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Desert Mountains, Snow Squall

Desert Mountains, Snow Squall
“Desert Mountains, Snow Squall” — A late-winter snow squall high in the Panamint Mountains.

On this mid-March morning I was heading for Furnace Creek in Death Valley. I had made a sunrise stop to photograph near the town of Trona before resuming my northward drive. The west side of the Panamint Mountains is visible along most of this route, and a snowstorm was winding down among the highest peaks, lending an alpine quality to the desert landscape.

The Panamint Mountains are tall, with the highest summer being Telescope Peak at 11,000 feet of elevation. (The summit is known for being a spot from which one can see both the lowest and highest points in the contiguous United States, respectively Badwater and Mt. Whitney.) It is pretty normal to see snow up there during the winter, though this time it seemed to descend a bit further down the slopes than usual.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Wood and Stones

Wood and Stones
“Wood and Stones” — Cast-up driftwood, stones, and seashore detritus on coastal rocks at Point Lobos.

The conditions on this mid-April visit to Point Lobos were a sort that coastal Californians recognize as summer-like: cold, windy, damp, and foggy. Ironic, no? But during the time of year when it is hot in most of California, it is frequently foggy and cool at the coast — which is part of what Californians like about the coast. As the clouds began to thin a bit on this morning at Point Lobos, the light changed from gray to the soft, slightly directional sort that is ideal for subjects like this.

I have photographed this spot — not just Point Lobos itself, but this specific place in the park — literally for decades. I’m pretty sure that the first time I photographed here I was a kid and using 120 film in a cheap Brownie camera. But I still find something here on every visit. Wandering this cove is almost a visual meditation. There’s so much to see, especially when winter’s debris is still plentiful, that I have to give up any pretense of working quickly. Instead I wander slowly, letting my mind slow down enough that I can start to pick out subjects among the rocks, sand, driftwood, and sea wrack.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sunset Cloud, Desert Mountains

Sunset Cloud, Desert Mountains
“Sunset Cloud, Desert Mountains” — A solitary cloud floats above the Death Valley landscape and catches the last sunset light.

This cloud was a luminous benediction at the end of a long and varied day that began before dawn along the shoreline of Lake Manly. After a late-morning break for coffee and food, I headed up into the Panamint Mountains to investigate recent snowfall. I timed my departure from there to give me time to get to this spot, an elevated location in Death Valley, in time for sunset.

I have realized that many of the landscape subjects that appeal to me are ephemeral. Like many photographers I am usually out during the edge hours around sunrise and sunset, when the light is the most transitory. I also love interesting and sometimes wild weather conditions — wind, precipitation, fog, isolated clouds forming momentarily above the landscape. This scene had a cloud that was shrinking and changing shape, along with the last bits of colorful sunset light before dusk.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Desert Canyon, Cloud Shadows

Desert Canyon, Cloud Shadows
“Desert Canyon, Cloud Shadows” A twisting and colorful desert canyon empties in Death Valley under the shadows of passing clouds.

Light is everything when it comes to photographing the desert landscapes of Death Valley. The terrain is always impressive, but the midday light can be intense and harsh, washing out colors and muting details. But in the right light a feature that might look, well, “washed out” in that intense light can become beautiful. Add a few passing clouds to increase contrasts between light and shadow and things get even more interesting.

I don’t know the name of this little canyon or even if it has one. But I do know that there are canyons like it everywhere in this national park. Many are worth exploring, whether or not there is a trail. In many cases you can just walk carefully up the gravel fan to a canyon’s mouth and then follow a wash up among the quiet hills until you run out of time or the terrain becomes too difficult.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.