Category Archives: Photographs: Southern California

Porch and Door, Night

Porch and Door, Night
The porch and entrance to an urban residence, Pasadena, California

Porch and Door, Night. Pasadena, California. January 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The porch and entrance to an urban residence, Pasadena, California

This is another photograph I made during the blue hour time just after sunset and before actual darkness, while walking around near downtown Pasadena, California. We started our walk in late afternoon sun, continued as the sunset came on and golden hour arrived, and continued walking on into and past dusk. Later on the walk we turned down a street lined with small, old residential units — homes, apartments, and so on.

Somehow this front door at the top of the cement steps reminded me of an earlier time, perhaps when I was a child. The architecture seems old enough to come from more or less that era. I also like the little unexpected things in the scene, some of which I wasn’t really aware of until later when I looked at the photograph: the hummingbird feeder, the watering can sitting on the porch, that odd slender “thing” to the left of the door, the slightly peeling paint, the faint suggestion of things inside the window at the right.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Apartments, Driveway, Dusk

Apartments, Driveway, Dusk
“Apartments, Driveway, Dusk” — Security lights illuminate the driveway of an urban apartment complex, Pasadena

Landscape photographers are well away of the qualities of light during the short period leading up to sunset, and with the rapidity of the changes to that light. But something similar happens for photographers of the “urban landscape,” as well, though it tends to be most pronounced immediately after sunset rather than just before. There is a short period of perhaps a half hour or less when the ambient natural light is somewhat in balance with artificial light. During this period the natural light has diminished to the point that things appear more like night than day, but there is still enough natural light around to fill shadows and illuminate areas that are not covered by artificial light. (A bit later and the artificial lighting is virtually the only light source in most cases, and the range between light and shadow can be quite large.)

It was close to the beginning of such a time when I made this photograph of a parking lot and group of apartment buildings while walking around in Pasadena during the first week of the new year. A bit earlier and the lights either would not have been on or would not have been visible. A bit later and the foreground shadows would be completely black. It is a bit difficult to say precisely what attracted me to this scene — perhaps the bit of light spilling around the corner of the wall at left, perhaps the lovely yellowing light on the garage doors, maybe the geometry of the buildings… or perhaps the sum of all these things and more.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

It Doesn’t Help And No One Cares

It Doesn't Help And No One Cares
“It Doesn’t Help And No One Cares” — A scene at a Southern California art fair

This is, obviously, not “the usual” around here, but it seemed worth sharing. We were visiting a sort of art fair during a Thanksgiving visit to Southern California. At first I just looked at the arts and crafts, but having a camera in my hand I, of course, started to look at other things and to look at the event in different ways than most people who attend holiday fairs.

I could probably write an essay about this little photograph, but I’ll keep it short. At this mostly happy event, there was, once I looked more closely, a surprising undercurrent of lonely looking people. The man sitting on the bench in the spot of sunlight, hands in front between his legs and head falling to the side, was certainly not the only one. However, the juxtaposition of this person with another man wearing a shirt with the cynical slogan, ostensibly during a “holiday” event, was jarring.


Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Sunset Watchers, Griffith Observatory

Sunset Watchers, Griffith Observatory
Visitors to the Griffith Observatory watch the autumn sunset.

Sunset Watchers, Griffith Observatory. Los Angeles, California. November 28, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Visitors to the Griffith Observatory watch the autumn sunset.

Before this trip to the Los Angeles area, where I’ve been many times over the years, I had never actually been to the iconic Griffith Observatory overlooking the LA basin. That should probably embarrass me at least a little bit as a near-native Californian — but, heck, I’ve been to Disneyland! ;-)

We were actually staying much further south, in the Mission Viejo area, but we decided to spend a day farther north in Los Angeles. We (well, OK, I) wanted to visit a particular photography museum, and we had a restaurant in mind for dinner. In the end, we found ourselves with a bit of extra time and someone picked the Observatory as a good place to spend it. I had not idea it was so popular, and when we got there we found huge crowds — perhaps because it was just about sunset, and there is hardly a better place to be at sunset than here. I made this photograph, shooting handheld in the evening light, and was fascinated by the dense crowd of people packed onto the terraces surrounding the building.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.