Three Black-Necked Stilts

Three Black-Necked Stilts
Three black-necked stilts feeding in a shallow wetlands pond.

Three Black-Necked Stilts. © Copyright 2021 G Dan Mitchell – all rights reserved.

Three black-necked stilts feeding in a shallow wetlands pond.

Often when I go out to photograph birds the potential conditions of light and weather can dominate my thoughts more than the birds themselves. It isn’t that the birds are not endlessly fascinating — they are! Rather it is that I want to photograph them, if possible, in exceptional conditions. That typically means near the beginning or end of the day and, if possible, when the atmosphere is interesting… and by “interesting” I usually mean foggy.

This was not that day. The sky was clear from dawn until dusk. But while the light was perhaps ordinary, the birds were not. There were more of them than I recall seeing in the past. They were mostly geese of various sorts (snow, Ross’s, cackling, white-fronted…) but also cranes and abundant small blackbirds. And, as always, along the edges of the ponds there were black-necked stilts, a bird that I’ve come to enjoy quite a bit. Photographing them is either really easy… or incredibly hard. The hard part comes when they suddenly take flight and tracking them is a challenge. But between those flights they spend a lot of time feeding and moving slowly as this trio was doing when I photographed them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Pedestrian Landscape

Pedestrian Landscape
A few through upper story windows toward street level pedestrians and geometries.

Pedestrian Landscape. © Copyright 2021 G Dan Mitchell – all rights reserved.

A few through upper story windows toward street level pedestrians and geometries.

This is one in a series of photographs from this spot and of this scene, mostly made on this visit to San Francisco, though there are a few made on other dates, too. The photograph is, obviously, made from a location up high in an urban building — high enough that it was possible to get a nearly vertical perspective on the street below.

There are a few things going on here that were interesting to me as I photographed. I’m photographing through the tinted glass of a modern building. Recently I’ve been interested in the effects of glass on iight and subjects in situations where its presence isn’t obvious. Here it lens an unusual, cool tone to the colors of the scene. As I photographed small numbers of people passed by on the sidewalk. It was interesting to watch their interactions as they approached and passed on another. In addition, from this perspective things in the scene that would ordinarily be almost invisible become central, especially the various kinds of geometries throughout the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Two Geese in Flight

Two Geese in Flight
A pair of snow geese in flight just above the ground.

Two Geese in Flight. © Copyright 2021 G Dan Mitchell – all rights reserved.

A pair of snow geese in flight just above the ground.

Snow geese and other types of geese can sometimes seem graceful, but they can also manage to put themselves into some quite awkward and even odd positions at times. This is often true then they are taking off or landing — perhaps less so when you look at them with your own eyes and more so when the camera halts the motion. The acts of landing and taking off require some brief and extraordinary efforts — especially the landings when the birds need to find a clear spot in the flock, slow their flight, and finally descend almost vertically with feet extended and nicks craned.

Frequently, photographs of creatures like these come from times of day with especially beautiful light and/or atmosphere — perhaps in fog or during the morning and evening golden hours. This is partly due to the appeal of those conditions but it is also because the birds tend to do more interesting things at the edges of the day. But in February, at least where I photograph them, the birds begin to be much more active and there may be no lull in the middle of the day.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Summer Twilight, River Thames

Summer Twilight, River Thames
“Summer Twilight, River Thames” — The twilight sky above the River Thames on a summer evening in London.

This photograph comes from the end of a memorable day in London back in 2013. Believe it or not, this was our first visit to that city. We made the best of it, staying there for about a week before departing for other destinations. Various relatives from the US and Europe also showed up while we were there, and it was on this day, if my memory is correct, that the whole gang had finally arrived and met up. We had just had dinner together and were now along the Thames watching the day come to an end.

This photograph brings up the subject of how to interpret scenes photographed in very low light. It was the beginning of summer twilight on this July evening — there was still light and color in the sky, but artificial light was becoming more visible as in became darker. My tendency is to interpret light in ways that bring more of it to the subject, but with night and near-night photography it is easy to go so far that you lose the sense of a dark environment. In this photograph I decided to keep things relatively dark, at least compared to what I could have done, in the hope that the effect would be close to how we would perceive the scene in person.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.