Category Archives: Photographs: Structures and Objects

Night Photography, Photographs: Architecture, Photographs: Night, Photographs: Structures and Objects, Photographs: Urban/Street

Five Night Photographs from Mare Island

November 5, 2013 G Dan Mitchell 5 Comments

I have so many photographs in the queue right now that I have decided to do something a bit different and post some of them in collections. This first group features night photography from the historic Mare Island Naval Ship Yard, a location where I have been doing night photography for about a decade now. As is often the case, this visit was with my friends from The Nocturnes, the San Francisco Bay Area night photography group.

A street light illuminates tracks running down Railroad Avenue at historic Mare Island Naval Ship Yard

This is probably one of the iconic views of the nighttime environment at Mare Island, as it was made in a location where many night photographers start, whether it is their first visit or their fiftieth time there. The spot is near the Mare Island Museum, which holds many objects and photographs from the long history of the place as the first important west coast naval ship yard. The tracks – obviously! – given this street its name. The tower is the chimney of the old power plant, and off in the distance more of the old ship yard buildings are visible.

Red light behind the door of an industrial building at the historic Mare Island Naval Ship Yard

I was interested in the windows, doorway, and wall of this building for several reasons on this visit. First – and night photographers will understand – Mare Island has recently started to see an update of its lighting. As newer and presumably more energy-efficient types of lighting become available, the older lighting gets replaced. Some years ago the move was to the intensely yellow sodium vapor lights (which you can see in other images in this set), but today it is to what I understand are LED systems. Since the ambient light is tremendously important to night photographers, we notice that this produces a significant change in the mood of photographs made here since the LED light seems to have a much more subtle coloration that is closer to what we might regard as daylight. The new lighting has been installed by this building, so I wanted to see how I could use it to make a photograph that still captured the feeling of the night. In addition, I noticed some subtle red interior lights behind the doorway that seem to suggest something a bit mysterious in this scene.

A green tinted shadow falls across the front of a yellow building, Mare Island Naval Ship Yard

There are several things I like about this photograph of the side of a tall building and a lower section casting an odd green shadow. In much night photography we create photographs of things that we actually cannot see – essentially we are making photographs of what the camera sees. Standing in front of this scene it was very, very dark and the details of the building wall was barely visible at all. However, after shooting this stuff for some time I can recognize what might happen with an exposure long enough to make this scene visible. The old sodium vapor lamps are still installed along this street, and I knew that their yellow light would have a powerful effect on the colors of the scene. I also know that where there is a shadow that is not illuminated by sodium vapor light, the shadow will take on the colors of other kinds of ambient lighting – in this case a relatively green type of light coming from a nearby open area. In the end, without actually doing any light painting (the process of using colored lights and gels to illuminate the subject) I was able to make a photograph that is “naturally” just as wildly colorful.

Metal wall with white doors, window, and Reserved Parking sign

The plain and simple geometry of this building and its front wall has attracted me for several years, with its vertical lines, square forms of the door and the shadows, and the surprising orange highlights – and I have photographed it before. This building is now also lit by the newer lighting, so I had to see what I could do with this new coloration. I made two photographs of it. This one is a simple, straight-on view that is “about” the angular and square forms and the thin lines of orange paint and asphalt, with the only curves coming from the shadows in the window and a bit of broken-off pipe near the bottom center.

White door on a metal building with industrial structures of Mare Island Naval Ship Yard in the distance

This is a different take on the same wall, here composed off-center so that some of the darker ship yard machinery and structures can be seen.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Northern California, Photographs: People, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Twenty Minutes of Street Photography – Six Photographs

October 29, 2013 G Dan Mitchell 9 Comments

I was in San Francisco this morning for a demo/announcement of new Google Plus features and after the event I had a bit of extra time on my walk back to the Caltrain station – 20 minutes to be precise. So, just for fun, the results (most of them at least) of 20 minutes of street shooting in The City.

It might seem odd to some that a photographer who does so much landscape work would be interested in photographing the sometimes-gritty urban environment of San Francisco. There is a lot I could write about this, but I’ll limit myself to a few ideas here. First, to some extent I think of photographing the urban environment as an extension of landscape photograph – let’s call it “urban landscape.” Second, shooting handheld while on the move leads to a different way of seeing that is quicker and more “improvisational” (to use a term from my music background), and this is, if nothing else, a great exercise in seeing.

Woman with Phone, Tall Building. San Francisco, California. October 29, 2013, 11:01AM.

I had stopped to try to photograph a woman pushing a stroller with this wall as a backdrop. She walked out of the frame too quickly, but I managed to grab this one of the solitary woman against the same backdrop.

MUNI Bus Yard. San Francisco, California. October 29, 2013. 11:03AM.

