair had just arisen from its overnight home along a wetland pond and was flying past and toward the dawn sun.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Five Cranes, Sunrise Light

Five Cranes, Sunrise Light
Five lesser sandhill cranes fly toward the sunrise

Five Cranes, Sunrise Light. San Joaquin Valley, California. December 26, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Five lesser sandhill cranes fly toward the sunrise

“High horns, low horns, silence, and finally a pandemonium of trumpets, rattles, croaks, and cries that almost shakes the bog with its nearness, but without yet disclosing whence in comes. At last a glint of sun reveals the approach of a great echelon of birds. On motionless wing they emerge from the lifting mists, sweep a final arc of sky, and settle in clangorous descending spirals to their feeding grounds. A new day has begun on the crane marsh.” — Aldo Leopold, “A Sand County Almanac”

When I began photographing California Central Valley migratory (and native) birds a few years back, the initial draw was geese — snow geese, Ross’s geese, and others. But soon I become aware of the sandhill cranes, and I remembered reading Aldo Leopold’s descriptions of these birds all the way back in college. Something in his description was magical and even though I did not know these birds, I remembered his description.

The cranes’ distinctive cry is the first thing I listen for at dawn in the wetlands. They often seem to settle into places a bit more remote than those favored by geese, at least until later in the season. Their flocks are not as large. They often fly in small groups of three, four, or a few more. Their pattern of flight is more level, their wings work more slowly, and they often glide. They also people. Frequently I’ll spot a group heading straight towards me, but with very few exceptions they divert and take a path to one side.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Ross’s Geese, Dusk

Ross's Geese, Dusk
A flock of Ross’s geese suddenly takes to the air at dusk

Ross’s Geese, Dusk. San Joaquin Valley, California. December 3, 2016 © Copyright 2016 G Dan Mitchell – all rights reserved.

A flock of Ross’s geese suddenly takes to the air at dusk

The truth is that there are whole long periods of “nothing exciting” when photographing a subject like this. The photographs might deceive the viewer into imagining a morning, an afternoon, and an evening spent in constant wonder at the marvel of the birds and the landscape they live in, surrounded by clouds of birds in beautifully colorful skies. The truth, as it often is, tends to be more complicated. In fact, I spent a good part of this day sitting in my car grading papers. I napped a bit — important when you get up at 3-something o’clock in the morning and start your day with a two-hour drive in darkness. Yes, I even checked in on social media during the slow times.

There are at least two things to say about this. First, a quiet day in a place where time moves slowly is not a bad thing in and of itself — and it is sadly a rarity for too many of us. Second, and perhaps more optimistically, there are moments that reward patience and occasional boredom. They are not really predictable and often they arrive unexpectedly, and this only makes them more powerful. I had come to what I thought was the end of the day’s photography as the light faded and the birds quieted and I was simply standing by my car next to a small patch of bird-free water… when something triggered a mass eruption of geese into the air. They circled and the circle gradually expanded until its edge was right above me, and soon a large part of the flock began to land in that small patch of water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.