Category Archives: Photographs: Northern California

Photographs from Northern California

Photographs: Coastal Redwoods, Photographs: Nature, Photographs: Northern California

Trillium Unfolding

March 21, 2012 G Dan Mitchell Leave a comment

A new trillium plant emerges and begins to blossom beneath the redwood forest canopy.

With enough time to observe these plants – and a few return visits to fill in observational gaps – it is possible to see the full process of their unfolding. Though I still haven’t spotted the very earliest sprouts – probably because I didn’t look quite closely enough – I can spot the newly emerging plants that are about to open up and blossom. The leaves wrap around the incipient flower, and when they begin to open the appearance of the flower itself isn’t far behind.

On this visit to Muir Woods National Monument I found trillium plants in all stages from tiny plants with small leaves to those that had already blossomed and even lost the flowers. A few were at this wonderful stage when the cradling outside leaves are just opening to reveal the new flower. Soon the leaves will drop and flatten to produce the familiar three-part shape and the flower will stand (or droop!) above the leaves.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects

De Young Museum, Exterior Detail

March 20, 2012 G Dan Mitchell Leave a comment

Exterior walls of San Francisco’s De Young Museum.

In early March I was at San Francisco’s De Young Museum for an event associated with the “San Francisco 1964” exhibit of the photography of Arthur Tress, at which Tress spoke to a small group of San Francisco photographers about his work. (Thank you to Adobe for inviting me and the other photographers. The exhibit continues, and San Francisco Bay Area photography fans and others visiting the area should consider a visit to the show.) Unless I’m heading up there for certain musical performance, I almost always take a camera to The City, and I certainly brought one this time. I mainly photographed Tress during his talk, but once it was over and I left the museum I had a bit of time to wander around and shoot the nearby area.

I started in the Music Concourse, a lowered area in front of the museum that features some ominous-looking dormant trees at this time of year. After finishing there I walked back around the museum to head back to my car, and I passed by this “side” wall of the facility near the tower section of the building. The exterior walls are very interesting. They are apparently constructed of some sort of copper panels that have been “dimpled” in a range of ways that evolve across its surface, and it looks like some of the upper level “walls” are more like screens than solid material. As I understand it, the idea was that this metallic surface would “age” and acquire a patina that might make it blend in more with the natural surroundings of the park. (Though it is hard to imagine that tower blending in!) In the soft light on this shaded side of the building the range of colors and tones in the material was striking, ranging from the blacks of dark shadow areas, to the expected reddish copper tones, to all sorts of blueish shades.

Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

Pilings and Water, Night

March 18, 2012 G Dan Mitchell Leave a comment

Pilings along the waterfront photographed at night, Mare Island Naval Ship Yard, California.

This is another photography from my nighttime visit to the historic Mare Island Naval Ship Yard with friends from The Nocturnes in early March of this year. The subject here includes some old and worn pilings along the edge of a ship launching ramp and the still water smoothed by the long exposure necessary to photograph here at night.

This particular spot only recently became accessible (at least without jumping a bunch of cyclone fences or getting someone to open the gate) when waterfront access was created near the ship yard museum. An area that had formerly been off-limits was opened to provide a way to get to the edge of the water, and this path parallels this ramp and the extensive structures alongside. In this photograph I made a color balancing choice that is a bit unusual for me when it comes to night photography in general and shooting at Mare Island in particular. One of the things that I enjoy about the night photography environment at Mare Island is that there are many different types of lighting, each having different color characteristics. Some are merely warmish “tungsten” like colors, others are garish yellows and greens, a few are blue, and the wash of light from nearby Vallejo and even the natural light of the moon can enter the mix. Because of this, I often simply go with the wild colors of the environment here. This scene is lit by grossly yellow sodium vapor lamps, and the “natural” coloration of the scene is quite intensely saturated. For this image I decided to color adjust this much closer to what might be regarded as a more neutral light color.

Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Abandoned Turnstiles

March 17, 2012 G Dan Mitchell Leave a comment

Night photograph of abandoned turnstiles in the industrial area of the historic Mare Island Naval Ship Yard, Vallejo, California.

Early this month I had the opportunity to join my friends from The Nocturnes, the San Francisco Bay Area night photography group, for (yet another) return visit to the historic Mare Island Naval Ship Yard for an evening of nocturnal photography, along with a chance to share work and pizza! I have been photographing Mare Island at night for something like a half dozen years now, yet I still find new and interesting subjects every time I go there.

These turnstile structures are found throughout the facility, and they are a frequent topic of conversation and subject of photography among the night photographers I know. They are intriguing features and there is something compelling about them as potential subjects. Standing along at night they seem forlorn, perhaps in contrast to the knowledge that thousands of ship yard employees must have passed through them at one point. They also seem almost disconnected from the rest of the industrial landscape here. While it is obvious that they must have once been the only entry way to certain areas of the facility, not it is quite possible to simply walk around them. In addition, some mysterious electrical “stuff” has clearly been removed – time card readers? Something else?

It also turns out that they are a surprisingly difficult photographic subject, and I have had many discussions with other night photographers about this. Up close they present an amazing density of interlocking metal features… that are very difficult to assemble into a good composition. I’ve managed once or twice. Oddly, one of my favorite photographs of the turnstiles is almost the very first photograph I made at Mare Island, a black and white close-up photograph of a gate by the island’s museum. For this shot I decided to work from a bit of elevation, setting up on a raised landing in front of a nearby building so that I could look down on the structure and create a sort of surround out of the background area and further buildings.

G Dan Mitchell Photography

Category Archives: Photographs: Northern California

Trillium Unfolding

De Young Museum, Exterior Detail

Pilings and Water, Night

Abandoned Turnstiles

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.