Sand and Shadow

Sand and Shadow
Patterns of light and shadow on desert sand dunes

Sand and Shadow. Death Valley National Park, California. March 31, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Patterns of light and shadow on desert sand dunes

This was just about the last photograph I made during this year’s spring photography trip to Death Valley National Park. Our plan was to get up and be on the road to the Los Angeles area in the morning, but I couldn’t resist one more early awakening, so I was up and down the road before sunrise, parking my vehicle a half hour away from a location I had been thinking about for some time. I headed out across the flats in the pre-dawn semi-darkness and hiked toward low dunes as the sky began to lighten. It was very quiet and the air was still as I arrived and climbed up onto low sand hills and dunes.

I was surprised to find the wind blowing stiffly in the dunes, and as I photographed the foot or so above the sand was filled with blowing sand, occasionally muting the otherwise distinct patterns of rippling sand. I began by photographing some longer views across ranks of dunes rising toward the east, but I gradually shifted my attention to closer and smaller subjects, looking for interesting patterns and conjunctions. This deep shadow fell across a low spot in the sand, and contrasted starkly with the higher dunes that were already in full sun, creating a sort of yin-yang pattern. A few more minutes of photography, and then I packed up, walked back the way I had come, returned to our lodgings, and soon we were on the road once again.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Buildings, Venice Beach

Buildings, Venice Beach
Venice Beach buildings in midday sun

Buildings, Venice Beach. Venice Beach, California. April 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Venice Beach buildings in midday sun

Finally. A photograph that is not Death Valley. Don’t worry, there are still more Death Valley photographs, and this one did come from the same trip. On our return from Death Valley we swung through the LA Basin to visit our daughter and son-in-law, replacing natural pleasures with the distinctly urban experiences of Los Angeles. On April 1 we went to Venice Beach to visit the G2 Gallery, where photographer friends exhibit from time to time. (We enjoyed the gallery quite a bit — some lovely photographs by Clyde Butcher and Jack Dykinga were featured that week.)

Out of the gallery and on the street I had an opportunity to play with a new camera, my Fujifilm X-Pro2, which had arrived shortly before we left for Death Valley. The street being the perfect place for such a camera, I pulled it out and made a few photographs. Initially I expected that this would be a color photograph, but as I worked on it in post I began to feel that it had potential in black and white.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Exposed Playa, Dunes

Exposed Playa, Dunes
Old playa surface exposed among sand dunes

Exposed Playa, Dunes. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Old playa surface exposed among sand dunes

I recall being fascinated by these old (how old I do not know) bits of old playa surface that poke out from under shifting dunes in Death Valley from the first time I wandered in the sand dunes. Walking toward the dunes from the roadway, the route almost invariably passed among these features. (I usually try to step between or around them, as many of them are quite fragile.) Although they appear now in places where it seems very unlikely that we will find water, the cracked mud surface betrays the fact that it was here once.

This example was a bit of a surprise. We had photographed around the periphery of the dunes at sunrise, and then walked up the sand to photograph their textures, forms and colors. Mostly I look for juxtapositions of the curving shapes of dunes, and contrasts between sunlit and shadowed areas, especially where the wind has created fine rippling pattern. Wandering a bit further into the dunes I came over a sand ridge and saw a group of potential photographs, with this outcropping sticking out from under the sand at the bottom of a low spot surrounded by higher dunes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographer, Death Valley

Photographer, Death Valley
Photographer Patricia Emerson Mitchell at work in Death Valley National Park

Photographer, Death Valley. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Photographer Patricia Emerson Mitchell at work in Death Valley National Park

Patricia Emerson Mitchell at work in the desert landscape of Death Valley National Park in morning light. Our morning here started much earlier, well before sunrise, and we walked out across the playa and around the side of dunes before sunrise. We arrived at the dunes just as the first light arrived, hitting the mountains to our west and then working its way down to the valley floor and across to us. Landscape photography might seem like a rather leisurely pursuit — after all, mountains don’t move much! — but at these times of marginal light things can happen very quickly.

We continued photographing after sunrise, enjoying the chance to explore the nearly endless subjects among the forms and colors and textures of the dunes. Eventually the sun would rise high enough to diminish the beauty of the light and it would be time to leave. It was perhaps approaching that time when I stopped atop a low dune and saw Patty photographing across the landscape, with her long shadow extending in front of her camera and the distant mountains of the Panamint Range rising in beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

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