Dawn light on a stormy morning above Basin Mountain, Mount Humphreys and the Sierra Nevada crest
Let’s welcome the New Year with a sunrise photograph! Happy New Year 2015! I made the photograph a bit more than five years ago, during a fall trip to the Eastern Sierra to photograph autumn colors. I made a series of similar photographs on this morning, at least one of which I have shared in the past. However, as I worked my way though a decade’s worth of old raw files during the past few weeks, I came on this one and felt that it could work will in the panoramic presentation seen here.
As I recall, on that morning I had awakened at my camp higher up in the mountains, planning to head further up the canyon before daybreak to photograph high elevation aspen trees. However, the light did not look promising, as it was quite overcast. I realized that it was one of those mornings when there was a chance for a special lighting condition that occurs when it is clear far to the east, and right at sunrise a narrow band of light breaks under the clouds and sends a line of light across the eastern face of the Sierra, light that works its way down from top to bottom as the sun comes up. So I quickly changed plans and headed the opposite direction and out into the “Buttermilk Country” below the Sierra, arriving just in time to find this beautiful light.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook |LinkedIn | Email
Welcome to this collection of some of my favorite photographs from 2014. I’ll get to the photos in a moment — yes, on this page! — but first a few stories, a shout out or two to fellow photographers and friends, and more…
This year I photographed a wide range of subjects from musicians to street photography to minimalist images to landscapes. It is always a challenge to select a few images from this variety of work, and invariably some photographs I love had to be left out. The group of photographs shown here was chosen because I like them, because they have been popular with others, and because they represent the diversity this year’s work. This year I think I can truthfully say that they range from the sublime to the ridiculous. (See if you can find the ridiculous one!)
Many wonderful places, subjects, and (especially) people were part of this year’s photography. Here is a partial accounting: The year began with photography of perhaps my favorite winter subject, the migratory birds and the often foggy landscape of California’s Central Valley — as always with friends David Hoffman, Charlotte Hoffman, Michael Frye, Claudia Welsh, and, of course, my wife Patricia Emerson Mitchell. Early in the year we traveled to Yosemite for a few days of shooting in conjunction with the opening of the annual Yosemite Renaissance exhibit, which again included some of my work — and in addition to the photography, it was great to see so many photographer/artist friends in the Valley. In the very early spring we had a good visit to Death Valley, one of my favorite and most frequent subjects — where we encountered snow and, for the first time in my life, I photographed wildflowers in a snowstorm! Among the summer highlights was a train trip across the US to spend a week photographing (and eating and much more) in New York City. Near the end of the summer I joined a group of good friends (Charlie Cramer, Keith Walklet, Mike Osborne, Scot Miller, Annette Bottaro-Walklet, Karl Kroeber and a supporting cast of mules and wranglers) for an extended back-country shoot in Yosemite. Fall took me back to the Sierra for nearly a week of aspen color chasing, and then I made my way back to Utah for fall color and visits to some beautiful out of the way places and ultimately to meet up with family. (Thanks to fellow photographers on that trip: David Hoffman, Guy Tal, Colleen Miniuk-Sperry, Michael Gordon, Charlie Cramer, Bruce Hucko — and to my cousin Barbara and her husband Russ and a few in-laws I met up with near the end of the trip in Zion.) My biggest photographic focus during the fall was the completion of my three-year project to photograph professional classical musicians — and I’m very grateful to the musicians, conductors, management, and staff of the San Jose Chamber Orchestra and Symphony Silicon Valley for their incredible cooperation.
A big “thank you!” to all of you who have followed my photographs here and on social media during the past year, and especially to fellow photographers (a few of whom appear in one of the photos!) that I’ve been fortunate to work with and count as friends. I’m grateful for your support! If this is your first visit to my site, consider bookmarking it, using the sidebar form to subscribe by email and/or…
(Click on any photograph below to switch to a larger scrolling view for best viewing. And I would love to hear what you think — which are your favorites in the group and so forth. Thanks!)
Dawn Light, Fog, Marsh and Tree
Purple Trillium
Point Sur
Pond, Fog, and Sky
Base of the Panamint Range
Desert Mountains, Rain
Backstage Before the Concert
Chinatown Street
The Selfie
Escalator and Stairs
Tropical Leaves
Ginko Leaves, Stones
Cottonwood, Red Rock Canyon
Roots and Rock
Potholes, Dusk
Cracked Mud, Canyon Light
Green and Yellow Aspens
Granite Slabs, Forest, and Lake
Forest Floor, Late Summer
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
An autumn sunset high in a canyon of the eastern Sierra Nevada
Let’s end 2014 with a sunset — one of the wildest sunsets I’ve seen in the eastern Sierra. This is another of the “rediscovered” older photographs that I turned up during my recent review of a decade or more of older raw files that were left behind in the past. I was going through them while working on a particular project, but as I did so I couldn’t help but get distracted and follow paths through photographs that are largely unrelated to that project.
This photograph was made at the very end of the day, as what had been somewhat gray clouds were lit from beneath by evening sun breaking under the clouds to the west, and brilliantly (gaudily?) coloring the sky out over Owens Valley and above the White Mountains. Frankly, I think that at the time I wasn’t quite sure how to handle this range of colors in post, so I put the file aside and mostly forgot about it until this week’s rediscovery rekindled the memory of that evening.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Evening light on high ridges and timberline creek in the upper reaches of the Kern River drainage, Sierra Nevada
This is a favorite location in the southern Sierra, where the John Muir Trail finally arrives at a creek and small trees after crossing over a very high pass perhaps four miles to the north — and thus at the end of what is typically an entire day spent near or above timberline. I love that very high country, but after working my way over a very high pass and doing a long walk, there is almost nothing as pleasing as coming to a camp with green meadows and trees and a gently flowing stream.
Because this spot is on the JMT, it isn’t surprising that I’ve been there a few times, on various trips that have taken me across this section of the Sierra backcountry. In fact, I’ve been there enough times to now remember specific camp sites and to even know where to wander off to find a good view in the evening. The massive peak in this photograph is an iconic sight in this area. High above plateaus that are at or above 11,000′, it is topped by a huge plateau at an even higher elevation, an unusual feature at an elevation where things are more typically rugged, rocky, and perhaps nearly inaccessible.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
