Category Archives: Photographs: Utah

Sandstone Cliff Detail

Sandstone Cliff Detail
“Sandstone Cliff Detail” — A section of a sandstone cliff face featuring fracturing, strata, exfoliation, and water markings.

The textures, forms, colors, and patterns found in Utah sandstone walls amaze me. They can be so complex that I sometimes imagine that I see things like writing or images, but patterns formed naturally over the millennia. Here we can see layering at more than one angle, marks left by dripping and flowing water, the effects of exfoliation, and more.

This bit of wall might usually not get a lot of attention. If I recall correctly (it has been a decade) I found it in an odd corner of a canyon at Capitol Reef — not in a particularly iconic location within the park. Because it was later in the day the high canyon walls blocked the direct sunlight, allowing the softer light to fill that shadows a bit and reveal more details.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Utah Morning Sky

Utah Morning Sky
“Utah Morning Sky” — A cloud-filled dawn sky aboe Capitol Reef, National Park, Utah.

Back in 2014 a friend and I met up at Capitol Reef National Park for a few days of photography. I was on a long trip, first shooting in Southern Utah alone before we joined up at Capitol Reef. (Afterward I met other friends at Grand Staircase-Escalante, made a quick visit to Boulder, and eventually joined my family at Zion.) I made this photograph early in the morning on the day we headed into the back country along Notom Bullfrog Road.

Although my main goals were further down this backcountry road, soon after we turned onto it the sun rose and the early morning light illuminated a beautiful cloud-filled sky. We had no choice but to stop! We quickly found a high location with a panoramic view and set up to photograph this marvelous sky and light.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Creek Bed, Autumn Leaves

Creekbed, Autumn Leaves
“Creek Bed, Autumn Leaves” — Autumn leaves scattered on the sand of a creek bed, Zion National Park.

Photographing desert canyon streambeds like this one in Zion National Park is rewarding in so many ways. They are little laboratories in composition, texture, alight, and color, with nearly infinite variations. Water, whether by the current flow or the aftereffects of its passage, produces all sorts of fascinating patterns. It rearranges, moves, and sometimes collects whatever is loose — in this case autumn leaves. The light can be magnificent, soft and colorful. In ideal conditions it reflects back and forth between red rock canyon walls before softly and warmly bathing the canyon depths.

Beyond all of that photographic stuff, canyons are just fascinating places to be. The walls cut off the outside world, and your horizons are measured in feet. It is usually very quiet, with the exception of a bit of breeze, the sounds of water, and sometimes a bird song. When I visit them I wander slowly, taking it all in.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Customers Line up at La Fama

“Customers Line up at La Fama” — Customers line up for opening time at Churreria La Fama in Zaragoza, Spain.

Any American who has visited Spain knows that the Spanish meal schedule is very different from the schedule back home. The most striking difference, of course, is that dinner is likely to be quite late — 9:00PM is not uncommon and it could be later. Other timings are different, too — lunch can be late, but don’t wait until 2:00 or you may find your favorite place is closed for a couple of hours. In this photograph the Zaragoza locals are lining up at 4:00 PM outside and inside this churreria and chocolateria.

For us, that long interval between lunch and dinner was a challenge. But it was clear that there were ways to fill the gap (and the stomach) during those hours. Everywhere we went we saw people sitting down for some kind of late afternoon snack. We heard that La Fama was a nearby “locals” place, and that sure seemed to be the case when we showed up at the 4:00PM opening. People were lined up at the outside window and inside the place was completely packed. Speaking virtually no Spanish beyond a few key words and phrases, we stopped and observed what was going on before finding our way to the counter to order… with a bit of help from a friendly fellow-customer who had a few words of English.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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