Category Archives: Photographs: Utah

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Autumn Trees, Slot Canyon

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Creek, Canyon Light
A stream flows through the lower reaches of a Utah slot canyon, illuminated by lautumn ight reflected from canyon walls.

Autumn Trees, Slot Canyon. © Copyright 2012 G Dan Mitchell – all rights reserved.

Autumn colors along a stream in a winding Utah red rock slot canyon.

On this lovely October day we left our lodgings and headed out on a long, quiet gravel backroad, eventually coming to a semi-hidden turn-off where we found a place to park. We loaded packs with camera equipment, switched into shoes appropriate for mud and wading, and headed up a shallow stream through flat terrain. Soon sandstone walls began to rise along the creek, and quickly we were in this intimate winding canyon with its combination of colors of autumn and light reflected on red rock cliffs.

This is the canyon where I stepped in my first quicksand. (Just enough to get my attention!) Once in the canyons, in addition to seeing photographic subjects everywhere, a series of sensory experiences stuck with me. Our voices were quiet as we ascended the stream’s shallow course, and sounds in the canyon were muted, mostly being the gentle sounds of water. The air was still for the most part, and the world outside the canyon disappeared, aside from that thin strip of blue sky straight overhead. At this bend leaves littered the sandy bank where the stream curved around rocks, the water glowed in the light reflected from upper canyon walls, and a few autumn trees stood with yellow leaves.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Cliff and Trees

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Cliff and Trees
Trees and brush at the base of a sandstone cliff along the Virgin River, Zion National Park.

Cliff and Trees. © Copyright 2012 G Dan Mitchell – all rights reserved.

Trees and brush at the base of a sandstone cliff along the Virgin River, Zion National Park.

For an autumn photograph there isn’t a lot of autumn color here! Back in 2012 I made two trips to Southern Utah. The pattern of fall color change in Utah, in my somewhat limited experience, is both different than what I’m used to in California and spread out across many weeks and the many climate zones of the state. The first lesson I learned was very early in October: the aspens in Utah change earlier than those in the Eastern Sierra that I know so well. A second lesson was that the cottonwoods and other trees and bushes in the redrock canyon country change next, and they can be spectacular. The third lesson — illustrated here — is that the colors in Zion Canyon apparently change quite a bit later. I haven’t hit the peak there yet, but I understand that it can be as late as the beginning of November.

This visit was barely two weeks into October, and much of the vegetation in Zion Canyon was still quite green. This photograph comes from a very popular and often crowded area just beyond the road-end at the upper end of the canyon, where many begin their walk/wade up the Virgin River. This is, I think, one of those places that is “iconic for a reason.” This section features a relatively flat and wide canyon bottom, full of trees that can benefit from occasional flooding. But for me the massive canyon walls that follow the river’s course are the main show — the sandstone here is massive and nearly vertical.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Canyon Wall

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Canyon Wall
Broken boulders and strata at the base of a slot canyon wall.

Canyon Wall. © Copyright 2012 G Dan Mitchell – all rights reserved.

Broken boulders and strata at the base of a slot canyon wall.

These canyons are simply full of fascinating details. Unlike much of my familiar Sierra Nevada landscape, where vistas can often go on for many miles, here the size of your world is much smaller. It is constricted to the width of the canyon, the distance to the upper rims (plus some sky), and upstream and downstream to only the next bends. So you are almost forced to focus on smaller details, of which there are many.

Here my attention was drawn to the rocks. I’m no geologist, and I only know enough to speculate about these things. But a close look at the rocks in this scene show material that was created in layers. Near the upper right corner, if you look closely, you can spot a place where there is a striking convergence of angles in the strata. And although this material was laid down in horizontal layers, over time it has been pushed and stretched and lifted until the formerly horizontal now angles up distinctly to the left. There is also an interesting almost vertical fracture between the more solid (and darker) rock on the right, and the lighter color of the broken rocks stacked up on the left.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Light on Red Rock

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Light on Red Rock
Sandstone formations in sunlight, Arches National Park.

Light on Red Rock. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sandstone formations in sunlight, Arches National Park.

As I have waded through my 2012 archive of raw images from Utah, made during two autumn trips to the southern part of the state that lasted nearly a full month in total, I am again reminded to the incredibly diverse ways in which the ubiquitous sandstone can be seen. Sometimes, in stark light, the colors are not that striking. In the depths of canyons they can be unbelievably intense. In dawn and sunset light they can become so saturated as to be nearly unbelievable. In shade they can be tinged with blue. And on it goes…

I made this photograph in “normal” daytime light, in a place where the sun beats down without obstruction. I don’t recall for sure now, but judging by the reasonable light levels of the highlights, it may have been a bit overcast. In this location the rock tends to organize into “fins” and fin-like formations, with long walls that are tall and parallel to one another. The nearly overhead light created shadows on the side of the rocks facing me, but each face was also subtly lit by reflections.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.