Tag Archives: abstract

Birds in Motion

Birds in Motion
Long-exposure motion blur photograph of geese in flight over winter fields.

Birds in Motion. © Copyright 2023 G Dan Mitchell.

Long-exposure motion blur photograph of geese in flight over winter fields.

This is another long-exposure, late-day bird photograph, in which I lower the ISO and use longer exposures in order to allow motion blur. A flock of (mostly) snow geese was turning into a strong crosswind and the brighter western sky — so the light was interesting and the birds were moving a bit slower that usual. The latter is a distinct advantage when trying to track the birds during longer exposures.

This way of shooting is fun and challenging. The idea is to end up with an image that has some kind of compositional integrity and which suggests the wild motion of the flock. A shutter speed up to about a second can work, and this variable will, of course, control how much blur there is. One challenge is that I can only estimate what the composition will look like since I’m shooting handheld and tracking the birds. Including a bit of the landscape in this photograph helps “ground” the blur of the flock.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Geese in Motion

Geese in Motion
Long exposure photograph of an airborne flock of migratory geese.

Geese in Motion. © Copyright 2023 G Dan Mitchell.

Long exposure photograph of an airborne flock of migratory geese.

A day of my wildlife photography typically begins and ends in darkness — I arrive and set up before sunrise and “don’t pack until it’s black.” During the earliest and latest times there’s often barely enough to light to make photographs, especially with the long lenses that I favor for this subject. In the early morning I often just crank up the ISO and do the best I can. But in the evening I frequently go the opposite direction in my final shots of the day — lowering the ISO and intentionally working with rather long exposures that allow the birds’ motion to blur.

Given the popularity of sharp pictures of birds — something that I often aspire to, as well — this might seem counterintuitive. But it occurred to me some years ago that the mass of blurred motion actually better evokes the wild seeming-chaos of these mass flights. They are not so much about any particular bird as they are about the half-seen motion of the group.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Surf #1

Surf #1
Abstract patterns of winter surf, Big Sur coast, California.

Surf #1. © Copyright 2023 G Dan Mitchell.

Abstract patterns of winter surf, Big Sur coast, California.

This photograph comes from a recent visit to the Monterey Peninsula and upper Big Sur Coast during a brief break in the recent string of atmospheric river storms in California. On one hand, it was quite something to see the aftermath of several weeks of heavy rains: landslides, fallen trees, closed parks, closed highway lanes, flooding, and more. But between two storms the light was a bit challenging — which had the virtue of persuading me to try a few things different than what I typically do.

This is one of the photographs in that category. I had been photographing along a section of the coast with high cliffs above the ocean (which, as Big Sur aficionados know, could be almost anywhere…) and dealing with lighting challenges and atmosphere thick with moisture. I looked down and was taken by the power of the waves. The area in the photograph was just at the break, so this power was expressed as constant motion as storm swells rolled in and some foam from nearby breaking waves streaked the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Too Many Layers

Too Many Layers
Multiple layers of reflections produce a complex whole.

Too Many Layers. © Copyright 2022 G Dan Mitchell.

Multiple layers of reflections produce a complex whole.

The urban landscape can be quite complex and even deceptive. I think that we imagine it to be the most rational of landscapes, where everything is objectively “real” and describable. But when you begin to look more closely, if frequently isn’t quite what it seems to be. The surfaces of things are often elusive, and you may find yourself looking more at the reflections of other things than at the object you think you are viewing.

It is somewhat difficult to make sense of this image at all once you start looking closely. There are, obviously, things from the street — parts of automobiles, a bit of a crosswalk. But nothing in this scene is viewed directly — everything is a reflect, or a reflection of a reflection, or a reflection viewed through another reflection.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.