Category Archives: Photographs: Northern California

Photographs from Northern California

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Winter Haze and Trees, Central Valley

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Hazy California Central Valley light on groves of trees as tule fog clears, Merced National Wildlife Refuge
Winter Haze and Trees, Central Valley

Winter Haze and Trees, Central Valley. Central Valley, California. December 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Hazy California Central Valley light on groves of trees as tule fog clears

In early December, 2012 I had my third opportunity of the season to photograph winter migratory birds. (The first time was last month when I made a quick foray to nearby Central Valley refuges, the second was shortly after that when I found myself with a free day in the Seattle area and drove up to Skagit Valley to photograph trumpeter swans and snow geese.) This was an especially great trip since not only were there birds about (Ross’s geese, a few odd snow geese, white-faced ibises, sandhill cranes, white pelicans, a few egrets and a single great blue heron) but the conditions turned out to be good almost all day and I was joined by a band of great folks: Michael Frye and Claudia Welsh, Dave and Charlotte Hoffman, and my wife Patty Mitchell. And what a day it turned out to be!

Things did not begin so promisingly. As Patty and I drove over from the south San Francisco Bay Area there was a lot of fog and continued to thicken until shortly after leaving Los Banos behind, where we encountered the classic pea soup Central Valley tule fog. Although it was so shallow that we could look up and see pre-dawn Venus and the new moon, ahead it was so thick that the road was barely visible in front of us. It was still thick when we reached the refuge and met the rest of the gang, and on the first part of our drive around the refuge the fog was so thick that we could barely seen any birds, although we could hear them. (One of the most mysterious experiences was hearing sandhill cranes nearby and being able to tell that they were airborne and moving but not see them at all until they would momentarily and briefly partially emerge from the murk and then just as quickly disappear.) Finally, as we came around the far side of the refuge we found a very large group of Ross’s geese close to the dirt road, and from here on things only got better. We had hours of shooting in the fog, which only slowly diminished and didn’t thin out enough to let sun through until probably noon or so. But this was actually a Good Thing, as on a perfectly clear morning the sense of mystery that fog imparts would have been missing… and the shooting probably would have been over in an hour or two. Instead, we continued until it was after 1:30, at which point we finally broke away long enough for lunch before returning for an evening shoot. Again, conditions that started out looking unpromising – the clouds of an incoming weather front were beginning to block the sky to the west – turned out to be perfect and even exceptional as the geese continued their show and the sky lit up brilliantly right at sunset.

I suppose that this photograph proves that I’m still a landscape photographer at heart. While looking around the refuge for birds, my eyes kept moving to the groves of large cottonwood trees and the smaller individual trees, many of which still held a bit of fall color. I’m also a really big fan of misty, hazy atmosphere, and we had that in spades. The fog did lift, but it left behind a beautiful luminous atmosphere and could glow in the right light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Coastal Bluffs in Sunset Light

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Coastal Bluffs in Sunset Light - Sunset light momentarily illuminates coastal bluffs near Davenport, California
Sunset light momentarily illuminates coastal bluffs near Davenport, California

Coastal Bluffs in Sunset Light. Near Davenport, California. December 8, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sunset light momentarily illuminates coastal bluffs near Davenport, California

This photograph or one very much equivalent to it might have been made in any of perhaps thousands of locations along the California coastline, given the right time of year, the right atmospheric conditions, and the right light. With just a bit of looking around, these views from promontory bluffs, looking down the coastline past a series of other rugged bluffs are characteristic of the area. This spot happens to be near the small coastal town of Davenport, California just north of Santa Cruz.

The photograph illustrates one thing about my orientation to photographing the coast line and also illustrates something about light. About the coastline… my favorite times of the year on the coast are not the typical peak tourist season times, but instead are during the late fall through early spring period. Not only is coastal fog much less likely – though still possible! – but the ocean is more interesting and variable under the influence of winter weather, the potential for interesting skies is greater, and the generally lower-angle light creates all sorts of interesting possibilities. The clouds in this photograph, which glow just a bit in the momentary sunset light, are from a weak weather front that passed over during this afternoon along the coast. That weather front leads to my second point about light, which I’ll get to by way of telling part of the story of this afternoon’s photography. When I arrived at this location near the middle of the day, the light seemed very, very unpromising. It wasn’t just the usual nature of midday light, but there was a sort of bland haze in the air, and a shield of approaching clouds was coming down from the north – and as the afternoon wore on it became clear that those thick clouds were going to end up in front of the sun in the late afternoon.

