Category Archives: Photographs: Southern California

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Sky, Photographs: Southern California

Pre-Dawn Clouds, Lake Manly

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Pre-Dawn Clouds, Lake Manly
“Pre-Dawn Clouds, Lake Manly” — Pre-dawn clouds fill the sky above the Panamint Mountains reflected in Lake Manly, Death Valley.

The brief interval between darkness and the arrival of the morning sun may be my favorite time of day in the desert. Everything is still and quiet, and I’m often the only person around. The temperature is comfortable, and sometimes as close to cool as it will get. The light changes perceptibly, transitioning from deep twilight blues toward the intensely warm colors of sunrise. And I have a full day ahead of me.

This time I was not completely alone, but I was close to it. The unusual reappearance of Lake Manly had drawn others, and I could see them in the distance on nearby hills. As the light increased, this large cloud above the valley came into focus and drifted slowly above the still waters of the lake and the reflected form of the distant Panamint Mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Lake Manly Shoreline, Desert Mountains

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Lake Manly Shoreline, Desert Mountains
“Lake Manly Shoreline, Desert Mountains” The dark Panamint Mountains rise in the distance beyond the shoreline of ephemeral Lake Manly.

Typically I might simply not attempt to photograph this scene. The glaring sunlight, while somewhat filtered by the clouds, was brightly lighting the white sand deposits along the shoreline of Lake Manly. Distance, haze, and backlight combined to mute the details of the Panamint Mountains. And this light was harsh, not the softer light of early morning or evening. But somehow I felt that the composition and the drama of the light and atmosphere held some promise.

The salt deposits reminded me of important things about this valley. They were a reminder — as is the water of ephemeral Lake Manly — that water played a major role in the formation of this place. And, as high as the water of the lake was at this moment, the yet higher salt deposits made it clear that this is not an unprecedented thing, and that even higher lake levels are still probably possible.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Nature, Photographs: Southern California

Gravel Road, Carrizo Plain

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Gravel Road, Carrizo Plain
“Gravel Road, Carrizo Plain” — A one-lane gravel road winds across the Carrizo Plain as spring vegetation comes to life.

OK, I admit it. This is a bit of a “record shot,” considering how this place can look like the peak of the spring bloom in an exceptional year. However, it does give me a chance to write a bit about the location and how I came to be here on this day. I was doing the long drive from the SF Bay Area to Death Valley from the San Francisco Bay Area. Since I had decided to stop overnight in Ridgecrest before continuing to the valley, I had a bit of extra time on the first day’s drive. So I detoured through the Carrizo Plain. (Yes, I have driven that gravel single-track, though not on this visit.)

At its best, this place can be remarkably full of spring wildflowers. But my mid-March visit was too early for that, so I had to settle for a landscape just beginning to build toward that climax. In this photograph, the wildflower bloom is just getting started. In exchange, I had the place largely to myself, without the huge crowds that come later. While most who visit for the flowers think of this as a green and wildflower-colorful place, the truth is that most of the time it is quite dry and desertlike.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Death Valley, Photographs: Desert, Photographs: Macro, Photographs: Nature, Photographs: Southern California

Mountains, Wash, and Reflection

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Mountains, Wash, and Reflection
“Mountains, Wash, and Reflection” _ A large wash near the base of the Panamint Mountains is reflected on the surface of Lake Manly.

This is a kind of Death Valley photograph that you won’t often see — mountains reflected in the quiet surface of a huge lake. This is Lake Manly, the reconstituted remnant of a much larger lake that filled the valley long ago. Between a historic tropical storm late last summer and better-than-usual rainfall since then, the lake reappeared and persisted. It currently covers many square miles in the Badwater area of the valley.

This photograph is (yet another) illustration of the vast distances encountered in Death Valley and how deceptive they can be. You might look across this landscape and imagine walking to the base of that wash leading into the mountains. However, even if the lake wasn’t there, you would be hard pressed to reach that spot with even a very long day of walking.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.