Category Archives: Photographs: Structures and Objects

Photographs: Night, Photographs: Structures and Objects

Brick Wall And Tree, Night

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Brick Wall And Tree, Night. © Copyright 2019 G Dan Mitchell - all rights reserved. DescriptionNight photograph of a gnarled tree growing up an old brick wall. Believe it or not, this emerged from a foray to make Christmas photographs. We made arrangements to visit a local place that has an old mansion, extensive grounds, and remarkable gardens, all decorated for the holiday season. We timed our visit for right around sunset so that we would have a variety of conditions for photographing Christmas lights and the background building and gardens. In fact, I did make some more traditional seasonal photographs — people illuminated by Christmas lights and similar. But then I saw this wall with the twisted and gnarled tree growing along its surface, illuminated by a few bare bulbs overhead — and I went into the more traditional night photographer mode. Photographing at night often profoundly transforms the mood of a subject, and that is certainly true in this case. In the daytime you might think of this as a lovely old, weathered wall with a tree. But to my eyes, at night it takes on a darker and possibly even ominous character. G Dan Mitchell is a California photographer and visual opportunist. His book, "California's Fall Color: A Photographer's Guide to Autumn in the Sierra" is available from Heyday Books and Amazon. Blog | About | Flickr | Facebook | Email Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.
Night photograph of a gnarled tree growing up an old brick wall.

Brick Wall And Tree, Night. © Copyright 2019 G Dan Mitchell – all rights reserved.

Night photograph of a gnarled tree growing up an old brick wall.

Believe it or not, this emerged from a foray to make Christmas photographs. We made arrangements to visit a local place that has an old mansion, extensive grounds, and remarkable gardens, all decorated for the holiday season. We timed our visit for right around sunset so that we would have a variety of conditions for photographing Christmas lights and the background building and gardens. In fact, I did make some more traditional seasonal photographs — people illuminated by Christmas lights and similar.

But then I saw this wall with the twisted and gnarled tree growing along its surface, illuminated by a few bare bulbs overhead — and I went into the more traditional night photographer mode. Photographing at night often profoundly transforms the mood of a subject, and that is certainly true in this case. In the daytime you might think of this as a lovely old, weathered wall with a tree. But to my eyes, at night it takes on a darker and possibly even ominous character.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Urban Geometry

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Urban Geometry
A woman walks past a building with a display under construction.

Urban Geometry. © Copyright 2019 G Dan Mitchell – all rights reserved.

A woman walks past a building with a display under construction.

One element of the urban/street world that fascinates me is the juxtaposition of “perfect” structures — geometric patterns, shiny metal, highly designed forms — with the imperfect and always-deteriorating nature of this world — peeling paint, dirty sidewalks, constant construction and reconstruction, accumulated dirt, and so forth. Long ago the fact that urban structures fell short of the theoretical perfection offered in architectural drawings bothered me, but now I find it fascinating.

This is an example of one of those little scenes that always seem to catch my eye. The facade fo this building is, from one perspective, quite boring, even though its patterned wall and metal lights depart from typical (and often rather plain) urban surfaces. But notice some interesting things about it. For example, because the sidewalk and street are inclined, the designer was faced with a question: align the metal form beneath the windows with the sidewalk or align them with one another? And if you align with the sidewalk — as is done here — what do you do about the size of the windows and about their alignment? (The sizes were kept the same, leaving the lower bank out of alignment… but they are “corrected” in the second level!) Beyond that, the contrast with the op-art nature of the under-construction window dressing is fascinating. I waited for a passer-by to enter the scene before making the exposure.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Structures and Objects

Central Valley Silo, Detail

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Central Valley Silo, Detail
Close-up view of a California Central Valley silo

Central Valley Silo, Detail. © Copyright 2019 G Dan Mitchell – all rights reserved.

Close-up view of a California Central Valley silo.

My acquaintance with this location goes back to an important day a number of years ago — the first time I went out to seriously photograph California migratory birds. Earlier that week I had a chance encounter with a colleague in the coffee cart line at my college, and she happened to mention a California Central Valley location where sandhill cranes congregate. It really hadn’t crossed my mind to photograph birds — I was most definitely not the birder type — but based on nothing more than her mention of this place I headed out a few days later… and was entranced by what I found. (My ignorance of birds was impressive at that point. For example, only later did I realize that I had photographed a beautiful flock of tundra swans overhead. I probably thought that they were just more geese!)

On that visit I did something that has become a standard part of my bird photography forays — I photographed other subjects! Heading down a narrow country road through agricultural country I came upon flooded rice (I think!) fields next to a group of silos, and I made a few photographs of the two subjects juxtaposed. This close-up photograph features the same silos I photographed on that first visit to “bird country.”

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Structures and Objects

Silos And Shadows, Morning

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Silos And Shadows, Morning
California Central Valley silos in morning light.

Silos And Shadows, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

California Central Valley silos in morning light.

This photograph might serve as an example of an approach I sometimes take when photographing, especially when the subjects I had in mind may not present themselves or at least not present well. Basically, I have a backup plan, and I’m happy to switch gears and improvise if my primary subject either isn’t working or isn’t at its best. That was the case on this morning when I had traveled to the Central Valley to photograph birds. I did that, but then I decided to head down a narrow country lane looking for whatever I could find, and in this case the search uncovered some agricultural subjects.

It is always a question whether to stay with the subject you came for or to switch to another target of opportunity. To be honest, I cannot recommend one over the other — I do both, and it is hard to rationalize why I choose one over the other. Sometimes, quite honestly, it is mainly a hunch. If you stick with a subject that isn’t quite working you may eventually find a way to make it work, or perhaps that light you hoped for will appear. On the other hand, you could just as easily wait and find that nothing changes!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.