Category Archives: Photographs: Yosemite

Morning Reflection

Morning Reflection
The image of a shoreline forest is reflected in the still morning waters of a subalpine lake

Morning Reflection. Yosemite National Park, California. July 27, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The image of a shoreline forest is reflected in the still morning waters of a subalpine lake

Since the Tuolumne Meadows campground (along with everything else along Tioga Pass Road) was still not open during this late-July visit (in the aftermath of a very heavy snow year) I ended up camping at a forest service campground just outside the park. Since this place wasn’t ideally located for photography I ended up doing a fair amount of driving — down 120 towards Mono Lake and nearby areas, or back up 120 into the park. On this morning my pre-dawn drive took me over the pass, into the park, and down through the virtually deserted Tuolumne Meadows area.

I continued on along this road, eventually arriving this popular lake to find it deserted at this early hour. Later in the morning the hordes would arrive here, but in the very early morning I had it to myself. The water was almost still as I set up my camera, with the tiniest bit of mist floating above its surface. I made a couple of exposures, and suddenly the reflections were broken up as breezes began to stir the surface of the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Morning Light, Trees and Granite

Morning Light, Trees and Granite
Morning sun backlights a grove of trees growing on granite slabs

Morning Light, Trees and Granite. Yosemite National Park, California. July 27, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Morning sun backlights a grove of trees growing on granite slabs

One of my Sierra Nevada photographic obsessions has to do with back-lit trees. There is something about that light that I find compelling — possibly the halo effect of the brilliantly lit ends of branches, perhaps the possibility of photographing something that is very difficult to actually look at in person, or maybe the contrasting effects of sharply defined close details juxtaposed with bright and haze backgrounds. For me, this light, along with the granite slabs and boulders, provide definitive features of the Yosemite high country.

On this morning I was out early, driving along Tioga Pass Road as the sun came up. (Driving was required this time, as I had to camp outside the park and drive in very early.) I had stopped in Tuolumne meadows, nearly empty of people since it was early and the campground was still closed, and had worked in the still and quiet morning to photograph the early light coming over the Sierra crest. I happened to notice this little granite and tree vignette as I turned away from my main subject for a moment.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

High Country, Dawn

High Country, Dawn
Just before sunrise, soft light and colorful sky above Yosemite high-country peaks, forest, and meadow.

High Country, Dawn. Yosemite National Park, California. July 27 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Just before sunrise, soft light and colorful sky above Yosemite high-country peaks, forest, and meadow.

Sometimes landscape and nature photographers enjoy complaining about certain things required to be in the right places at the right times in order to make photographs of their intended subjects. So, here is a story. The previous day I had been out photographing until the light was gone, and then had to travel back to my dark camp. By the time I finished camp business, it was quite late, and by the time I got to sleep it was less-than-a-full-night’s-sleep until the time I would have to get up. But get up I did, well before dawn. I dressed in the cold and darkness, soon heading out with no coffee or breakfast while the sky was still dark. Before long I began to find potential subjects, even though the light was not yet quite “there.”

Now, behind that story (complaining? false heroism?) is another truth: I feel fortunate to be able to do this! As I ventured out, I found myself almost entirely alone. Even though I was driving on a very popular high country road, I saw almost no one else. Before long the bluish earth shadow line began to drop toward the horizon behind these peaks, and I stopped at a little meadow I know well. Although it is next to the roadway, it was almost completely silent and still, and the meadow plants were covered with dew. I photographed as this brief show of sky color began to fade, and as I finished I thought about the number of people who only come to these places in the middle of the day, and who therefore miss the color and the quiet and the solitude. Is it worth getting out of my sleeping bag in the predawn darkness? Yes!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Shoreline, First Morning Light

Shoreline, First Morning Light
First morning light comes to the forested shoreline of a Sierra Nevada backcountry lake

Shoreline, First Morning Light. Yosemite National Park, California. September 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

First morning light comes to the forested shoreline of a Sierra Nevada backcountry lake

Near the end of the summer of 2014 I ventured into the Yosemite backcountry with a group of friends and photographers for a week of landscape photography work, first at a somewhat isolated lake and then near a more popular location. Although I’ve been a backpacker for years, accustomed to slogging along with a big backpack carrying all of my own gear, on this trip we were supported by pack train. In fact, we had stupendous support. All of our non-photographic gear was packed in to the first location. A few days later a pack train returned and moved our gear to the next location. (Meanwhile we hiked a cross-country route to get there, following a trajectory that stock could not use.) And finally at the end of the trip the packers came back again and schlepped our gear back out to civilization. I think I could get used to this — though I still very much enjoy the quiet and slow pace of self-contained backpacking.

We were at the lake for three or four days, long enough go venture beyond the obvious things that one sees when first arriving at a place. We had time to return to subjects and reconsider them a few days later, possibly in different light or at a different time of day. We were also able to push out boundaries outward a bit from the lake itself, climbing a few of the nearby promontories. And, always, we had the luxury of rolling out of sleeping bags before dawn, walking a few steps to the lakeshore, and beginning the day’s work. This photograph was made not more than five minutes from camp as the first light began to work down to lake level.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.