Using Multiple Camera Systems

Image February 11, 2023 G Dan Mitchell 2 Comments

A reader noticed that my recent Death Valley photographs were made with two different systems — a Canon full frame system and a Fujifilm APS-C system. Apparently some people DO look at the EXIF data! ;-)

He wrote:

“Hi Dan, I’ve been enjoying your recent posts and comps from your Jan visit to DV. After visiting your flickr site, I noticed that you use a Canon 5DSR with 100-400 telephoto lens for its reach across the terrain, and a Fuji XT-5 with a medium telephoto for the more intimate canyon shots. Is that your set up for convenience depending on the scene? I’m guessing the 5DSR is tripod mounted for shots, and the Fuji is handheld when hiking. I’m curious why you don’t pair the Canon with the same focal lens that you use on the Fuji. Thanks for your insights.“

For example, this photograph was made with the little Fujifilm XT5 rather than with my much larger Canon system. If you are interested in my answer, read on!

“Light in the Canyon” — Afternoon light strikes a hill in the lower reaches of a Death Valley canyon.

With his permission, I’m going to write a bit about why I use two systems, and how and when I use both of them together.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Badlands Canyon

Image February 11, 2023 G Dan Mitchell Leave a comment

Badlands hills and slopes rise from a Death Valley wash.

The impetus for this photograph was originally the dark rocks distributed across the smooth, hard surface in the foreground. I started from a camera position to the right of this scene, photographing across the rocks and into the light, which backlit the rocks and made the smooth surface glow. But I wasn’t quite happy with the result so I moved around a bit… and eventually decided to place this ascending canyon behind the rocks.

This part of Death Valley National Park, like other locations there, features stratified deposits of remarkably contrast colors and textures. Here nearly back layers alternate with other layers that are almost white. The formations go on for great distances, and you can see that a bit here by looking up the valley in the center to distant peaks with similar erosion patterns.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Morning Light, Alluvial Fans

Image February 10, 2023 G Dan Mitchell Leave a comment

Morning light and haze over vast alluvial fan landscape, Death Valley National Park.

This is probably not the most traditionally “scenic” subject in Death Valley, and it is possible that it may not speak to everyone, especially those unfamiliar with the immense scale of the place and its potential for deep silence and stillness. But this is a spot that I keep going back to on mornings like this, when the first sunlight breaks over ridges to the east and shines through glowing haze is a slants cross these gigantic alluvial fans.

When you stop to consider the nature of the landscape in this park, you’ll eventually have a moment when it hits you just how much of the place consists of material that has been eroded and washed down from high places. The eroded material forms these gigantic washes, which can be miles long and wide.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Boulder, Desert Canyon

Image February 9, 2023 G Dan Mitchell Leave a comment

The route through a a desert canyon curves past a boulder before entering narrows.

For more than two decades I have photographed in Death Valley, typically one or two times each year. I have learned some things about the place and about photographing there. One thing that eventually seems obvious is that canyons are often great place to photograph in between the times of beautiful dawn and sunset light. They are often at their best when the sun is a bit higher and light can ricochet among the canyon walls to produce soft light down below. (Another thing I’ve learned is that no matter how much I think I know I am always surprised by something new!)

I went into this canyon in the afternoon during one of those “between times.” Even though it is a very accessible place I had never hiked into it before, despite thinking about it for years. I love the narrow, shaded sections where I feel cutoff from the surrounding world — where the light is soft and sounds are muted. I made this photograph near a bend in the canyon and just above a short dry fall, where the blue shadow light contrasted with the warmer glow of sunlight around the corner.

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G Dan Mitchell Photography

Using Multiple Camera Systems

Badlands Canyon

Morning Light, Alluvial Fans

Boulder, Desert Canyon

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.