A moment later and on the other side of the street, I walked past this MUNI yard full of buses ready to head out.

Woman and Dog, Brown Building. San Francisco, California. October 29, 2013. 11:04AM.

One minute later and back on the other side of the street once again, I saw this interesting structure and a woman with a dog fortuitously walked in front at just that moment. This photograph is about many things, but the colors are quite important.

Pedestrian, Sidewalk. San Francisco, California. October 29, 2013. 11:16AM.

Slacking now, it was 12 minutes between the previous photograph and this one… ;-) Here I was trying to figure out my best route and I think I wandered around a bit without shooting, but then I saw this low building which was covered with swatches of paint that had been applied to cover graffiti. Once again, I was lucky and a pedestrian walked into the frame just as I was ready to shoot it.

Autumn Leaf, Sidewalk. San Francisco, California. October 29, 2013. 11:19AM.

After making a wrong turn I ended up walking around a block and back up towards where I started. While walking I saw this leaf and photographed it quickly without looking through the viewfinder.

Garage and Fence. San Francisco, California. October 29, 2013. 11:21AM.

A moment later and on the other side of the street from the leaf, I saw this small lot and the light blue building with the roll-up door, and the bright sky beyond. Initially I wanted to include the more of the building to the left along with a street light near its corner. So I made a few exposures of that, pausing as traffic passed by, and then made this one that eliminated all of the left-side building except for the tall wall facing the lot.

At this point I realized I had a train to catch, and one stop to make on the way there…

Photographs: Desert, Photographs: Northern California, Photographs: Structures and Objects

Chimneys and Building Details, Standard Mill

October 29, 2013 G Dan Mitchell 2 Comments

Details of buildings and chimneys at the Standard Mill, Bodie ghost town, California

On the final day of our October eastern Sierra visit we covered a lot of ground, starting with dawn virga and light snow near Mammoth Lakes before heading east into the high desert toward the Nevada border and then north by back roads past Mono Lake to Lee Vining, where we finally stopped for a very late breakfast. We headed north from Lee Vining, first stopping to photograph aspens near Conway Summit, and the snow that was still falling above along the Sierra crest. With this “interesting” weather still around, it seemed like it might be worth a trip out to Bodie.

I’ve been to Bodie a number of times, and while the historical story is fascinating and the presence of such a large abandoned town is remarkable, I have sometimes been frustrated by the stark and cloudless skies and the realization that the place has been photographed so darned much! But a number of years ago I made it out there on a spring day when there was light snow falling, and I realized that in the right conditions it is still well worth a visit. Since there was a possibility of similar weather this time – though snow did not fall after we arrived – and since it was the off-season, the drive seemed worth it. And it was. Along the way we saw high desert aspen groves, which have a very different appearance than those of the eastern Sierra. The weather gave us a combination of blue skies, partial clouds, and occasional mists covering hill tops – and all of this was constantly changing as the clouds thickened and thinned. As I have walked around Bodie in the past I have been fascinated by the large Standard Mill that sits across the Valley. Since it is fenced off and access isn’t permitted without a guide, I was not able to walk among the buildings… but I was able to get close enough to make some photographs of the interesting juxtapositions of stark metal walls, windows, and chimneys.

Photographs: Desert, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Textures

Metal Shingles and Electrical Wire

October 20, 2013 G Dan Mitchell 3 Comments

Weathered metal shingles and electrical wire on the wall of an abandoned building in the historic Bodie, California ghost town

I’ve visited Bodie a number of times, and I find the history of the place fascinating – from its mining roots up to its gradual death in the 20th Century. That said, and despite the obvious wealth of potential subjects, I’ve had a hard time warming up to it as a photographic subject. It is difficult to get there at the times of day when the light is most interesting, due to the limited hours the state park is open. And the midday light can be very harsh. In addition, it is an increasingly popular tourist attraction, which adds an additional challenge to the photography – unless you are there to photograph the people.

The times when I’ve enjoyed photographing there have almost all been those with “interesting” weather – perhaps some building afternoon thunderstorms, light snow, or possibly rain. Bodie was on our “maybe” list for shooting subjects on this trip – but when we saw clouds and snow along the eastern Sierra on this day we decided to head out there and see if this would add some interest. Once you are in Bodie, certain subjects seem to come to mind – photographing the many old derelict buildings, the overall landscape of the town, the surrounding landscape, the mining equipment and structures. I first focused on the old buildings, but then began to look a bit more at some of the smaller elements, such as this section of a rusted metal shingled wall with a bit of old electrical wire dangling from its side.

G Dan Mitchell Photography

Category Archives: Photographs: Structures and Objects

Five Night Photographs from Mare Island

Twenty Minutes of Street Photography – Six Photographs

Chimneys and Building Details, Standard Mill

Metal Shingles and Electrical Wire

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.