Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Forest and Pond, Winter

January 21, 2011 G Dan Mitchell 1 Comment

Trees grow out of a small winter melt-water pool in Yosemite Valley, California.

As I drove down the Valley I spotted this very quiet seasonal pool that was reflecting the forms of the forest trees in the soft late-afternoon light. As the temperature dropped there was just the slightest hint of shallow fog starting to form above the surface of the water.

If you are the type who reads the “technical data” accompanying the photos you perhaps notice the unusual choice of lens for this photograph. You might also be surprised at just how often I use a long lens, even this 100-400 zoom, for landscape subjects. Besides getting me “closer” to subjects that would otherwise be out of reach – that was the case here where there was water between me and the trees – the longer lenses also compress the contents of the scene and can also help eliminate elements that would otherwise distract from the main scene.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

News, Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Sports, Photographs: Yosemite

Rope Across Horsetail Fall?

January 20, 2011 G Dan Mitchell 5 Comments

Photographing Horsetail Fall has increasingly become “the thing to do” in Yosemite Valley for quite a few photographers this time of year. Horsetail is a seasonal waterfall that drops from near the eastern end of El Capitan in Yosemite Valley, and for a few weeks each winter may catch the setting sun to produce quite a visual show when the conditions are just right. I’m not going to offer a how-to for photographing Horsetail – good ones are available elsewhere, and as beautiful as the sight can be, I have a sort of “been there, done that” attitude towards it at this point.

Which is not to say that I won’t point my camera that direction if I find myself in the area! I did so for a few minutes last weekend, even though it was well before the time when the sunset show begins, and even though it was the middle of the afternoon. I happened to be photographing something else below the fall and after I finished I looked up and noticed that the flow of water over Horsetail was as strong as I’ve seen it. I had a long lens on the camera, so I pointed it up and made a few photographs.

Here is the odd thing… In the photographs made with this telephoto lens I can clearly see that a long climbing rope ascends from the right to the first ledge that the water hits, crosses the ledge, and continues its ascent to the left of the fall. It appears to be a fixed rope that someone left in place, and I can only wonder about possible explanations. Did someone have to leave it behind earlier in the season? Did someone leave it with the intention of coming back and traversing through the fall?

If it does remain much longer, there may be some disappointed photographers who find a glowing rope draped across their photographs of the fall this season…

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Autumn Leaves in Snow

January 20, 2011 G Dan Mitchell 1 Comment

A branch and autumn leaves lying on snow, Yosemite Valley, California.

They are “autumn leaves,” but I did photograph them in winter. I was just ending my midday break from photography and sitting in my car in the “day use parking lot” near Yosemite Village, not quite sure what I wanted to shoot next. The previous evening I had the pleasure of having dinner with Michael Frye and Evan Russel from the AAG, and Michael had mentioned that he might shoot in this general area. I had never really thought to photograph there by the parking lot (!), but if it is good enough for Michael I figured it must be good enough for me.

Not quite sure of where I was headed, but thinking initially about photographing trees across the far side of the Merced River, I wandered into the forest near the parking lot. I saw a couple of possibilities and photographed them, but they didn’t quite connect for me. As I walked along in the snow along the banks of the Merced I ended up in a small thicket that was nearly bare of leaves, and near here I spotted this interesting shape of brown leaves and a branch lying in the snow.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Equipment, Technique

Yet Another Reason to Like Live View – Shooting in the Wind

January 19, 2011 G Dan Mitchell 5 Comments

I have posted in the past about some of the advantages of having a live view feature on your camera, especially for the types of photography that I do using my Canon 5DII. This past week I discovered another use, and an unexpected one at that – shooting in conditions of gusty winds.

I most often work from the tripod, and I usually use a pretty large and stable tripod in the context of shooting a full frame DSLR camera. But in some very windy conditions putting the camera on a tripod is not sufficient to stop camera motion and the consequent blur. This is especially a problem when you are shooting in low light or otherwise need to use very long exposure times, and it becomes worse when using long lenses which will catch more wind and magnify vibrations. There are a bunch of tricks that you can try in order to keep the camera steady, but in really strong winds the camera is just going to move, especially if you have a very large lens attached.

One way I try to deal with this is to time my exposures for moments when the wind may momentarily decrease. This can require a lot of patience – sometimes I’ve had to wait several minutes for a very brief halt to the gale, during which I try to make my exposure. But even in this case, you have to make sure that the camera vibration stops completely if you are using a long lens. Ultimately, you have to simply trust that the camera really has stabilized since there is no way to tell directly. Last week, as I was using live view to focus a 400mm lens on a distant subject and again noting that 400mm plus 10x software zoom in live view makes the camera very sensitive to vibration. In the past I have noted this mainly in the context of how darn hard it is to manually focus a big lens this way! But this time it occurred to me that I could use this in my favor.

With the 10x live view magnification enabled, the display is very sensitive to camera motion from the wind. I realized that by leaving the camera in the 10x magnification setup after composing the shot that I could simply watch this display, with its magnification of motion, and wait until the image stabilized during lulls in the wind to take my shots. If the display isn’t bouncing at 10x, motion blur is not going to be an issue. Problem solved. More or less.

G Dan Mitchell Photography
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.