Category Archives: Photographs: San Francisco

Shadow and Line Study

Shadow and Line Study
Patterns of lines, curves, concrete and shadows

Shadow and Line Study. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Patterns of lines, curves, concrete and shadows

I have always been intrigued by and occasionally obsessed with patterns and juxtapositions and form. When I go back and look at my earliest photography from when I was in middle school or high school I can now see that even then I wasn’t just looking at things for what they “are,” but for the other things that they might also be — the aspects of them that are not immediately visible. This is simple (or so it seems) study of some lines and curves and perspective lines, made quickly while walking along the Embarcadero on San Francisco’s waterfront one morning.

Recently the discussion about realism and honesty and manipulation in photographs has crescendoed a bit, as it does from time to time. On one side are those who think that anything goes — not exactly my point of view, though I might be more “permissive” that you would expect. On the other side are members the “no manipulation” faction, who want to apply the supposed standards of photojournalism to all photographs — their job is to show truth and be completely objective and no “manipulation” is permitted. The problem with the extremes of the first position are obvious. The problems with the extremes of the second deserve a lot more thoughtful scrutiny then they have generally been receiving. All photographs lie, even those that tell truths. Some might imagine that a photograph like this one represents an objective truth, a straightforward (and straight photography) look at the true nature of a thing. But if you saw this subject, you would not likely see anything like this, and my choices (to make it black and white, to use a particular lens, to render the image in black and white, to look at this particular subset of the whole, and much more) are entirely subjective. In the end, this is still truth — but it is my very subjective truth about this subject and it most certainly is not an objective “record” of a thing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Doorway and Gate

Doorway and Gate
Doorway and gate, San Francisco

Doorway and Gate. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A doorway and gate, San Francisco

I cannot explain why, but I’m always attracted to patterns of shape end color and to interesting juxtapositions. The colors in this little vignette seemed remarkable to me, from the intense green of the painted brick wall to the red and white stripes on the awning and the bit of yellow above. And this wild color is juxtaposed with the dark tones and very square geometry of the metal gate in front of the doorway.

It may not be apparent, but this is a night photograph. Perhaps the glow on the inner door could be a clue, or the intensity of the colors under artificial illumination from street lamps and store lights. As I walked past I stopped only long enough to make a small number of handheld exposures, and then in continued up the street.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Alley, Approaching Car

Alley, Approaching Car
A police car approaches in a narrow San Francisco alley

Alley, Approaching Car. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A police car approaches in a narrow San Francisco alley

This photograph is pretty much what it appears to be — a narrow San Francisco downtown alley between two major streets, a police car entering the alley (soon to followed by others), a stop sign painted on the ground, and an unusual combination of artificial light coloration and reflections.

This is one of the many street photographs that simply happens, and happens quickly. I was crossing the outlet of this alley, when I looked into it and saw the interesting lighting effects. At that moment the car turned into the alley, providing a focus of brightness at its far end. I raised the camera and photographed, barely having time to carefully compose, and a moment later a couple of police cars approached my end of the alley and i had to get out of the way.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Cafe de la Presse, Night

Cafe de la Presse, Night
Night at the Cafe de la Presse, San Francisco

Cafe de la Presse, Night. San Francisco, California. July 25, 2015© Copyright 2015 G Dan Mitchell – all rights reserved.

Night at the Cafe de la Presse, San Francisco

In San Francisco for an evening of night street photography, we first wound our way up into Chinatown from the northwest at twilight, then slowly worked our way along various streets, looking for interesting light, architecture, and people. Because the streets are so narrow, filled with people, and lit brightly, this is a very interesting place to photograph. We continued on, ending up in the busy and touristy areas just south of Chinatown, where we split up and went separate ways.

It was almost time for me to leave, so I headed back the way I cam, on streets that were now becoming a bit less busy and crowded. I passed this little restaurant, with its corner entrance, and paused long enough to make a handful of exposures, photographing the wood-paneled interior and exterior walls and columns and the people who seemed to be settled in for a slow and quiet evening.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.