Category Archives: Photographs: People

Red Wall

Red Wall
A person walks in front of a painted section of the Berlin Wall

Red Wall. © Copyright 2018 G Dan Mitchell – all rights reserved.

A person walks in front of a painted section of the Berlin Wall

Before I say much about this photograph, a bit of background. Near the start of August 2018 we departed from California’s West Coast on a trip that would last forty days. We started with a brief visit to New York City, followed by another brief visit to London — both great places to visit and to adapt more slowly to the time zone changes. From there we made a rough loop that took us to Amsterdam, Berlin, Nuremberg (briefly!), Bayreuth (site of the famous Wagner festival), Heidelberg (for rest and recuperation… and laundry!), Vienna, Paris, and then a week outside of Paris near Barbizon with family. Whew! It was a great trip, with a few familiar places and some that were new to us. Along the way we had lots of opportunities to make photographs, and I’ll be starting to share some of them over the next few weeks and months.

We had three full days (four nights) in Berlin, a city that neither of us had visited before. We don’t travel with tour groups, so we were mostly on our own to explore, and most of our exploring was done on foot. On our last full day we headed east from where we were staying, eventually making our way to the “East Side Gallery.” This is a large section of the Berlin Wall that was not knocked down, but instead turned into a vast canvas for artists. My approach to photographing such a thing isn’t precisely to photograph the art itself, but instead to try to place it in its surroundings and/or photograph people interacting with it — which is the case with this man dressed in red who walked in front of this red section of the former “red” wall.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Layers, Contre-Jour

Layers, Contre-Jour
People sitting in Metropolitan Museum windows, plus worlds on both sides

Layers, Contre-Jour. © Copyright 2017 G Dan Mitchell – all rights reserved.

People sitting in Metropolitan Museum windows, plus worlds on both sides

This is yet another take on the scene in this room at the New York Metropolitan Museum, on a cold day when hordes of people went to a warm museum instead of wandering outside. The window faces south, into the midday and afternoon sun, and the window sills provided an inviting and warm place for people to sit. I spend a bit of time here and observed as people passed by, came in and sat down, and moved on.

There may be more going on here than is immediately apparent. The first impression is of a half-dozen people sitting in or near the windows, with outdoor backlight providing the illumination. (Hence the “contre-jour” indication in the title of the photograph.) But there are several other layers. In the far distance Manhattan buildings near the south end of Central Park, whose trees are providing silhouetted shapes below the skyline. There are also reflections from the interior of this room in the windows — keep in mind that elements near my camera position were front-lit by the windows. There is actually quite a crowd reflected in the windows, and if you look closely you can even spot the photographer.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

At The Door

At The Door
Patricia Emerson Mitchell opens the door to a snowy Lower Manhattan street scene

At The Door. © Copyright 2017 G Dan Mitchell – all rights reserved.

Patricia Emerson Mitchell opens the door to a snowy Lower Manhattan street scene

We frequently visit New York at about this time of year. Our sons and their wives live in the area and we can often open up about a week of travel time. It is a fine time to visit — there is a lot of holiday stuff to see, if that is your interest, and it seems like the subways are a bit less crowded during the week between Christmas and New Year’s Day. Plus, by comparison to our mid-summer visits, the potentially cold weather actually seems attractive… and a welcome change from “California winter,” with its 50-60 degree temperatures. But the timing of these visits often has us there just a bit too early for snow.

This year was different. Shortly after we arrived the weather turned cold — extremely cold by our California standards — with daytime temperatures barely (and not always) making it into the lower 20 degree range. We persisted, however, and did a lot of walking all over Manhattan, always carrying cameras and making photographs. For most of the week we saw weather forecasts predicting a chance of snow on the last two days of the visit, but those forecasts gradually reverted to merely “cloudy.” So we were pleasantly surprised when we opened the hotel blinds on our final morning and saw snow falling! We headed out, mainly to find breakfast and coffee, and enjoyed the transformed landscape. As you look at this photograph, try to also imagine that moment when you move between the snowy, cold, and windy street and the warm, inviting space of a restaurant, coffee shop, or the home of friends/family.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Hair, Bus, Sun

Hair, Bus, Sun
A street vignette in San Francisco

Hair, Bus, Sun. San Francisco, California. December 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A street vignette in San Francisco

The camera is tilted. The guy is hanging off the edge of the frame. The sun is blown out in the center of the sky. It was underexposed. Darned bus appeared in the frame. That’s street photography, and I like it. There isn’t a whole lot to say about the photograph itself — or perhaps there is more to say that will fit into two paragraphs. The fellow caught my attention as we were walking along. As he passed, with the sun backlighting his wild hair, I had just enough time to squeeze off a shot without even raising the camera to my eyes.

Doing street photography reminds me of an important thing, namely the crucial role that several things play in photography, things that don’t often get quite enough attention among some photographers, especially those who tend to gravitate to landscape photography and who (with good reasons!) like to attend to the careful calculation of many aspects of picture-making. (Don’t worry, I like to take those things into consideration, too.) The things too often left unsaid have to do with the role of luck and with the importance of being able to respond very quickly, even intuitively, at times. We simply cannot control all aspects of a photograph. In a few situations — perhaps working in the studio with inanimate objects — we can come rather close, but in almost all other sorts of photography it is as much about finding a thing and then recording it in the best way possible during the time we have to work with it. Clearly, this photograph is highly reliant on things I could not control. But, honestly, the same could be said about wildlife photography, and even about many landscape photographs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.