Narrow Canyon, Hiker

Narrow Canyon, Hiker
A hiker passes through a narrow section of a desert canyon.

Narrow Canyon, Hiker. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A hiker passes through a narrow section of a desert canyon.

Almost anywhere you are in desert country, canyons can be attractive places on days that might not be so enjoyable out in the open. They are often protected from wind — and in Death Valley, at least on this trip, that also meant protected from dust storms. Their light is frequently appealing during midday hours where many other locations are experiencing harsh flat light —  in canyons the midday light can reflect down among the canyon walls and look beautiful at almost any time of day. They can also be cooler, with high walls that protect from the hottest sun.

Between morning and evening photography we decided we would take a hike up this canyon — not the most popular in the park but not the least visited either, so we shared the experience with some other hikers. The approach to this canyon took us across the lower face of an arid mountain range, then dropped into a wash and started to ascend, with tall canyon walls quickly ascending both sides of the canyon. In places this canyon is impressively narrow, and everywhere it is very deep. While it has some of the water-formed features that are common to all such canyons, these Death Valley canyons have a rugged and rough-hewn character that is quite different from that of the popular Utah canyons.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Sea of Sand

Sea of Sand
Overlapping sand dune patterns, morning

Sea of Sand. Death Valley National Park, California. March 31, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Overlapping sand dune patterns, morning

On the last day in Death Valley this spring we were planning to head off to the Los Angeles area in the morning, but I decided I wanted to photograph one more time before departing. Although I really wanted to sleep in, after many days of rising very early, I decided to get up early one more time and head back to the dunes alone for one final bit of photography. I headed out before dawn and arrived at a location I had been to before, parked the car, hoisted a backpack and tripod, and headed out across the playa toward a section of dunes where I was reasonably certain I would be able to photograph alone. The distances are always deceiving, and the playa walk took much more than the ten minutes one might guess that it would take if unfamiliar with these places. Eventually I came to the low dunes that I had been aiming for, and I began to look for places where I could make sand fill the frame.

The dunes are deceiving on other ways, too. You might imagine that they are on the march, being pushed along by winds. The wind does move sand — and it was blowing around my feet on this morning — but overall the dune forms are actually quite stable. Sometimes these active looking yet stable features make me think of a sort of stop motion ocean, with waves and crests and valley mostly frozen — a stopped landscape mirroring the active surface of water. The patterns here range from small (the little ripples in the foreground) to quite large (the overlapping crests marching into the distance.) I worked this scene and others like it for an hour, and then it was time to leave — a walk back across the playa back to my vehicle, and then the long drive out of the desert.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

A Door

A Door
“A Door” — Etched glass door to outdoor light

This is either really interesting (somewhat interesting?) or a really great illustration of what can make photographers so annoying! With a camera in my hand, I start to see differently, and things that would otherwise often escape my notice start to catch my attention and intrigue me, and they sometimes become photographs. At almost any time the visual impulse may kick in and I’ll see something that demands to be photographed. This was one of those times.

We were visiting our daughter and son-in-law in Southern California, after our landscape and nature photography trek to Death Valley. Enjoying a few lazy days after working the desert, we were sitting around at their home doing nothing in particular that I can remember — when I noticed that the colors of objects behind this door and outside were being reflected and refracted in such a way that the etched surface of the glass was producing intense colors. The glass actually has no color — everything seen here is either the color of something behind the glass or a refraction of some sort.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

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