Kitesurfer on the Pacific Ocean coast south of San Francisco, California.
In the right weather conditions you can find people engaged in a range of water sports along the California coast in locations like this one a few miles north of Santa Cruz (and not far south of San Francisco.) In addition to the classic and iconic surfers, there are windsurfers and, as in this photograph, kiteboarders or kit surfers. It is difficult to not stop and make a few photographs when I catch the sight of a line-up of colorful sails just off the shoreline.
On this July day, a group of people were “playing” not far from the shore, alternately heading straight out into the ocean, only to return close to the shoreline where they could do some wild airborne maneuvers by picking up speed and then flying off the tops of waves. This fellow seems to be going for speed as he made a traverse of the area just beyond the beach.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Two elephant seals spar in the surf at Point Reyes National Seashore, California.
After over a month of not exposing a single frame, I needed to go out and start shooting again this past week. (June is often a very busy time of year for me, and this June was especially challenging in a number of ways.) So, even though it is finals week at the college and I have a lot of papers to grade and loose ends to tie up, I managed to get away for a half day to photograph at Point Reyes. I went there with few specific ideas about what to shoot, instead just sort of hanging loose, enjoying whatever I could find, and making photographs as I found them. I started by taking an unplanned detour out towards Tomales Point – I was sort of killing time while waiting for the light to do the right stuff, and I thought it would be interesting to head out there and see the tule elk. After that I returned to the main road and headed out toward the Point Reyes lighthouse.
It actually was not my plan to go to the lighthouse, and didn’t even drive the last little bit of roadway to that site. Instead I took the turn towards the start of the Chimney Rock trail, with a general plan of being high up on the bluffs of this southernmost section of the Point when the good light arrived. I pulled in, at a sandwich for dinner, loaded up my camera gear, and headed out along the trail. I had a few things in mind. I know that shooting back along the steep, rocky cliffs of the Point late in the day can be dramatic, and I started by photographing there – fortunately my timing turned out to be almost exactly right, as I caught a last bit of light on the mist and haze along the shoreline before the sun moved too far north to continue to light the area. I then moved on out the end of the trail, where I just sat for a while as I waited for the early evening color to come to the light. I made a few photographs out here, stopped again along the bluffs to photograph along the point (but the best light had passed), made a few photographs back across Drakes Bay, and then started back towards a low point, protected from the wind, from which I thought I might try to photograph the Farallons right at sunset. Once I got there, the light on the islands seemed uninteresting, but I soon realized that the guttural sounds of elephant seals that I had been hearing were coming from the base of the cliff on which I was standing. I moved a bit closer to the edge – but not too close! – and was able to shoot straight down on a group of elephant seals as they alternately lay around on the beach and sparred in the shallow surf just beyond the sand.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Large rocks and a sandy beach below the bluffs at Whalers Cover, Point Lobos State Reserve.
For some reason this little vignette caught my attention when I visited Point Lobos one morning in late March. The spot is a section of the curving beach at the inside of Whalers Cove, where a bluff sits above short cliffs at the edge of the sand. This is another of those spots that I have visited for literally decades, yet never photographed. Although I have photographed nearby I don’t think I have any photographs of this little beach area at all, but I’ve been eyeing it during my last few visits.
The cove itself is an appealing spot, somewhat different from many other parts of Point Lobos. Those tend to feature quite rugged seashore, often with cliffs and rocks that run right down into the surging water of the Pacific Ocean. But this cove is doubly protected from the ocean, by being a cove and by having an entrance that does not face straight out toward the ocean. It is filled with kelp beds and is a good place to look for sea lions very close to the shore. (Several were hanging out, wrapped in kelp and lounging around, not more than a few feet from the shore.)
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Morning light shines into forest at the top of bluffs above the Pacific Ocean, Point Lobos State Reserve.
These forests at Point Lobos are often very appealing places to be, but I find them to be difficult to photograph! They are full of light in the right conditions – while the trees can grow somewhat close together, they tend to form a relatively open canopy that lets the light in. There is often moss hanging down from branches. Various plants grow along the ground – though watch out for the poison oak! And, of course, when you are actually there the constant sound of the surf is never far away, the air is cool, and there is often at least some breeze.
But some of these same attractive features are the source of (for me, anyway) the challenges of photographing these forests. The light, as beautiful as it is, can be very tricky. Because of the thin canopy of the trees, the direct sunlight often makes it down into the lower reaches of the forest and hits trunks and branches, creating spots of very bright light that are hard to manage. I could photograph (and have done so) in overcast or foggy conditions… but there goes that light. And the dense growth makes it difficult to find compositions that show the larger forest itself rather than just isolated elements of it. But on this visit high, thin clouds came to the rescue. While they were thin enough to allow directional sun light into the forest, they were just opaque enough to take the harsh edge off of the light.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
