Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: People In Landscape

Evening Overlook

Image February 12, 2023 G Dan Mitchell Leave a comment

Two people watching the early evening view of immense desert mountains from a high overlook.

Late in the day during my recent Death Valley visit I went to this overlook. It is more typically a place to photograph the sunrise, which comes from camera-left and illuminates the big ridges in the distance. But I had a free evening, not a morning, so I figured it was worth a shot. I arrived before sunset, and I made this photograph before the sun had dropped behind the western ridge, though the haze and high clouds softened the light a bit.

I’ve never been able to quite describe in words the experience of standing on a very high point in such a vast landscape. From here one can look 5000′ down into Death Valley or look 6000′ up toward the highest peak in the Panamint Range and simultaneously feel “on top of the world” and very, very small in the presence of such immensity.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Equipment, Reader Questions

Using Multiple Camera Systems

Image February 11, 2023 G Dan Mitchell 2 Comments

A reader noticed that my recent Death Valley photographs were made with two different systems — a Canon full frame system and a Fujifilm APS-C system. Apparently some people DO look at the EXIF data! ;-)

He wrote:

“Hi Dan, I’ve been enjoying your recent posts and comps from your Jan visit to DV. After visiting your flickr site, I noticed that you use a Canon 5DSR with 100-400 telephoto lens for its reach across the terrain, and a Fuji XT-5 with a medium telephoto for the more intimate canyon shots. Is that your set up for convenience depending on the scene? I’m guessing the 5DSR is tripod mounted for shots, and the Fuji is handheld when hiking. I’m curious why you don’t pair the Canon with the same focal lens that you use on the Fuji. Thanks for your insights.“

For example, this photograph was made with the little Fujifilm XT5 rather than with my much larger Canon system. If you are interested in my answer, read on!

“Light in the Canyon” — Afternoon light strikes a hill in the lower reaches of a Death Valley canyon.

With his permission, I’m going to write a bit about why I use two systems, and how and when I use both of them together.

Continue reading →

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Badlands Canyon

Image February 11, 2023 G Dan Mitchell Leave a comment

Badlands hills and slopes rise from a Death Valley wash.

The impetus for this photograph was originally the dark rocks distributed across the smooth, hard surface in the foreground. I started from a camera position to the right of this scene, photographing across the rocks and into the light, which backlit the rocks and made the smooth surface glow. But I wasn’t quite happy with the result so I moved around a bit… and eventually decided to place this ascending canyon behind the rocks.

This part of Death Valley National Park, like other locations there, features stratified deposits of remarkably contrast colors and textures. Here nearly back layers alternate with other layers that are almost white. The formations go on for great distances, and you can see that a bit here by looking up the valley in the center to distant peaks with similar erosion patterns.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Morning Light, Alluvial Fans

Image February 10, 2023 G Dan Mitchell Leave a comment

Morning light and haze over vast alluvial fan landscape, Death Valley National Park.

This is probably not the most traditionally “scenic” subject in Death Valley, and it is possible that it may not speak to everyone, especially those unfamiliar with the immense scale of the place and its potential for deep silence and stillness. But this is a spot that I keep going back to on mornings like this, when the first sunlight breaks over ridges to the east and shines through glowing haze is a slants cross these gigantic alluvial fans.

When you stop to consider the nature of the landscape in this park, you’ll eventually have a moment when it hits you just how much of the place consists of material that has been eroded and washed down from high places. The eroded material forms these gigantic washes, which can be miles long and wide.

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G Dan Mitchell Photography

Evening Overlook

Using Multiple Camera Systems

Badlands Canyon

Morning Light, Alluvial Fans

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.