Woman and Clock

Woman and Clock
A woman gazes through the portal of a Musee D’Orsay clock towards Paris

Woman and Clock. © Copyright 2018 G Dan Mitchell – all rights reserved.

A woman gazes toward the Paris skyline through the portal of a Musee D’Orsay clock

I can tell something of a story on us regarding the Musee d’Orsay. On a previous visit to Paris we were trying to get to various specific locations including a few museums. However, we can be a bit “seat of the pants” when it comes to wandering around in such cities — rather than making specific plans we tend to decide things on the spot and/or wander around and see what we find. We knew we wanted to visit this museum, but it wasn’t until later on that visit that we made it there. We paid our admission, went inside, and discovered that we had perhaps 90 minutes left before it closed. Needless to say, we moved very quickly through sections of the place and missed a ton of stuff.

This time we wanted to go back and spend a more reasonable amount of time there. And we did. We got there in time to see a good portion of the marvelous exhibits. At one point we were getting hungry, and we ran into a restaurant on one of the upper floors and decided to stop. Overlooking the restaurant was a clock like what you see here. I was very confused. I knew I had seen “the” clock briefly on the previous visit, but I didn’t recall a restaurant… so I chalked up to, “they must have remodeled things and installed this restaurant by the clock. ” We finished eating, went back to visiting the exhibits, and eventually worked our way to the far end of the floor… where we found the other clock, the one that I had seen before. Usually there are a ton of people standing in front of the thing — and who can blame them — but for a moment I was able to frame this photograph with a solitary woman standing and looking through the clock’s windows towards the skyline of Paris.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Multi-colored Aspen Trees

Multi-colored Aspen Trees
Multi-colored autumn aspen trees along the Eastern Sierra Nevada

Multi-colored Aspen Trees. © Copyright 2018 G Dan Mitchell – all rights reserved.

Multi-colored autumn aspen trees along the Eastern Sierra Nevada

We are now well past the fall color in the Eastern Sierra Nevada — and in many other locations for that matter — but I’m still working my way through this year’s photographs of the annual transition. One of the ironies of sharing photographs like this is that I don’t have new photographs when people are most attentive to things like fall color… shortly before the event occurs. As it is in progress I’m in the field making new photographs. And it isn’t until after our attention has moved on to other things that I’m able to share the work.

I made this photograph on an overcast late afternoon in the margin between high desert sagebrush country and the start of alpine country. Many beautiful aspens inhabit this zone, though not everywhere. In the right conditions the open terrain allows for clearer views of the trees than you might find among the conifer forests, and sometimes these trees can grow straight and quite tall. It is hard to say what “peak color” means, as at the point that one set of trees has maximum color, other nearby groves may range from green to nearly bare trunks. This might be peak color from that perspective, as all of those phases of the color transition are visible here. The soft, overcast light produces a less stark appearance since the gentle light fills in the shadows and doesn’t overwhelm the color highlights.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Tower, Stormy Sky

Tower, Stormy Sky
An Amsterdam tower beneath stormy skies

Tower, Stormy Sky. © Copyright 2018 G Dan Mitchell – all rights reserved.

An Amsterdam tower beneath stormy skies

Happy Halloween!

To be honest, there is nothing about this subject that connects to Halloween, though perhaps the appearance of this rendition of the subject may fit. If you want to continue with your Halloween-like impression of this photography, you may wish to stop reading right here. On the other hand… I made this photograph on an overcast afternoon in Amsterdam this past summer.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Hillside Aspen Color

Hillside Aspen Color
A grove of colorful autumn aspen trees on a hillside shared with brush and conifers

Hillside Aspen Color. © Copyright 2018 G Dan Mitchell – all rights reserved.

A grove of colorful autumn aspen trees on a hillside shared with brush and conifers

This little grove of slender aspens is high on a rocky hillside. It is a grove that I know pretty well, having watched it for many seasons while photographing more accessible aspens nearby. I’ve been attracted to its position, high on the southern slopes of this valley, in a position to catch early sun coming over the higher ridge top. Usually, by the time the other nearby trees that are my primary target are in full color, these trees have dropped many of their leaves. But this season seemed slightly unusual in one way — in such places it has been common to find isolated groups of still-colorful trees that usually drop leaves by this time.

Making this photograph required the use of a type of lens that not every landscape photographer considers using, namely a rather long telephoto — this particular lens is a 100-400mm zoom, which provides quite a narrow angle-of-view on a full frame camera. There are lots of things that often appeal to me about using longer focal lengths for landscape photography, but in this case it was a pretty practical matter: the trees were at a great distance and there was no realistic way to move closer!


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook |
Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.