Category Archives: Photographs: Wildlife

Flock of Tundra Swans

Flock of Tundra Swans
A flock of tundra swans aloft in evening light about the Klamath Basin

Flock of Tundra Swans. Klamath Basin, Oregon. February 12, 2015. © Copyright 2016 G Dan Mitchell – all rights reserved.

A flock of tundra swans aloft in evening light about the Klamath Basin

More tundra swans — and I’m not finished yet! I don’t get to see these birds all that often at my usual Central California wildlife photography locations, so finding quite large numbers up here along the California-Oregon border has been pretty exciting. It turns out that while I was here a bit too early for the massive migration of some birds (I hear the geese will be back here in a couple of weeks) I seem to have arrived at just about the right moment for the tundra swans.

This day turned out to be the best for photographing these birds. Early in the morning I happened on a pair of ponds lining a short roadway, and both ponds held good size flocks. The morning light wasn’t quite right so I moved on and photographed other things, but in the evening I was back. During the final half hour or so before sunset, flocks of these birds began to stream back from the south, and I quickly headed back to this pond where I had seen  them earlier, figuring that some of them might land here. I was not disappointed! And the light was spectacular, starting out as typical warm-colored late day light against blue toned sky and clouds, and then later lighting up with a brilliant colored sunset.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Tundra Swans

Tundra Swans
A trio of tundra swans in flight in the Klamath Basin

Tundra Swans. Klamath Basin, California. February 12, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A trio of tundra swans in flight in the Klamath Basin

I don’t usually do this, but I’m posting this photograph while I’m still in the field. It is a photograph I made earlier this evening, in the Klamath Basin in far Northern California — so far north in the state that I could look across the road and see Oregon. I’ve been photographing migratory birds in my “home range” of the California Central Valley for so long that I decided it was time to push out those boundaries a bit this season. I’ll share more about what this experience has taught me in a later post.

It is a challenge to photograph in a new place, especially when the subject is wildlife and double-especially when I arrived well after dark the previous night and had to head out again in pre-dawn darkness to find locations I’ve never been to before! Fortunately, I ended up in an area with quite a few birds — though not the dense flocks that I’m used to from some places I more frequently photograph. Here the main show involved a few golden eagles and a large number of tundra swans. I’ve only photographed tundra swans a few times in the past, since they are not all that plentiful in the places I usually visit. But here there were thousands of them, and I ended up photographing them in the morning and then again at the end of the day. From a distance grounded tundra swans look a lot like geese, though larger and with longer necks. Up close you notice that their bills are black, and they make rather different sounds that geese. Their flight patterns are not like geese either. The lumber into the air like jumbo jets loaded for intercontinental flights, gaining elevation very slowly and then flying in a smooth and level path.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Goose-Filled Sky, Dusk

Goose-Filled Sky, Dusk
Thousands of Ross’s geese fill the dusk sky above California’s San Joaquin Valley

Goose-Filled Sky, Dusk. San Joaquin Valley, California. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Thousands of Ross’s geese fill the dusk sky above California’s San Joaquin Valley

The light and the photographic subjects pass through a series of stages at the end of the day in these wetlands areas. The nondescript late afternoon light takes on a warmer tone as the sun drops toward the horizon and shadows lengthen, and often clouds in the distant west may momentarily mute the light. There is still plenty of light for traditional bird photography, as the direct sunlight has not yet disappeared. Before long comes the last bit of direct sun, golden in color on the bodies of white geese, and then it is twilight.

At this transitional moment all sort of light magic can happen. As flocks of birds wheel around in the night sky they take on different colors — the gold of reflected sunset, the blue of the eastern sky that is transitioning towards night, and sometimes they simply are black against the sky. And the sky shifts colors, too. Sometimes the effect is wild and gaudy, but more often it is subtle, with tones of pink and blue and purple and more. By the time I made this photograph the light was becoming quite dim, and it was dark enough that I could no longer maintain a shutter speed that would stop the motion of the birds. So I no longer tried! I use a longer shutter speed and pan, watching for the flocks to compose themselves in interesting ways, always in constant motion, and against the colors of the evening sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

In Flight, Dusk

In Flight, Dusk
Ross’s geese in flight above San Joaquin Valley wetlands in dusk light

In Flight, Dusk. San Joaquin Valley, California. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Ross’s geese in flight above San Joaquin Valley wetlands in dusk light

This was a beautiful mid-winter day in the San Joaquin Valley. It began with a two-hour pre-dawn drive from home, starting earlier than a month ago now that the days are beginning to lengthen again. I drove in clear weather and it remained so as the sky began to brighten as I entered the valley, but as I got closer to my destination I was pleased to encounter for — thin at first but within minutes so think that I had to slow and turn on fog lights. I arrived at my destination a half hour before sunrise, and began photographing, working all morning before finally taking a break for lunch.

My friends Claudia and Michael had dropped a hint in an email that they might be out that way later in the day, and I was pleased to find them there when I came back from my break. We greeted one another, took a quick trip around the area to scout the birds for evening photography, and then ended right back were we started. Big groups of sandhill cranes and geese (mostly Ross’s but with a few other interlopers mixed in) were active in newly turned fields nearby, so we found a good vantage point and watched as the evening light came on. Eventually the light became so dim that it was no longer really possible to make sharp stop-motion photographs of birds in flight. This is, in a way, one of my favorite times of day, when I switch over from a more typical kind of bird photography and begin to go with the darkness, using slow shutter speeds and panning along with the motion of flocks, and making photographs that work with the motion blur of low light and slower shutter speeds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.