Fall Color, Birch Tree

Fall Color, Birch Tree
A birch tree provides early autumn color in the Fontainebleau Forest, France

Fall Color, Birch Tree. © Copyright 2018 G Dan Mitchell – all rights reserved.

A birch tree provides early autumn color in the Fontainebleau Forest, France

My first “fall” color photograph of 2018 comes from… France! We recently returned from a forty-day trip, mostly in Europe, and we were in France for most of the final two weeks. We started with a short return visit to Paris, but then we met other family members in the area near Barbizon and Fontainebleau. We were there for a full week, which gave us plenty of time to explore the area. One of the interesting features is a natural one, the forest of Fontainebleau. This is not like conifer forests of the American West where I spend so much of my time — the terrain is nearly flat (with only small hills) and the trees are mostly conifers. Fontainebleau also features some remarkable boulders, and I should be able to share some photographs of those later on.

In was, in fact, those boulders that brought us to the location where I made this photograph. We made a short hike into the forest and climbed one of those small hills to find it covered with the boulders. As others began to leave I stuck around a bit longer and found this birch tree that was just beginning to get fall color.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Time To Dance

Street art in Berlin, Germany

Time To Dance. © Copyright 2018 G Dan Mitchell – all rights reserved.

Street art in Berlin, Germany

I made this photograph in Berlin, not too far from the “East Side Gallery,” which is a still-standing remnant of the Berlin Wall that was turned over to artists and which is now covered by paintings. The scene in this photograph is not part of the “gallery,” but was instead a graffiti covered wall we passed on the way to the wall. I don’t make a habit of photographing graffiti, often because I don’t want to contribute the notoriety of some folks who vandalize public and private property. But here the stuff is everywhere and seems to have become a part of the environment, so I’m making an exception.

Besides the wild colors and patterns of this street art, there was another reason for photographing it. While I don’t know “her” cultural significance, the figure in the center of the scene keeps showing up in photographs of mine. I encountered and photographed her twice on a visit to Paris two years ago. In one photograph she appears on a wall, partially obscured by ivy. In another, one of my favorite photographs, she is one of several related figures pasted onto a Le Marais wall behind a small group of pedestrians. Oddly, some of the surrounding “stuff” on this wall seems very similar to that in the Paris photographs, making me think that he appearance may not be quite random.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Red Wall

Red Wall
A person walks in front of a painted section of the Berlin Wall

Red Wall. © Copyright 2018 G Dan Mitchell – all rights reserved.

A person walks in front of a painted section of the Berlin Wall

Before I say much about this photograph, a bit of background. Near the start of August 2018 we departed from California’s West Coast on a trip that would last forty days. We started with a brief visit to New York City, followed by another brief visit to London — both great places to visit and to adapt more slowly to the time zone changes. From there we made a rough loop that took us to Amsterdam, Berlin, Nuremberg (briefly!), Bayreuth (site of the famous Wagner festival), Heidelberg (for rest and recuperation… and laundry!), Vienna, Paris, and then a week outside of Paris near Barbizon with family. Whew! It was a great trip, with a few familiar places and some that were new to us. Along the way we had lots of opportunities to make photographs, and I’ll be starting to share some of them over the next few weeks and months.

We had three full days (four nights) in Berlin, a city that neither of us had visited before. We don’t travel with tour groups, so we were mostly on our own to explore, and most of our exploring was done on foot. On our last full day we headed east from where we were staying, eventually making our way to the “East Side Gallery.” This is a large section of the Berlin Wall that was not knocked down, but instead turned into a vast canvas for artists. My approach to photographing such a thing isn’t precisely to photograph the art itself, but instead to try to place it in its surroundings and/or photograph people interacting with it — which is the case with this man dressed in red who walked in front of this red section of the former “red” wall.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Desert Ridges and Haze

Desert Ridges and Haze
Layers of desert ridges extend into distant haze

Desert Ridges and Haze. © Copyright 2018 G Dan Mitchell – all rights reserved.

Layers of desert ridges extend into distant haze

Desert landscapes are, in some ways, what I think of as the most “pure” landscapes. Their aridity means that there is rarely much to obscure the actual geology of these places — no forests, no grassy meadows, few bodies of water. The landscape is laid bare.

The colors, textures, and patterns of rock and soil are revealed, and the changing light paints this landscape in remarkable ways. The colors change throughout the day depending upon the height of the sun, the color of surfaces reflecting the light, and the clarity of the sky. The atmosphere itself changes the landscape — crystal clear air reveals distant features as if they were close by, while air filled with blowing sand and dust obscures detail and focuses attention on larger elements of the scene.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.