Blue Alley

Blue Alley
A side alley in San Francisco, illuminated at night by blue lights

Blue Alley. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A side alley in San Francisco, illuminated at night by blue lights

Sometimes I think about why I am attracted to certain subjects, and I’ve thought a bit about what it is about night photography that draws me. It is actually a bit complicated, so I won’t try to explicate the whole thing here. I can, however, say something about two related issues. First, a lot of night photography is as much about what the camera sees as it is about what I see. Our human vision can work rather well in near darkness, especially once we adapt, but what we see is nothing much like what our cameras see. The camera can blur motion with long exposures, can record with relative accuracy colors that we either cannot really see in near darkness or which our minds tell us are not what they really are, and quite simply the camera can sometimes produce a photograph of things that are too dark to really see. Secondly, because of these things, the concept of objective accuracy in night photography pretty much goes right out the window. How in the world do you make an “accurate” photograph of something that you cannot actually see without the camera?

If you or I saw this scene with our eyes, we would likely be almost completely unaware of the wildly divergent colors of the light. Our vision system (eyes and, especially, brain) often tell us that we are seeing what we believe we should see. Sidewalks are grey, not blue, so even in blue light the mind registers the objectively blue sidewalk as gray. Yet the camera is more objective, and when we see photographs of these subjects we are often struck by the wild colors. I have heard people ask how to “correct” these colors. My answer? Don’t! I look for and use these intensely colored lighting sources – here a blue light, sometimes the red of automobile tail lights, the warm color of tungsten light, the daylight-like color of LED lighting, the strange spectrum of fluorescent — all of which can lend string color to scenes that are often drab and nondescript in daylight


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Trees, Meadow, Morning Fog

Trees, Meadow, Morning Fog
Low morning fog floats above Tuolumne Meadows and nearby trees

Trees, Meadow, Morning Fog. Yosemite National Park, California. July 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Low morning fog floats above Tuolumne Meadows and nearby trees

With this photograph I move back to landscapes, and temporarily away from urban subjects. In early July I spent a few wonderful days in the Yosemite Sierra, camping at Tuolumne meadows, photographing morning and evening, hiking to interesting places in the middle of the day, and running into various photographers and friends (and photographer-friends) almost every day. I’ve been going to this place for years — to camp there, as a launching pad for many backpacking trips into the Yosemite backcountry, and to do photography.

As was the case each morning, I was up early — well before sunrise and before most anyone else in the campground. In the morning I typically already have some sort of plan, usually hatched the evening before, since guessing about sunrise locations in the dark is often not a very profitable activity! On this morning I had a plan to photograph a particular area filled with granite domes and with the potential for interesting early morning light. Thinking of this, as I passed the low fog in Tuolumne Meadows I almost didn’t stop, since a similar morning detour earlier in the trip resulted in my arrival at the day’s planned location too late for the good light. But unable to resist the temptation of ground for, I decided to make a brief stop near these trees (familiar to me from many previous visits) and at least make a few quick exposures before moving on.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Post and Grant, Night

san francisco, california, usa, urban, street, photography, night, post, grant, streets, corner, intersection, black and white, monochrome, people, sidewalk
Friday night at the corner of Post and Grant, San Francisco

Post and Grant, Night. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Friday night at the corner of Post and Grant, San Francisco

This is (yet another) photograph from my fruitful nighttime wanderings in an area of urban San Francisco in late July, when I joined a small group of fellow photographers to do some night street photography. They started with dinner, but I arrived a bit late and finally met up with them between my starting point (near Union Square) and their location in North Beach. We first photographed in the less-touristy areas of Chinatown, then wandered into tourist central, the well-known Grant Avenue area, where we knew we would find people and interesting lighting.

Eventually we wandered on down beyond Chinatown and ended up in the Union Square vicinity, where the group began to split up — it was getting late, some had been photographing for many hours, and their cars were a distance away. I continued on down Grant a bit further, where I made this photograph at the intersection with Post Street. You might detect one or two odd compositional choices in this photograph — why is that car poking into the right side of the frame?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

At the Counter

At the Counter
A group of people at a coffee shop counter at night

At the Counter. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A group of people at a coffee shop counter at night

This is the first of a group of two more photographs I’ll post from a recent bit of street photography in San Francisco, done on a Friday evening when I joined a small group of other photographers to photograph mostly after dark in urban areas. This on perhaps indulges my inner Edward Hopper a bit — I’m often fascinated by business windows at night and the idea of looking in from the outside to see whatever world is inside.

The photograph was a quick “grab” as I walked past this coffee shop and noticed the group of four people at the window-facing counter, each doing something different and each apparently unaware of the others. (And, of course: these are the places we all sit when we stop in coffee shops alone, right?)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.