Category Archives: Photographs: Wildlife

The Fly-In

The Fly-In
The Fly-In

The Fly-In. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Ross’s Geese settle into a wetland pond during the evening fly-in

Often the most active times of day for migratory geese in California’s Central Valley are the morning fly-out and the evening fly in. (In the right conditions, it is also possible to see very active birds at other times, too — even in the middle of the day.) If you happen to be in the right place in the early evening you may see hundreds or thousands of geese descending towards you to eventually settle in for the night. (At the opposite time of day, you may catch the birds suddenly taking to the air in large numbers to depart for destinations that only they seem to know.)

These wetlands ponds in the San Joaquin Valley stretch off into the distance, broken only be a few scattered trees and some levees. Many birds pass overhead, but eventually more and more of them come in to land on the water and form into various sorts of groups.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Birds, Dusk

Birds, Dusk
Birds, Dusk

Birds, Dusk. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Birds in the fading light of winter dusk about the San Joaquin Valley

This is likely to at least partially a bird week as I continue to share photographs of migratory birds and their San Joaquin Valley environment from last winter. Certain responsibilities have kept me at home rather than in the field, so I’ve been trying to put the time to good use by reviewing photographs that I made during the past six month. As I move on to the next thing, I sometimes leave behind photographs which, at the time, interest me less than those newer ones, and coming back looking at them later on almost always leads to a few discoveries.

I made this photograph at the end of a long and productive day of (mostly) bird photography. We began in fog before dawn and shot through the morning as the sun came up and eventually the fog began to dissipate, leaving behind that hazy winter Central Valley atmosphere. After a midday break we returned in the late afternoon, and shot right on into the evening until the light was truly gone — perhaps just a bit past gone. After sunset as the dusk sky darkened I simply lengthened exposures to compensate and intentionally worked with the blur created by the birds and by camera motion. Even now, months later, I remember the sensations of the sky filling with what seemed like nervously active birds of many types.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Landing

Landing
Landing

Landing. San Joaquin Valley, California. February 14 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A goose approaches a landing in a San Joaquin Valley wetlands pond at dusk

A goose (either Ross’s or snow goose) prepares to land in a San Joaquin Valley wetlands pond at dusk last winter. We frequently photograph winter migratory birds in California’s Central Valley, and we were at a location in the San Joaquin for the full day back in mid-February. It was an almost ideal day for winter photography in the Valley, with highlights including lots of birds (of course!), morning fog that cleared after the sun rose, a colorful sunset, and the dusk arrival of many thousands of birds.

I have worked with motion-blurred photographs of birds for some time now. While I also like to create sharply delineated photographs that show the details of these animals, I also like the more expressive quality of the blurred images, which also may evoke the motion of the birds in a different and effective way. As the light becomes very dim at and after dusk, rather than ending my shooting I got with the slower shutter speeds and start to play with motion. Here I tracked this goose as in came in for a landing, allowing it to blur a bit but not as much as the background water and birds that had already landed.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Brown Pelicans, Fog, Water

Brown Pelicans, Fog, Water
Brown Pelicans, Fog, Water

Brown Pelicans, Fog, Water. Pacific Coast Highway, California. July 4, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A large flock of brown pelicans flies above the Pacific Ocean on a foggy summer morning

I have a thing about pelicans. They seem to me to stand apart from other birds along the California coast, most often coasting sedately on the wind, either high above as they pass along and above coastal cliffs or else down so close to the water that it seems like they will touch it. I have learned to watch for them, and I know of some places where it is likely that I’ll be able to see them close up, often by going to places high along cliff-top bluffs along which they frequently fly.

This large group completely surprised me — they came out of the blue, and I had not even been thinking about pelicans as I finished photographing a landscape scene from the tripod. I was just about as unprepared as possible for photographing birds in flight. Everything on the camera was set to manual — focus, shutter speed, aperture — and the camera had been in live view mode and on a low ISO. I was at the back of my car removing the camera from the tripod to put it away and probably was in the middle of collapsing the tripod legs when I looked up and saw a huge flock of pelicans just above the roadway to my south. I knew I had just seconds to reconfigure the camera before they arrived at my position — at least I had a long lens attached already! — so I did what I often do in these cases. I ignored the birds as I instinctively went through a bird photography set-up routine as quickly as I could: auto-focus on, stabilization on, camera in aperture priority mode (that’s a long story), ISO jacked up to 800. The only thing I forgot was shifting into burst mode, but that isn’t totally necessary. Finishing this quick sequence, I looked up to find the birds just about at my position, raised the camera, quickly tried to frame the birds against the background of the foggy Pacific, and made a few quick exposures before they moved out of range and faded into the fog.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.