Tag Archives: afternoon

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Pacific Ocean, Light Beams

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Pacific Ocean, Light Beams
Light beams shine through breaking storm clouds onto the surface of the Pacific Ocean, Northern California

Pacific Ocean, Light Beams. North of Fort Bragg, California. November 19, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Light beams shine through breaking storm clouds onto the surface of the Pacific Ocean, Northern California

I remain intrigued by ocean horizons, which take on an amazing range of appearances depending on the effects of light and atmosphere. The horizon might be a distinct line, it could be (and was on this day) broken by distant swells and breakers, it fade in fog and mist to the point where it is almost invisible, or it may actually be invisible the obscured by fog or rain.

On this afternoon almost every one of those conditions appeared at one time or another. As rain squalls moved onshore, the view of the water and horizon was periodically blocked, only to be lit by brilliant bands of sunlight moments later as the clouds opened. Late in the afternoon, as the sun lowered toward the horizon, the atmosphere became back-lit and began to glow, especially in spots where the rain was still falling. At times beams of light (“God Light,” to use the common photographic description) came through the clouds, passed though slightly opaque mist and rain, and lit the surface of the water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: France, Photographs: Urban/Street

Escalator, Windows

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Escalator, Windows
Afternoon light from nearby windows on an escalator, the Louvre

Escalator, Windows. The Louvre, Paris. August 11, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Afternoon light from nearby windows on an escalator, the Louvre

We spent the better part of a day during our recent Paris visit at the Louvre. Anyone who has been there knows that a day is far from sufficient time to really see the place and the art that is housed there. We managed one full floor of one (of three) wings and a bit of one or two other areas. Clearly we have no choice but to return to Paris!

It is no secret that I, like lots of other photographs, am entranced by geometric shapes, effects of light, angles, and juxtapositions. Sometimes there is time to see these things and carefully consider how best to photograph them, but sometimes we don’t have the luxury. In this case, I had very little time, as the view is from a moving escalator! Fortunately, I had my camera in hand as we rode down to a lower level, so I was able to quickly raise the camera and make a few quick exposures of this view as it evolved and rolled past.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Photographers, Photographs: Urban/Street

Photographer Doug Kaye

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Photographer Doug Kaye
Photographer Doug Kaye prowling a San Francisco alley in late afternoon light

Photographer Doug Kaye. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Photographer Doug Kaye prowling a San Francisco alley in late afternoon light

Back in early September I joined up with a group of fellow photographers to explore areas of downtown San Francisco in late afternoon light, followed by dinner, and then a return to the streets to photograph at night. Among the group was photographer Doug Kaye, here seen walking into the light along a narrow San Francisco street, a street lined with a bit of Dr. Seuss architecture with wildly dissonant angles from shadows, fire escape leaders, perspective convergence, and a crazily tilting lamp-post.

Later on this evening we headed back out after dark to photograph areas between roughly upper Chinatown and the Union Square vicinity. Night street photography is rapidly becoming a bit of a passion. Last year on a trip to Manhattan I realized that my little mirrorless camera performs well enough at high ISOs that I can effectively do handheld photography in the urban night environment — and this was a revelation!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada

Aspen Forest and Hills

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Aspen Forest and Hills
Ranks of autumn aspen trees ascend the slopes of the Eastern Sierra toward the crest in afternoon light

Aspen Forest and Hills. Sierra Nevada, California. October 2, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Ranks of autumn aspen trees ascend the slopes of the Eastern Sierra toward the crest in afternoon light

This is a photograph of brilliantly colorful eastern Sierra fall foliage… in black and white. Because I can! The location is along US 395 as it passes along the eastern escarpment of the range, and in this spot the hills are terraced upward toward the Sierra crest, high above and out of sight in this photograph. Aspens grow in abundance on these lower slopes, interspersed with grasslands, and leading to more aspens up higher and eventually to conifer forests.

I like to photograph in this area in the late afternoon, when low angle sun light comes streaming over the top of the mountains and backlights the trees and accentuates the effect of haze. While the close trees probably first got my attention, it was the little row of trees in the far distance, seen near the upper margin of the photograph, that eventually intrigued me the most. Why black and white? To be honest, one reason that I thought of this at the time I made the exposure was that, frankly, the colors were not yet at their peak. As I though about that it became clear to me that this photograph was not so much about fall color as it was about fall atmosphere — that softening and warming of the light, the gentle haze that mutes the details of more distant subjects. And I thought of this as just a little bit of a personal challenge. Frankly, it is probably easier to make a photograph in color that says “autumn.” But I know that black and white photographers have been able to accomplish the same thing, and I thought it would be interesting to give it a try myself.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.