Category Archives: Photographs: Nature

Forest, Morning, Autumn Color

Forest, Morning, Autumn Color
Early morning autumn colors in the underbrush of a Yosemite forest.

Forest, Morning, Autumn Color. October 22, 2017. Yosemite National Park, California. © Copyright 2017 G Dan Mitchell – all rights reserved.

Early morning autumn colors in the underbrush of a Yosemite forest.

I like to visit Yosemite National Park every year around Halloween, when fall colors often peak in Yosemite Valley — including oaks, dogwood, cottonwood, big leaf maple, and more. This year I went a bit earlier — slightly more than a week before the end of October — since I wanted to drop in on a gallery opening reception in Oakhurst, for the last hurrah of the 2017 Yosemite Renaissance exhibit, which includes one of my photographs. I went up on the day of the opening, starting in Yosemite Valley. I spent the day photographing, but also marveling at the astoundingly huge number of people who were crowding the place. I try to avoid The Valley in the summer, especially on weekends, but I figured that October wouldn’t be so bad. I was wrong! In any case, by going away from the most popular places and a few other strategies, I was able to find some relative solitude.

I stayed in Oakhurst than night and then got up well before dawn the next morning. My loose plan was to head toward Glacier Point for sunrise, but I was sidetracked along the way — first by these fall colors and later by the opportunity to photograph a forest covered with wildfire smoke. Regarding that color, I already knew that there can be a lot of beautiful color along the road between Oakhurst and the Valley, and that it can be especially beautiful very early in the morning, when there are few people and the direct sunlight has still not arrived. I found this spot that I had scoped out the previous day, and I paused for some photography. Subjects like this are about as far from “iconic” as one can be, but they often evoke deeper associations with the feelings of such places than photographs of another popular mountain. As I made this photograph it was quiet, still, and cold, and the pre-dawn light was filtering down into the darkened forest. The colorful underbrush was the first thing I saw, but soon I realized the quiet beauty of the tall trees in this burned-over area as they marched up the hill toward the light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspens and Conifers

Aspens and Conifers
Fall color before sunrise in the Eastern Sierra Nevada

Aspens and Conifers. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Fall color before sunrise in the Eastern Sierra Nevada

I had visited this place a few days earlier on a separate visit, and at that time the colors were still not fully developed. At that time I wasn’t sure I would be back, since I have photographed this area quite a few times in the past, and I figured that my subsequent visit might take me to different areas of the Sierra. However, I’m an opportunist and I often make decisions about where I’ll go and what I’ll photograph quite close to the last minute, responding to circumstances and conditions. And on this morning, a visit to this spot looked promising.

Each year the color change patterns are a bit different. A spot that might be green one year on a particular date may be in full color during another year, or it might simply lose its leaves without changing. While things tend to happen at fairly similar times each year — with some exceptions — the state of the trees at those points in time can vary. For example, I have come to this spot at about this time and found the lower portion of the grove almost devoid of leaves, likely in the aftermath of cold and wind. This time the color still looked good, thought I could tell that at the lower edges it wasn’t going to last a lot longer. I as also intrigued by the somewhat unusual band of green trees still found in the bottom of the ascending gully.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Back-Lit Trees, North Cascades

Back-Lit Trees, North Cascades
A group of backlit trees above a deep valley, Artist Point

Back-Lit Trees, North Cascades. Near Mount Baker, Washington. September 20, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A group of backlit trees above a deep valley, Artist Point

In early September I spent a few days in the Seattle area — mostly on non-photographic business, but I managed to get out for a couple of days of photography. One was spent photographing street images in downtown Seattle, and I’ll share some of those photographs, too, before long. On the other day I managed to do the long drive up to the North Cascades near Mount Baker and Mount Shuksan, where I wandered a bit at the Artist Point location.

Conditions for my visit were varied, good for some subjects and more difficult for others. The main attractions here are probably the spectacular alpine vistas on either side — the point is located between the peaks of Mount Shuksan and Mount Baker, both of which are tall, rugged, glacier-covered mountains. However, the weather conditions were a bit less than idea for photographing those subjects, with light that was often a bit too obscured by the clouds. On the other hand, those same clouds muted the most intense light and created light that was sometimes good for more intimate subjects. As I wandered the easy trails at this location I spotted these hemlock trees standing against the backdrop of mountains and a deep valley leading off into the distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Pasture, Estero, and Drakes Bay

Pasture, Estero, and Drakes Bay
Looking across pastureland and Drakes Estero toward Drakes Bay and the California coast

Pasture, Estero, and Drakes Bay. Point Reyes National Seashore, California. October 15, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Looking across pastureland and Drakes Estero toward Drakes Bay and the California coast

I have a confession to make regarding Point Reyes. Although it is, relatively speaking, “in my local neighborhood” and I’ve gone there a lot, I have yet to fully wrap my mind around the place to the extent that I feel that I have fully photographed it or fully understand its character. I do have some photographs of the place that I like quite a bit, but when I go there I often find it more difficult to photograph than places like the Sierra, the Big Sur coast, California’s deserts, and similar. I love photographing the ocean, but here the features of the coast are perhaps more subtle, tending more toward beaches and bluffs and bay than to dramatic and rocky coastline. There are hills, but many are rather short, tend to be covered almost completely in forest in many cases, and tend to lack rocky outcroppings. The light can be very interesting, but there is often a fine line between too much and too little sun.

To summarize, I’m still working to figure out my vision of the place. Our most recent visit, in the middle of October during the northern California wildfires, was provided no exceptions to the challenge. There was no fog and the sky was almost clear… except that wildfire smoke often tended to blanket the terrain, producing a sort of yellow quality to the light. Because it is October, most of the green of meadows is long gone, and instead open areas are a kind of muted brown. Yet, I still want to photograph the place, and I know I’ll eventually “get it.” We did spend some time looking for photographs in the park this time, and this lovely inlet from Drakes Estero caught my attention as we traveled out toward the location of the Point Reyes Lighthouse. After we stopped and I looked more closely, I found the old stock fence to be an interesting addition to the photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.