Bridal Veil Creek rushes and curves through boulders and forest, Yosemite Valley
This photograph has been sitting quietly in the RAW file archive for five years. I made a note to myself last year to go back and revisit it, and I left the note sitting on my computer desktop… but didn’t get back to it until this week.
This is a fairly classic Yosemite Valley scene, I think, being along the banks of Bridal Veil Creek not far below the famous waterfall with the same name. As I usually do, I had made a spring trip to the Valley to photograph during the period of high water and green foliage and had probably just indulged my tradition of arriving in the Valley and standing in the spray of this waterfall before getting down to the business of making photographs. I considered a color rendition of this photograph, with the subtle colors of the rocks and the water, but decide to go with a more “classic” black and white image – and, yes, I thought about some specific photographs by certain well-known photographers of Valley subjects that also focus on densely complex scenes with lots of details, a type of photographic challenge that I enjoy.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
I was in San Francisco this morning for a demo/announcement of new Google Plus features and after the event I had a bit of extra time on my walk back to the Caltrain station – 20 minutes to be precise. So, just for fun, the results (most of them at least) of 20 minutes of street shooting in The City.
It might seem odd to some that a photographer who does so much landscape work would be interested in photographing the sometimes-gritty urban environment of San Francisco. There is a lot I could write about this, but I’ll limit myself to a few ideas here. First, to some extent I think of photographing the urban environment as an extension of landscape photograph – let’s call it “urban landscape.” Second, shooting handheld while on the move leads to a different way of seeing that is quicker and more “improvisational” (to use a term from my music background), and this is, if nothing else, a great exercise in seeing.
Woman with Phone, Tall Building
Woman with Phone, Tall Building. San Francisco, California. October 29, 2013, 11:01AM.
I had stopped to try to photograph a woman pushing a stroller with this wall as a backdrop. She walked out of the frame too quickly, but I managed to grab this one of the solitary woman against the same backdrop.
MUNI Bus Yard
MUNI Bus Yard. San Francisco, California. October 29, 2013. 11:03AM.
A moment later and on the other side of the street, I walked past this MUNI yard full of buses ready to head out.
Woman and Dog, Brown Building
Woman and Dog, Brown Building. San Francisco, California. October 29, 2013. 11:04AM.
One minute later and back on the other side of the street once again, I saw this interesting structure and a woman with a dog fortuitously walked in front at just that moment. This photograph is about many things, but the colors are quite important.
Pedestrian, Sidewalk
Pedestrian, Sidewalk. San Francisco, California. October 29, 2013. 11:16AM.
Slacking now, it was 12 minutes between the previous photograph and this one… ;-) Here I was trying to figure out my best route and I think I wandered around a bit without shooting, but then I saw this low building which was covered with swatches of paint that had been applied to cover graffiti. Once again, I was lucky and a pedestrian walked into the frame just as I was ready to shoot it.
Autumn Leaf, Sidewalk
Autumn Leaf, Sidewalk. San Francisco, California. October 29, 2013. 11:19AM.
After making a wrong turn I ended up walking around a block and back up towards where I started. While walking I saw this leaf and photographed it quickly without looking through the viewfinder.
Garage and Fence
Garage and Fence. San Francisco, California. October 29, 2013. 11:21AM.
A moment later and on the other side of the street from the leaf, I saw this small lot and the light blue building with the roll-up door, and the bright sky beyond. Initially I wanted to include the more of the building to the left along with a street light near its corner. So I made a few exposures of that, pausing as traffic passed by, and then made this one that eliminated all of the left-side building except for the tall wall facing the lot.
At this point I realized I had a train to catch, and one stop to make on the way there…
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Details of buildings and chimneys at the Standard Mill, Bodie ghost town, California
On the final day of our October eastern Sierra visit we covered a lot of ground, starting with dawn virga and light snow near Mammoth Lakes before heading east into the high desert toward the Nevada border and then north by back roads past Mono Lake to Lee Vining, where we finally stopped for a very late breakfast. We headed north from Lee Vining, first stopping to photograph aspens near Conway Summit, and the snow that was still falling above along the Sierra crest. With this “interesting” weather still around, it seemed like it might be worth a trip out to Bodie.
I’ve been to Bodie a number of times, and while the historical story is fascinating and the presence of such a large abandoned town is remarkable, I have sometimes been frustrated by the stark and cloudless skies and the realization that the place has been photographed so darned much! But a number of years ago I made it out there on a spring day when there was light snow falling, and I realized that in the right conditions it is still well worth a visit. Since there was a possibility of similar weather this time – though snow did not fall after we arrived – and since it was the off-season, the drive seemed worth it. And it was. Along the way we saw high desert aspen groves, which have a very different appearance than those of the eastern Sierra. The weather gave us a combination of blue skies, partial clouds, and occasional mists covering hill tops – and all of this was constantly changing as the clouds thickened and thinned. As I have walked around Bodie in the past I have been fascinated by the large Standard Mill that sits across the Valley. Since it is fenced off and access isn’t permitted without a guide, I was not able to walk among the buildings… but I was able to get close enough to make some photographs of the interesting juxtapositions of stark metal walls, windows, and chimneys.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Weathered metal shingles and electrical wire on the wall of an abandoned building in the historic Bodie, California ghost town
I’ve visited Bodie a number of times, and I find the history of the place fascinating – from its mining roots up to its gradual death in the 20th Century. That said, and despite the obvious wealth of potential subjects, I’ve had a hard time warming up to it as a photographic subject. It is difficult to get there at the times of day when the light is most interesting, due to the limited hours the state park is open. And the midday light can be very harsh. In addition, it is an increasingly popular tourist attraction, which adds an additional challenge to the photography – unless you are there to photograph the people.
The times when I’ve enjoyed photographing there have almost all been those with “interesting” weather – perhaps some building afternoon thunderstorms, light snow, or possibly rain. Bodie was on our “maybe” list for shooting subjects on this trip – but when we saw clouds and snow along the eastern Sierra on this day we decided to head out there and see if this would add some interest. Once you are in Bodie, certain subjects seem to come to mind – photographing the many old derelict buildings, the overall landscape of the town, the surrounding landscape, the mining equipment and structures. I first focused on the old buildings, but then began to look a bit more at some of the smaller elements, such as this section of a rusted metal shingled wall with a bit of old electrical wire dangling from its side.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