However, sometimes the easiest and most predictable light is the least interesting to shoot in, and the least predictable and sometimes least-promising light can occasionally produce momentary wonders if you watch and are ready for them – or just have enough dumb luck to arrive at the right instant! (On the other hand, you can also watch and wait and, in the end, get… nothing. It goes with the territory!) In this case, I thought about two things. First, I thought about how I could photograph this “boring” light. The way I look at it, I’m there because the place, the circumstances, and the time are interesting – in which case there must be some way to produce a photograph in those conditions that reflect that. But that’s not my point with this particular photograph. The point that this one so nicely illustrates has to do with that possibility of momentary light on a day that seems unpromising. I ran into a couple of other photographers on the bluff during the “blah light” period. I wasn’t making photographs at that point, instead mostly just looking around. We talked briefly about the currently uninspiring light, but I pointed out that I thought I could see an edge to the cloud shield far off-shore, and if I was right there just might be a brief moment of special light as the sun passed below that edge and before it reached the horizon. Sure enough, with just a few minutes left before sunset, the sun dropped below the clouds and an intense band of extremely warm light began to suffuse the coastline against the backdrop of gray higher clouds. It lasted for only a minute or two, but that light was worth the wait.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Two Islands, Fog

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Two Islands, Fog - Two grass-covered islands in thick fog
Two grass-covered islands in thick fog

Two Islands, Fog. Central Valley, California. November 25, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Two grass-covered islands in thick fog

In late November I made my first trip of the season to California’s Central Valley, in search of migratory birds – geese, herons, egrets, and so forth. I look forward to this now in the fall, for the experience of seeing (and hearing!) the birds but also as an excuse to explore the landscape of this part of California and, especially, to do so in the very interesting and evocative weather conditions. And, yes, fog is among those conditions.

The tule fog is an almost constant feature during portions of the winter months in the Central Valley, sometimes sticking around for days on end. One can drive over the hills into the Valley in sunlight, only to see the blanket of fog on the Valley floor ahead, and once inside the fog there is little trace of that brilliant winter sunshine. (Except that this fog, being not very thick, sometimes creates the very odd juxtaposition of very impaired visibility and diffused light so bright you can barely look into it. On other occasions you can look up through this fog and see the sky or the moon above.) On this trip, when I arrived at my destination the fog was so thick that bird photography was, to put it mildly, challenging. On my first loop around the dirt road I did go slowly and find a few birds that were close enough to the road to make photographs, but on my second pass I instead thought to focus on the fog-blanketed landscape itself.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Flight, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Great Blue Heron Taking Flight

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Great Blue Heron Taking Flight - A great blue heron takes flight from a field at the Merced National Wildlife Refuge California
A great blue heron takes flight from a field at the Merced National Wildlife Refuge California

Great Blue Heron Taking Flight. Merced National Wildlife Refuge, California. November 25, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A great blue heron takes flight from a foggy field at the Merced National Wildlife Refuge California

To retell a story I’ve shared before, I’m a bit embarrassed to admit that despite living in California for decades I had barely been aware of the astonishing winter migratory bird population of the state’s Central Valley until a chance encounter with a colleague led to a “wild goose chase” trip into an area south of Sacramento not so long ago. Now I’m now officially hooked! I’m certainly no expert on these birds – geese, herons, egrets, and more – but I’ve become very interested in seeing and photographing them.

While returning from another trip last month I saw a flock of geese over the Central Valley, and was reminded that this seasonal migration is again underway. I resolved to try to get out there earlier this year, and I made my first trip a few days after Thanksgiving. I drove over Pacheco Pass through Los Banos, entered the valley fog, and headed out to the Merced National Wildlife Refuge, a place I’m starting to know rather well. The fog was even thicker when I arrived at the refuge, and I could hear a lot more birds than I could really see, though I did catch a faint view of a flock of white Ross’s geese through the murk at one point. Eventually the fog began to thin a bit, and here and there muted sunlight began to shine through. As I circled the refuge I saw this lone great blue heron standing in a field in this transitional light. Using my car as a blind, I stopped a ways back and used my longest lens to make several photographs as the bird mostly stood there. Bit by bit, I was able to edge the car forward and continue to shoot from the driver’s seat, eventually being roughly parallel with the bird. I stopped and shut off the engine and continued to watch and make more photographs. Eventually, the heron apparently got bored with me and lifted off to find more interesting company, and I was able to get a couple of shots as this impressive bird took to the still-foggy air.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.