Post and Grant, Night

san francisco, california, usa, urban, street, photography, night, post, grant, streets, corner, intersection, black and white, monochrome, people, sidewalk
Friday night at the corner of Post and Grant, San Francisco

Post and Grant, Night. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Friday night at the corner of Post and Grant, San Francisco

This is (yet another) photograph from my fruitful nighttime wanderings in an area of urban San Francisco in late July, when I joined a small group of fellow photographers to do some night street photography. They started with dinner, but I arrived a bit late and finally met up with them between my starting point (near Union Square) and their location in North Beach. We first photographed in the less-touristy areas of Chinatown, then wandered into tourist central, the well-known Grant Avenue area, where we knew we would find people and interesting lighting.

Eventually we wandered on down beyond Chinatown and ended up in the Union Square vicinity, where the group began to split up — it was getting late, some had been photographing for many hours, and their cars were a distance away. I continued on down Grant a bit further, where I made this photograph at the intersection with Post Street. You might detect one or two odd compositional choices in this photograph — why is that car poking into the right side of the frame?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

At the Counter

At the Counter
A group of people at a coffee shop counter at night

At the Counter. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A group of people at a coffee shop counter at night

This is the first of a group of two more photographs I’ll post from a recent bit of street photography in San Francisco, done on a Friday evening when I joined a small group of other photographers to photograph mostly after dark in urban areas. This on perhaps indulges my inner Edward Hopper a bit — I’m often fascinated by business windows at night and the idea of looking in from the outside to see whatever world is inside.

The photograph was a quick “grab” as I walked past this coffee shop and noticed the group of four people at the window-facing counter, each doing something different and each apparently unaware of the others. (And, of course: these are the places we all sit when we stop in coffee shops alone, right?)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Two Trees, Granite Face

Two Trees, Granite Face
Two trees, one very old and one very young, grow high on a granite face in Yosemite National Park

Two Trees, Granite Face. Yosemite National Park, California. July 13, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Two trees, one very old and one very young, grow high on a granite face in Yosemite National Park

This tree grows high on the apparently barren face of a tall granite dome in Yosemite National Park’s high country. Of all of the improbably places to spot a tree, and one that seems reasonably healthy and strong at that, this has to be one of the most unlikely. Given its location, it must be putting its roots down in little more than a large crack in the rock and it has to be fully exposed to strong winter winds and snow.

I have photographed it more than once in the past, and it continues to intrigue me. For thinking that I know the tree well, I was surprised to find that I had not previously noticed the smaller tree growing just beyond and to the right of the main tree — perhaps the offspring of the larger tree? For a short time in the morning, low angle light streaming across the tops of more granite formations to the east glances across the surface of the dome and beautifully lights the two trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographic Myths and Platitudes: The Best Camera! (part 1)

Three manufacturers companies now produce widely available full-frame digital cameras with features that are attractive to folks who photograph landscape subjects, among other things. Two of them recently released new models that are getting a lot of attention, and plenty of photographers are interested in their relative merits and perhaps in choosing among them.

The three I’m thinking of are:

Here is a statement that a thoughtful, experienced, knowledgable photographer who has looked at the options carefully and selected one of them might make:

I chose this camera because it exemplifies the continuing evolution and improvement of digital cameras. It introduces useful and powerful improvements that offer the potential of a range of image quality improvements. The camera has the ability to produce photographs with outstanding image quality in a wide range of conditions and circumstances, and photographers who use it are going to be very pleased with what it can do. It has its pluses and minuses, and other cameras may be a bit stronger or weaker in various areas, but on balance it is a first-class and powerful tool that works extremely well for the most demanding photographers. I recommend that other photographers take a look at it!

The question: To which of the three (and a half?) above-listed cameras does this statement apply?

If you have paid a lot of attention to the passionate and hyperbole-filled discussions and “tests” that inevitably accompany the release of new cameras, you have read proclamations that any one of those is “the best” or even that it will transform your photography.  And it is possible that “the answer” is already obvious to you, and you are certain that one surpasses the others in obvious ways. You might even have come to the conclusion that a photographer choosing one of the other options is making a mistake, is probably unaware of the significance of the error,  and that his/her photographs are likely to suffer as a consequence of this flawed decision.

With all of that in mind, the answer is… Continue reading Photographic Myths and Platitudes: The Best Camera! (part 1)

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