Tag Archives: alpine

Mountain Lake, First Light

Mountain Lake, First Light
First light touches the top of a ridge under deep blue sky reflected in the surface of a wilderness lake, Yosemite.

Mountain Lake, First Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

First light touches the top of a ridge under deep blue sky reflected in the surface of a wilderness lake, Yosemite.

This Yosemite backcountry lake fall just short of having one of my favorite mountain lake features — having more than one outlet stream. I know of a few, including one I have visited that drains on both sides of the Sierra crest. This one isn’t on the crest, instead sitting in a shallow bowl near the upper edge of the sides of a great canyon, surrounded by gently rocky terrain and forest. The actual outlet stream (directly left of my camera position) is far less dramatic than the “almost-an-infinity-pool” outlet seen here.

Beyond the low ridge with the central tree in this photograph lies one of the great river canyons of the western Sierra Nevada. Like all of them, it eventually drains toward the Great Central Valley and then to the Pacific via San Francisco Bay. (Well, except for the not insignificant portions of the flow that are diverted these days.) Because this location is on the edge of that canyon and faces to the west, there are no taller peaks or ridges between it and the Valley and the Coast Range. I photographed this scene as the first sun was beginning to strike the ridge along that far side and early enough that the water was completely still.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Stream and Peak

Stream and Peak
A small subalpine stream descends from higher terrain among the peaks of hte Sierra crest.

Stream and Peak. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small subalpine stream descends from higher terrain among the peaks of hte Sierra crest.

Sometimes I manage to tweak some people a bit by saying, “All photographs lie.” I probably should explain. Too often there is an assumption that photographs are about showing the objective qualities of subjects, and that the best photographs simply convey the reality of these things. I think that is mistaken, and that photographs are literally incapable of being objective analogs of their subjects. Almost everything about a photograph is subjective. How did we choose to frame it? What did we choose to leave out? What time of day did we make it? What lens did we choose? Did we choose color or black and white? If there is a “truth” in a photograph it is the truth about the photographer’s subjective response to the subject. (This is a partial explanation of why two photographers who photograph the same subject usually end up with quite different photographs.)

Beyond that, there are many aspects of a subject that a photograph simply cannot contain. The sound of little mountain streams is central to my experience of places like this, but it is not found in a photograph. A photograph cannot capture the breeze or the slight chill of the shade in high mountains. The knowledge of what lies between this small stream and the lake at the base of those peaks isn’t found here. How I came to find myself at this place is not known to the viewer. Where is this place, and does that even matter?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Ledge Meets Lake

Ledge Meets Lake
A ledge llittered with fractured rocks above the shorline of an alpine Sierra Nevada lake.

Ledge Meets Lake. © Copyright 2021 G Dan Mitchell – all rights reserved.

A ledge llittered with fractured rocks above the shorline of an alpine Sierra Nevada lake.

This little conjunction of rock and water has fascinated me since I first saw it. The lake is in the eastern Sierra Nevada backcountry, above another lake where a group of us went to photograph for a week a couple of years ago. I have a long acquaintance with this upper lake, having first visited it perhaps a couple of decades ago. It is fascinating how my perception of the place changed over time. From that long-ago first visit I only remember that there wasn’t much in the way of obvious campsites here. On later visits I took in more of the alpine surrounds of this lake, which is set in a high bowl. Over several days of repeated visits on the more recent trip I became very familiar with the rocky terrain around the outlet of the lake.

While I’m not completely averse to photographing icons, I spend most of my photographic time in places like this looking for things that I would overlook without careful attention. Seen this way, there are photographic opportunities almost everywhere I look. In fact, I “saw” this little scene it at least four (and counting!) different ways, several of which attentive viewers may recall.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Cirque In Shadow

Cirque In Shadow
A high country cirque in shadows, surrounded by a landscape of talus, cliffs and late-season patches of snow.

Cirque In Shadow. © Copyright 2021 G Dan Mitchell – all rights reserved.

A high country cirque in shadows, surrounded by a landscape of talus, cliffs and late-season patches of snow.

Over the past decade-plus I have traveled into the Sierra backcountry almost annually with a group of fellow photographers each summer. We’ve photographed from Yosemite to Sequoia-Kings Canyon and some non-park areas along the eastern edge of the range. Our practice has been to take a day or two to get to a suitable spot where we set up a basecamp and then photograph the heck out of the surrounding area. One plus of this approach, as contrasted with trying to cover more ground by moving daily, is that we get to become more intimately familiar with the rhythms of the place.

I made this photograph a few years ago on one of these trips. We camped in thin forest at a nice high-country lake mostly surrounded by rocky terrain. Over the course of the week we explored the surroundings, gradually uncovering what the area had to offer. This lake is one of several along the course of a small stream coming down from much higher country, and it lies in an east-facing cirque more or less at timberline. The late-season snow field in the talus field attracted me from the first time I saw it, and it was only after several visits that I decided to try photographing it in the deep shade from the surrounding peaks and ridges.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.