Tree and Fog, Dawn

Tree and Fog, Dawn
Tree and Fog, Dawn

Tree and Fog, Dawn. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A solitary tree reflected in the still surface of a San Joaquin Valley pond beneath winter dawn sky

This in another of those photographs that reminds me that much of what happens in a photograph is not subject to planning. We had traveled to the Central Valley to photograph migratory birds and the flat and often atmospheric landscape of this area, and we were anxious to be here since these seasonal conditions are not likely to last a whole lot longer this year. It was crystal clear as we drove into the valley but, not unexpectedly, we began to encounter thick ground fog ten or fifteen minutes before reaching our goal. It was still dark when we arrived, with just a hint of coming light to the east, and soon friends joined us and we started looking for photographic possibilities.

Our friends Michael and Claudia drove ahead as we readied our cameras, and by the time we caught up with them I saw that Michael had left the vehicle and taken off for the edge of a nearby pond, were he was barely visible silhouetted in the fog against the very early light in the sky. I made a “photographer at work” picture of him in this scene (shared here earlier), and only then started to wander that direction of myself. Unless it is the sort of fog that sits heavily and doesn’t move, fog is one of the most ephemeral and transitory atmospheric conditions. It changes continually, becoming thicker and thinner, transmitting more or less light, becoming thinner here and thicker there, and glowing with varying levels and colors of light. When I reached the edge of the water it was thick and glowing with deep pinkish-purple colors of dawn light. I found a composition that included a solitary tree and some foreground reeds and made a few photographs. This one was just a moment later in the series, but by now the fog had thinned slightly to provide a view of higher clouds to the east and the intense colors had become more subtle.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

At the Museum

At the Museum
At the Museum

At the Museum. New York City. December 29, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Feet, legs, carpet, and a bit of white wall at the museum

Yes. It is at the museum…

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Two People, Railing, Walls

Two People, Railing, Walls
Two People, Railing, Walls

Two People, Railing, Walls. New York City. December 29, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Two figures seen through a gap in walls at the top of a stairway.

There is probably not too much to say about this photograph, though I could probably say a lot about it if I got started. During a rainy day visit to a New York City museum, I saw the gap between walls at the top of this stairway and the effects on color and luminosity of the various different sources of reflected light in this space. I lined up with the scene to leave a slender gap between the corners of two walls so that people passing by in the hallway would momentarily show up in this gap. I tried a variety of focus points – on the people, on the edges of the walls, on the railings… but in the end I liked the version that doesn’t really focus on anything specific.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Marsh, Fog, Sunrise

Marsh, Fog, Sunrise
Marsh, Fog, Sunrise

Marsh, Fog, Sunrise. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Dawn sun reflected in the surface of a foggy San Joaquin Valley marsh

On a foggy morning like this one, when the fog is dense but not deep, the atmosphere and light can pass through an astounding series of phases in short order as the day begins. We arrived before sunrise, when it was still almost dark, and when we began to think photographically a few minutes later there was little light in the sky at all. The overall toned were mostly blue, and it was difficult to see any detail. Very soon, as the first real pre-dawn light began to illuminate clouds above the eastern horizon and turn them shades of red and pink, the shallow fog layer began to glow with these reflected colors. We had perhaps five minutes of this luminous color, which at times was almost unbelievably saturated, and then the intensity began to fade and the colors became more subtle. At the same time, the brighter sky overhead became more visible through the fog, and we could begin to more clearly see the higher clouds.

The sun was still below the horizon, even though its light was beginning to strike those higher clouds to the east. At about this time we moved on to a different location with a clearer view directly to the east. Very soon the rising sun began to emerge above the distant Sierra and low clouds, and from our position it rose into a slight clearing in these clouds. The orb of the sun became visible through the dense atmosphere and its direct light soon began to reflect off the surface of the wetland pond in front of us. Shooting straight into the rising sun, I closed down aperture and shortened exposure and made this photograph that, to me, captures the depth of the scene as it moves from the nearby reflections and ripples in the water, across a further line of half-submerged grasses, towards a larger expanse of the pond and then further landscape in fog, to finally rise though slightly glowing back-lit fog toward the sky and the sun.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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